Category Archives: Russell Crowe

L.A. Confidential-1997

L.A. Confidential-1997

Director Curtis Hanson

Starring Kevin Spacey, Russell Crowe, Kim Basinger

Scott’s Review #1,102

Reviewed January 19, 2021

Grade: A

An enormous critical and commercial hit of 1997, L.A. Confidential spins a tale of intrigue and mystery during the 1950s with plenty of big-name stars to go around.

The film can be classified as a throwback, neo-noir escapade, but it’s quite stylistic and fleshed out. It’s well-made with slick elements and Hollywood looks and feels like the lavish production design and musical score, but it’s the seduction and bevy of secrets that will keep viewers glued to their seats, trying to guess what happens next.

As if it doesn’t have enough great elements a powerful whodunit is constructed leading viewers to question if the bad guys are good or the good guys bad.

Stalwarts like Kevin Spacey, Kim Basinger, and Danny DeVito bring star power, while unknowns at the time, Russell Crowe and Guy Pearce are the real reasons to tune in.

L.A. Confidential has a seemingly endless tangled web to absorb and unravel, but the film is paced well and never overcomplicates itself. The strong art direction and musical score make it a delight to the eyes and ears.

The film is fraught with a saucerful of secrets just waiting to be brought to the surface.

Based on the James Ellroy 1990 novel of the same name, it’s the third book in his L.A. Quartet series, the others being The Black Dahlia (1987) and The Big Nowhere (1988). All focus on the Los Angeles Police Department, corruption, and scandal. The former was turned into an unsuccessful film in 2006 starring Josh Hartnett and Scarlett Johansson.

I love films set in the City of Angels with a focus on Hollywood darkness lurking beneath the sunny and swanky exterior. Especially effective is the 1950s time, post World War II, when everything seemed to be coming up roses.

Naturally, murder is the offering of the day.

To summarize, three policemen, each with his motives and obsessions, tackle the corruption surrounding an unsolved murder at a downtown Los Angeles coffee shop in the early 1950s.

Detective Lieutenant Exley (Pearce), the son of a murdered detective, is out to avenge his father’s killing. The ex-partner of Officer White (Crowe), implicated in a scandal uncovered by Exley, was one of the victims.

Sergeant Vincennes (Spacey) feeds classified information to a tabloid magnate (DeVito). Basinger portrays Lynn Bracken, as a glamorous prostitute.

It’s nice watching the film with the knowledge of the big stars Crowe and Pearce would become. Also interesting is to see Spacey when he was a big star, eventually destined to turn into Hollywood mud due to a scandal.

That’s the beauty of watching a classic film and adds a realistic element unknown at the time of the first release.

From a romantic angle, it’s fun and juicy to wonder who Lynn, a Veronica Lake lookalike, will wind up with. Basinger has chemistry with all of the handsome cops and one wonders who she will screw and screw over.

The role is the best of Basinger’s career.

L.A. Confidential is a film that can be viewed multiple times to notice intricacies missed during the first go-around. It harkens back to the 1940s in style, pizazz, and texture. There is something for everyone and it develops well beyond the film noir genre.

It contains great acting, exceptional writing with twisting storylines and events, bloodshed, and thrills. It is an exceptional crime drama almost on par with one of the greats, Chinatown (1974).

The 1990s was an excellent decade for well-made films and L.A. Confidential (1997) is near the top of the pile.

Oscar Nominations: 2 wins-Best Picture, Best Director-Curtis Hanson, Best Supporting Actress-Kim Basinger (won), Best Screenplay Based on Material Previously Produced or Published (won), Best Original Dramatic Score, Best Sound, Best Art Direction, Best Cinematography, Best Film Editing

A Beautiful Mind-2001

A Beautiful Mind-2001

Director Ron Howard

Starring Russell Crowe, Jennifer Connelly

Scott’s Review #1,003

Reviewed March 25, 2020

Grade: A-

A Beautiful Mind (2001) is a superior-made film based on the life and times of American mathematician John Nash, a Nobel Laureate in Economics and Abel Prize winner.

The biography explores Nash’s battles with schizophrenia and the delusions he suffered, causing tremendous stress on friends and family.

