Category Archives: Jason Clarke

Oppenheimer-2023

Oppenheimer-2023

Director Christopher Nolan

Starring Cillian Murphy, Robert Downey Jr., Emily Blunt

Scott’s Review #1,384

Reviewed August 1, 2023

Grade: A

Knowing the films of Christopher Nolan who directed works like The Dark Knight Trilogy (2005-2012), Inception (2010), and Dunkirk (2017) I expected what I would be served with by his new film Oppenheimer (2023).

This would include a big booming soundtrack and an arguably more ‘guys’ genre film, but with intelligence, than other contemporary hits like Barbie (2023).

Dark and looming with complexities are usual for Nolan so I settled in for a three-hour epic journey centered on the atomic bomb and physics that has unexpectedly become a blockbuster.

Speaking of the pink phenomenon its simultaneous release with Oppenheimer led to the “Barbenheimer” phenomenon on social media, which encouraged audiences to see both films as a double feature.

This forever links the two vastly different films that were responsible for filling movie theaters once again.

I expected to enjoy Oppenheimer but was jarred (in a good way) by the sheer brilliance of its construction. Prepared for more mainstream fare that typically follows a biography or historical piece I was instead overly fascinated by the experimental elements enshrouding a more conventional film.

During World War II, Lieutenant Colonel Leslie Groves Jr. (Matt Damon) appoints physicist J. Robert Oppenheimer (Cillian Murphy) to work on the top-secret Manhattan Project.

Oppenheimer and a team of scientists spend years developing and designing the atomic bomb. Their work came to fruition on July 16, 1945, as they witnessed the world’s first nuclear explosion, forever changing the course of history.

The film is constructed marvelously in every way and is authentic to the eye. The first notice is that it feels like it’s the 1940s 1920s or 1960s or anywhere in between depending on where the film goes.

The art design, costumes, and makeup feel natural rather than stagey which helps its audience escape into the scientific world.

Speaking of, Nolan constructs the film in a series of pockets and goes back and forth between periods. We see Oppenheimer many times as an aspiring upstart with visions, a confident, established physicist, and in 1963 when President Lyndon B. Johnson presented him with the Enrico Fermi Award as a gesture of political rehabilitation.

His personal life is also explored.

Many, many scenes shift back and forth involving different characters at different ages. Most of the scenes in the 1940s take place in the desert at Los Alamos, New Mexico while the later years are set in a stuffy conference room where Oppenheimer is grilled for his left-leaning and suspected Communist politics.

The cinematography led by Hoyte van Hoytema provides some edgy moments especially when Oppenheimer descends into frightening and psychedelic hallucinations of those suffering the aftereffects of the atomic bomb. Images of peeling and melting faces are terrifying.

Cillian Murphy successfully makes Oppenheimer sympathetic especially after he creates the bomb and is left forgotten by his government.

Various moments in the film showcase Murphy at his best. After relinquishing his deadly bomb after a test the government callously tells Oppenheimer that ‘they’ll take it from here’. The look of dread, regret, and sadness in Murphy’s crystal blue eyes speaks volumes.

Another great scene occurs when President Harry S. Truman (Gary Oldman) a left-leaning democrat calls Oppenheimer ‘a crybaby’ when he expresses interest in returning land to the American Indians.

The supporting cast is a bevy of riches with several top-caliber actors appearing in cameos. My standouts in larger roles are Robert Downey Jr. shredding his Iron Man superhero persona as a slighted and venomous Lewis Strauss, intent on revoking Oppenheimer’s security clearance, and Emily Blunt as the boozy biologist and former communist wife of Oppenheimer.

My biggest takeaway from Oppenheimer (2023) though is a powerful one. The difference between the United States of America during and post World War II and in present times, 2023.

Then, a patriotic infrequently questioned nation brimming with pride and glory, where nationalism was rampant and expected and those with foreign respect were cast aside as traitorous.

Now, a divided country half of whom support an ideology based on hate, racism, and cultlike dedication to a corrupt ex-president, and the other focused on diversity inclusion, and equality for all.

This film resonated so powerfully well and in so many different ways.

Oscar Nominations: 7 wins-Best Picture (won), Best Director-Christopher Nolan (won), Best Actor-Cillian Murphy (won), Best Supporting Actor-Robert Downey Jr. (won), Best Supporting Actress-Emily Blunt, Best Adapted Screenplay, Best Film Editing (won), Best Cinematography (won), Best Costume Design, Best Production Design, Best Original Score (won), Best Sound, Best Makeup and Hairstyling

Zero Dark Thirty-2012

Zero Dark Thirty-2012

Director Kathryn Bigelow

Starring Jessica Chastain

Scott’s Review #1,133

Reviewed April 14, 2021

Grade: A-

Director Kathryn Bigelow, not far removed from her Oscar win for The Hurt Locker (2008), returns with a similar style of film centering around war and more specifically about the emotional tolls and psychological effects from not just the battlefields but from dangerous missions.

