Black Panther-2018
Director Ryan Coogler
Starring Chadwick Boseman, Michael B. Jordan
Scott’s Review #805
Reviewed August 23, 2018
Grade: B+
For the record, I am not a huge superhero fan nor an obsessive follower of the popular Marvel comic series. I see a handful of superhero films but hardly any of this particular genre, usually those (if any) receiving year-end recognition.
Having heard many positives regarding Black Panther (2018), I was looking forward to something creative and left of center from the typical genre film.
While the film has some standard superhero elements, the fact that most of the characters are ethnic is an enormous plus and worth the price of admission alone.
Admittedly, Black Panther plays out like a superhero film is “supposed” to play out: fight scenes, machismo, action, and villains, with the standard good versus evil storyline thrown in.
This is all good and will undoubtedly please the traditional Marvel comic book fan. However, the nuances that the screenwriters and director, Ryan Coogler, sneak into the film set it above a mediocre rating.
The fact that nearly all of the principal characters are black is tremendous, and the female black characters are portrayed as strong.
Furthermore, the visual treats of Africa and Korea, and multi-cultural clothing and colors are noteworthy. While I wish the actual story had steered further away from the tried-and-true, I was left happy with the other qualities.
The film begins with a quick story of how one African nation, Wakanda, came to be and proudly brought into existence the first “Black Panther” with superpowers obtained from a special plant.
As the action moves to Oakland, California, circa 1992, we learn that the King of Wakanda is visiting his brother, who works undercover.
Following the King’s death, his son T’Challa (Chadwick Boseman) takes over the throne but is soon challenged by his cousin, N’Jadaka (Michael B. Jordan), who deems himself the rightful heir.
Another subplot involves a black-market arms leader named Ulysses Klaue, who leads T’Challa, along with Nakia (Lupita Nyong’o) and Okoye (Danai Gurira), to South Korea and back to Wakanda.
Black Panther feels ambitious, like seeing something worth seeing, something inventive and cool. The film is stylized, and Coogler’s direction is spectacular, with bright, colorful visual treats, especially as he features lavish African locales.
Admittedly, in a mainstream comic book film laden with CGI effects, it is tough to know what is real or not, but as a viewer, these aspects were a treat and pleasing to the eyes.
The plot of the film itself feels admittedly mediocre, tough to follow, and a “been there, done that” evaluation. By the same token, the story seems predictable, and is it any wonder that T’Challa will reclaim the throne as King of Wakanda?
It does not matter too much after the inevitable clashes with warrior-type men who want the throne and/or feel that they are the rightful heir to it.
This is not to say the film is not good—it is, but the plot is not the highlight of Black Panther; it feels fairly standard.
The male-female roles are a fascinating study and progressive-minded. Granted, the male characters (T’Challa, N’Jadaka, and M’Baku) are all testosterone-laden and fierce with machismo.
However, despite being manly men, they also contain some sensitivity, and the characters have a unique family element.
On the other hand, the female characters are powerful and empowering- a dynamic approach for a superhero film sure to be seen by millions. One female character is even an Army General! So the portrayal of women as strong warriors rather than merely secondary or arm candy is impressive.
The comic book or superhero genre is notoriously filled with gender stereotypes and specific, often generic aspects. It is nice to see this work break down some of these barriers.
Between the recent Wonder Woman (2017) and Black Panther (2018), women and the black community have been represented positively.
Here’s to hoping that the LGBT community may be next.
Oscar Nominations: 3 wins- Best Picture, Best Original Score (won), Best Original Song-“All the Stars”, Best Sound Editing, Best Sound Mixing, Best Production Design (won), Best Costume Design (won)