The film is well-written and brilliantly acted, but deserves a demerit for factual inaccuracies, especially related to Nash’s complex sexuality and family life.

This leaves a gnawing paint-by-the-numbers approach for mass appeal only.

The film was an enormous success, winning four Academy Awards, for Best Picture, Best Director, Best Adapted Screenplay, and Best Supporting Actress. It was also nominated for Best Actor, Best Film Editing, Best Makeup, and Best Original Score.

Arguably one of the best films of 2001, it cemented director Ron Howard’s reputation as a mainstream force to be reckoned with in the Hollywood world.

The project was inspired by the Pulitzer Prize-nominated book of the same name.

Starting in 1947, we meet Nash (Russell Crowe) as a virginal and socially awkward college scholar, studying at Princeton University. He is a whiz at science and mathematics, coming up with unique and dynamic ideas for problem-solving.

Rising the ranks in respectability, he is given an important job with the United States Department of Defense, tasked with thwarting Soviet plots. He becomes increasingly obsessive about searching for hidden patterns and believes he is being followed, sinking further into depression and secrecy.

A Beautiful Mind is an important film because it brings to light the overwhelming issue of mental health and the struggles one suffering from it is forced to endure. Nash largely lives in a fantasy world and has imaginary friends who have followed him for decades by the time the film ends.

Nash conquers his demons with little aid of medication causing a controversial viewpoint. Amazing that the man was able to rise above, but is this a realistic message for those suffering from hallucinations?

Russell Crowe carries the film, fresh off his Oscar win the year before for his stunning turn in Gladiator (2000). He would have won for portraying Nash had he not recently received the coveted prize.

Crowe, hunky at this point in his life, convincingly brings the brainy and nerdy character, rather than the stud, to life, adding layers of empathy and warmth to the role.

We root for the man because he is as much sensitive as he is a genius.

Jennifer Connelly, in what is disparagingly usually described as the wife or the girlfriend role, does her best with the material given. My hunch is her Oscar nomination and surprising win have more to do with piggybacking off the slew of other nominations the film received.

She is competent as the supportive yet strong Alicia, the wife of Nash. In her best scene, she flees the house after a confused Nash leaves their infant daughter near a full bathtub, putting her life in danger.

The most heartfelt scene occurs during the conclusion. After many years of struggle, Nash eventually triumphs over this tragedy, and finally, late in life, receives the Nobel Prize. This is a grand culmination of the man’s achievements and a sentimental send-off for the film.

The aging makeup of all principal characters, specifically Nash and Alicia is brilliantly done.

Despite the heaps of accolades reaped on A Beautiful Mind, several factual points are reduced to non-existence. Questionable is why Howard chose not to explore Nash’s rumored bisexuality, instead of passing him off as straight.

Admittedly, the film is not about sexuality, but isn’t this a misrepresentation of truth? Nash had a second family, which is also never mentioned.

These tidbits eliminated from the film leave a glossy feel like Howard picked and chose what to tell and not to tell for the sake of the mainstream audience.

Bringing needed attention to a problem of epic proportions, A Beautiful Mind (2001) recognizes the issue of mental health in the United States.

The methods may be questionable, and the film has an overall safe “Hollywood” vibe but must be credited for a job well done in a film that is not only important but displays a good biography for viewers eager to learn about a genius who faced unrelenting issues.

Oscar Nominations: 4 wins-Best Picture (won), Best Director-Ron Howard (won), Best Actor-Russell Crowe, Best Supporting Actress-Jennifer Connelly (won), Best Screenplay Based on Material Previously Produced or Published/Adapted Screenplay (won), Best Original Score, Best Makeup, Best Film Editing

Boy Erased-2018

Boy Erased-2018

Director Joel Edgerton

Starring Lucas Hedges, Nicole Kidman, Russell Crowe

Scott’s Review #834

Reviewed November 22, 2018

Grade: A

Before I ventured to the movie theater to view Boy Erased (2018), I heard from more than a few folks who decided not to see the film due to the complicated subject matter.

While parts of the film are challenging and the true story stifling, the overall message is poignant and hopeful. The central character is one to be championed.

In other words, while the subject is serious, director Joel Edgerton (who also co-stars) is careful not to make the overall experience dour or wholly downtrodden.