The main character suffers from many conflicts and inevitably the viewer will as well.

Zero Dark Thirty (2012) is unique for the genre by having a female in the lead role and star Jessica Chastain is front and center and terrific.

She is calm, restrained, and in control. She is tough to rattle and a powerful and inspirational character to be admired.

Chastain exudes cool in the face of danger.

Chastain does have a brilliant emotional scene at the end of the film. Her character, Maya, boards a military transport back to the U.S., as the sole passenger. She is asked where she wants to go and begins to cry. The emotion finally gets the better of her as it would to anyone.

The film is not all Chastain’s to brag about and there is little wrong with the film.

Beautifully directed, Bigelow layers her film with enough tension and magnificence to enshroud the moral questions viewers will ask, specifically about torture.

It’s somewhat fictionalized, and in fact, Chastain’s character is made up, but Zero Dark Thirty is a gem nonetheless.

But we also know the events happened.

The film starts incredibly well and immediately grabs the viewer’s attention with a brilliant first scene. Amidst a dark screen and soundtrack of actual calls made to the 911 operator from inside the World Trade Center Towers on 9/11, the scene is about as powerful an opening as a film can have and bravely sets the stage for what follows.

These include many scenes of Arab detainees being interrogated (that is, tortured) for information about Al Qaeda. Is this justified or unnecessary abuse?

The viewer is immediately saddened and in tears and conflicted about whether the torture is justified having just heard the 911 calls.

I know I was.

From there, the viewer also is told a summary story putting the pieces of the first scene together.

After the terrorist attacks of Sept. 11, 2001, Osama bin Laden becomes one of the most wanted men on the planet. The worldwide manhunt for the terrorist leader occupies the resources and attention of two U.S. presidential administrations.

This is the crux of the film and the story told.

Ultimately, it is the work of a dedicated female operative  (Chastain) that proves instrumental in finally locating bin Laden. In May 2011, Navy SEALs launched a nighttime strike, killing bin Laden in his compound in Abbottabad, Pakistan.

We all know this but troubling is the use of torture. I keep coming back to this point.

I think what I like most about the film besides the riveting pacing, action sequences, and psychological appeal is the controversy that surrounds it.

The fact that it ruffled feathers at the CIA and in Congress about whether the info was leaked to the filmmakers makes me think that at least some of it is based on facts, despite what other reviewers (likely with a strong political bias) might claim to the contrary.

But as a political junkie that’s just my belief.

The film’s reproduction of enhanced interrogation techniques is brutal. Some critics, in light of the interrogations being depicted as gaining reliable, useful, and accurate information, considered the scenes pro-torture propaganda.

Acting CIA director Michael Morell felt the film created the false impression that torture was key to finding bin, Laden. Others described it as an anti-torture exposure of interrogation practices.

I guess we may never know the truth. But the film compels and provokes feeling.

Bigelow is at the top of her game with Zero Dark Thirty (2012) crafting a genre film (the war one) way too often told from only a masculine “us versus them” mentality and leaving behind the fascinating nuances that can make the genre a more interesting and less one-note one.

The masterful director does just that and makes us think, ponder, and squirm uneasily.

Oscar Nominations: 1 win-Best Picture, Best Actress-Jessica Chastain, Best Original Screenplay, Best Sound Editing (won), Best Film Editing

The Great Gatsby-2013

The Great Gatsby-2013

Director Baz Luhrmann

Starring Leonardo DiCaprio, Tobey Maguire

Scott’s Review #142

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Reviewed July 29, 2014

Grade: A

Despite some mixed reviews of this movie, I loved it.

Having read the classic novel, The Great Gatsby, by F. Scott Fitzgerald, I was familiar with the story of excess and scandal during one sweltering summer in the well-to-do Long Island, NY community during the 1920s.

Directed by Baz Luhrmann (Moulin Rouge) I found the look of the film lavish, realistic, and gorgeous- perfect ambiance and a dream-like quality.

I loved the casting of Leonardo Dicaprio as Gatsby, Carey Mulligan as Daisy, and Tobey Maguire as Nick Caraway.

The chemistry among the three leads is apparent and visually the film is spectacularly dressed, from costumes to gorgeous sets, and the speech patterns of the era- “old sport”, and “row”, is used frequently and seem authentic.

Many complained about the mixing of modern rap music with a film set in the 1920s, which does sound strange on paper, but I enjoyed that aspect of it and feel it gave a contemporary edge to the film.

There are slight adjustments from the novel, but I thought it was a very successful transition to the big screen.

Oscar Nominations: 2 wins-Best Production Design (won), Best Costume Design (won)