Tag Archives: Brie Larson

21 Jump Street-2012

21 Jump Street-2012

Director Phil Lord, Chris Miller

Starring Channing Tatum, Jonah Hill

Scott’s Review #992

Reviewed February 20, 2020

Grade: C+

21 Jump Street (2012) is a nostalgic ode to the general style of the 1980s, more specifically a popular television series that ran from 1987 to 1991.

The teen police drama launched the successful career of actor Johnny Depp.

He starred as the good-looking leader of a team of young police officers who can pass for high school students, and infiltrate potential drug rings, prostitution circles, or other such shenanigans.

The film is hardly high art nor cinematic genius. The gags are silly and trite, other times not funny at all. But the film contains a freshness that feels cool, sleek, and fun and a throwback to the decade of materialism, and the film never apologizes for this.

The combination of stars Jonah Hill and Channing Tatum have nice chemistry, turning a standard buddy film into something bearable to watch.

The film is formulaic, but not dull.

The filmmakers strive for an action-comedy hybrid even though the series was only conventional drama and taught a lesson with each episode. They also change course and focus on two characters instead of a group making it more of a guy movie.

Honor roll student Morton Schmidt (Jonah Hill) and popular underachieving jock Greg Jenko (Channing Tatum) reunite seven years after graduating high school at the police academy where they are studying to be cops.

Eager to leave their juvenile problems, and their dislike for each other behind, they use their youthful appearances to go undercover at a local high school as part of a Jump Street unit.

As they trade in their guns and badges for books and bagged lunches, Schmidt and Jenko risk their lives to investigate a violent and dangerous drug ring.

They slowly realize that high school is nothing like they left it just a few years earlier, and they revisit the terror and anxiety of being a teenager again and all the issues they assumed they had left behind.

The film is mediocre and while there is nothing wrong with the film, nothing is outstanding about it either. As the setup poises the audience, Morton and Greg are opposites in every way and must come together to achieve a common goal.

This is a standard cliche told countless times in films such as Stir Crazy (1983) and 48 Hours (1982), the reference being one of the 1980s.

Speaking of the decade of excess, 21 Jump Street achieves what it sets out to in this regard with a clever nod to a revived scheme from that decade.

Set in present times, the film is nonetheless a nod to teen films of the day.

Wild comedy and lavish adventures are in order in every high school situation imaginable. Dating, AP chemistry class, and the senior prom are heavily promoted so that any viewer above the age of twenty-five can reminisce.

A fun and necessary quality is the inclusion of a few of the original cast of the television series-Holly Robinson Peete, Peter DeLuise, and Johnny Depp all appear in cameo roles. This is a treat for fans of the original series and a tribute to its creation, though nothing else is utilized very well and no other history ever quite measures up.

Robinson Peete’s role is nice because she appears as a police officer.

While doing little to honor the television series it is based on, instead of churning out more of a male cop film, the incorporation of the original cast does deserve praise.

The lead actors are charismatic and clever in their roles which saves the film from being a disaster.

21 Jump Street (2012) kvetches too far into slapstick instead of sending an important message to its audience, which it could have.

The box-office hit was followed in 2014 by an unnecessary remake, aptly entitled 22 Jump Street.

The Spectacular Now-2013

The Spectacular Now-2013

Director James Ponsoldt

Starring Miles Teller, Shailene Woodley

Scott’s Review #161

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Reviewed August 29, 2014

Grade: B

The Spectacular Now (2013) is a coming-of-age independent film that tells the story of a romance between two unlikely high school seniors.

Sutter (Miles Teller) is a popular student who takes a shine to smart loner Aimee (Shailene Woodley) and the two develop a strong bond as they each struggle with parental issues while being opposite social types.

She is college-bound and motivated, he lives in the now with no thoughts of the future. But somehow they forge a connection.

The success of this film lies with Teller and Woodley who each give nice performances and the chemistry between them is evident.

At first, I neither bought Teller as a traditionally popular kid nor Woodley as the friendless recluse, but somehow the film works as each has a rooting value to them.

Sutter’s ex-girlfriend Cassidy, whom he still has feelings for is played by Brie Larson, and the character is rather undeveloped, needless, and not much rooting value for her or competition for the main couple.

Interestingly, alcohol and alcoholism are touched on as the two leads drink quite heavily and regularly for being only eighteen years old, but glossed over.

I think the film is more about the romance between the two rather than any social issues.

There are capable supporting performances by Jennifer Jason Leigh, Kyle Chandler, and Mary Elizabeth Winstead.

Shailene Woodley received an Independent Spirit Award nomination for Best Actress, but Miles Teller received no nomination and I am surprised as I thought he was a bit better than she was and had the meatier role.

The Spectacular Now (2013) is hardly anything groundbreaking, but a nicely told story that is authentic and admirable for a teen film.

Independent Spirit Award Nominations: Best Female Lead-Shailene Woodley, Best Screenplay

Short Term 12-2013

Short Term 12-2013

Director Destin Daniel Cretton, Lakeith Stanfield

Starring Brie Larson

Scott’s Review #149

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Reviewed August 6, 2014 

Grade: C+

Having just viewed Short Term 12 (2013), I am not sure I am getting all of the “this movie is brilliant” or “beyond amazing”, or glowing praise surrounding the film.

The film is set in a group home for troubled teens and centers around the supervisor of the home named Grace (Brie Larson). Grace runs the home with her boyfriend and other twenty-something, mostly former troubled youths.

The film’s focal point is Grace and both her problems (she is pregnant and her abusive father is being released from prison) and her relationships with the teens currently staying in the group home.

The film is fairly engaging but seems a bit forced and not gritty enough given the subject matter.

I enjoyed the relationship between Grace and a new charge, Jayden, whom she befriends. The group of teens is almost too perfectly cast, however- with a mix of races and stereotypes, the kids did not come across as genuine.

I would have liked to see more backstory for some of the kids besides the two that were given one.

Subjects were introduced but not followed through with- Why was Grace’s father never introduced onscreen? Where was the mother? Her childhood issues were mentioned only in passing. Some of Grace’s actions were unrealistic and out of character for a counseling supervisor.

Would she smash the windows of one of the teen’s father’s cars out of anger and not consider the repercussions? And what was with the constant poop jokes, especially in the first ten minutes?

That was dumb and out of place.

The film feels glossed over and I didn’t feel the realism- almost like a CBS television drama with swear words added to seem harsher. The subject was brave, but many more details could have been delved into and explored in Short Term 12 (2013).

Independent Spirit Award Nominations: 1 win-Best Female Lead-Brie Larson, Best Supporting Male-Lakeith Stanfield, Best Editing (won)

Don Jon-2013

Don Jon-2013

Director Joseph Gordon-Levitt

Starring Joseph Gordon-Levitt, Julianne Moore

Scott’s Review #27

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Reviewed June 17, 2014

Grade: B+

 I did not expect Don Jon (2013) to be as good as it is.

Frankly, I was expecting a by-the-numbers romantic comedy.

Written, directed by, and starring Joseph Gordon-Levitt, it tells the story of a twenty-something New Jersey bartender who is addicted to porn despite receiving all the female attention he can imagine.

Scarlett Johansson and Julianne Moore play two completely different women in his life.

The film contains stereotypical, though hilarious and spot-on, New Jersey trademarks. Tony Danza is effective as the brash father.

In the last thirty minutes, the film turns into a wonderful, yet hardly sappy or traditional, love story that makes Don Jon (2013) a positive experience.

Gordon-Levitt is a breath of fresh air and a young Hollywood talent getting his due.

Independent Spirit Award Nominations: Best First Screenplay