The setting is rural Arkansas, based on Garrard Conley’s 2016 memoir of the same name and taking place as frighteningly recently as 2004.

Our main character is a handsome, popular young man, renamed Jared (Lucas Hedges) for the film.  Interspersed with numerous flashbacks, then back to present times, we see Jared as a high school kid and blossoming as a first-year college student, interested in writing.

He is expected to follow the word of god since his father, Marshall (Russell Crowe), is a respected preacher at their local church, and his mother, Nancy (Nicole Kidman), is a housewife.

Jared’s college experiences are both good and bad. He befriends fellow runner Henry, who ultimately rapes him, and embarks on an enlightening friendship with Xavier, who challenges Jared’s belief in god.

These scenes are preceded by the point of the film, in which Jared admits his thoughts about men to his parents and is sent to a Love In Action gay conversion therapy program. His experiences there are chronicled.

Many scenes involve the treatment the school provides the students (or instead makes the students endure), and Jared’s realization that he is gay and cannot change.

He ultimately questions and challenges the school. The chief therapist, Victor Sykes (Edgerton), teaches that God will not love anyone who is homosexual. In a bit of rich irony, the film reveals that Victor finally denounced his teachings and married a man.

Fellow students’ lives are featured, one suffers a terrible fate as he cannot come to terms with his sexuality, nor can he change.

A comparison to the popular film Love, Simon (2018) is fun to draw.

Both were released during the same year, and both feature a young, popular coming-of-age character who struggles with the repercussions of revealing their sexual preference.

Boy Erased is the heavier of the two, as Love, Simon has many comic elements, but it is worth noting that both are mainstream films garnering large audiences- a win for the LGBT community.

The acting in Boy Erased is flawless and perfectly cast all around.

With Hedges, Kidman, and Crowe in the mix, we know the performances will be outstanding, and all three characters possess their share of empathy.

Jared is the most important character to be concerned about, and Marshall and Nancy are support players. However, the film does not portray either as bad people, which is interesting. They are nurturing towards Jared and want him to be happy.

While Nancy is more instrumental in rescuing Jared, Marshall also comes around in the end, as his son’s sexuality is tougher for him to accept.

The main song used in the film is appropriately named “Revelation” by Troye Sivan. The singer also appears in the film as Gary, a student made to be “cleansed” of his sexuality.  The tune is sentimental, smoky, and acoustic, perfect for the southern setting.

Heartfelt and fraught with meaning, it encompasses Jared’s struggles and strong will to question the school’s motivations, powering through the school’s toxic approach.

As with many recent biographical films telling stories of real-life people, Boy Erased features a young Jared in homemade video clips as the movie begins. This immediately triggers a rooting value for the character as we see the child, cute, happy, and full of life, without a care.

Additionally, the conclusion shows the real adult Jared, Marshall, and Nancy.

Boy Erased (2018) is an important film firmly nestled in a crucial time period for the LGBT community. As LGBT awareness is now commonplace in cinema, this film does not necessarily share a gay character’s “coming out” story but rather depicts a brilliant story of how perilous and repressive being gay can still be for some people.

Jared is the main character who will undoubtedly be a hero to many young people wrestling with their identity.

Noah-2014

Noah-2014

Director Darren Aronofsky

Starring Russell Crowe, Jennifer Connelly

Scott’s Review #3

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Reviewed June 16, 2014

Grade: B+

Learning that Darren Aronofsky, a very dark director (Black Swan-2011, Requiem for a Dream-2000, and The Wrestler-2008), would be tackling a religious film piqued my curiosity.

Those expecting an uplifting, happy film about “god” will be disappointed.

This film is generating controversy from the religious folks, which I find interesting, but nobody wants me to go off on a tangent.

The film tells the tale of the biblical figure, Noah, and his quest to do God’s will through the signs he is given.

It takes incredible talent to make a film like this not seem silly and Aronofsky, Russell Crowe, and Jennifer Connelly succeed.

The film is quite dark and at times Noah comes off as more of a madman than a savior.

The visual effects and the musical score are wonderfully effective.

Noah (2014) has a few plot holes but is a nice fantasy/apocalypse-type film.