Tag Archives: Crispin Glover

Wild at Heart-1990

Wild at Heart-1990

Director David Lynch

Starring Nicolas Cage, Laura Dern

Scott’s Review #1,230

Reviewed February 19, 2022

Grade: B+

David Lynch has created some weird films. Blue Velvet (1986) and Mulholland Drive (1992) are masterpieces that skew the odd and peculiar facets of human behavior.

But Wild at Heart (1990) takes the cake as the strangest in the lot.

Fascinatingly unhinged yet hard to understand, it’s got the Lynch handprint from start to finish, but only a warm-up act compared to those other films.

Somehow, the film is classified as a comedy. It’s got to be one of the darkest of dark comedies.

Anyone who is not a Lynch fan will not appreciate or get this film- I am a Lynch fan, and I’m not sure I even got it.

I do appreciate it, though.

It’s also the best role of Diane Ladd’s career in which she plays a fiendish, witchy mama. The graceful actress belts a home run in her storied performance.

An event during the opening sequence sets the tone for the rest of the film. Sailor Ripley (Nicolas Cage) serves prison time for a self-defense killing and reunites with his girlfriend Lula Fortune (Laura Dern) when he is released.

Lula’s mother, Marietta (Diane Ladd), is desperate to keep them apart and hires a hitman to kill Sailor. But those are only the start of his troubles when he and Bobby Peru, played by Willem Dafoe, an old buddy who’s also out to get Sailor, try to rob a store.

When Sailor lands in jail again, he may be destined never to reunite with Lula.

Wild at Heart is a love story about Sailor and Lula and the many obstacles they must overcome to live happily ever after.

Cage and Dern are terrific, though I fantasized while watching how nice it would have been to see Kyle MacLachlan in the role of Sailor.

A Blue Velvet reunion would have been splendid since his chemistry with Dern in that film was top-notch. Nonetheless, I enjoyed watching Cage and Dern as the romantic leads.

The many references to The Wizard of Oz are delightful, such as when an image of Marietta flying through the air on a haggard broomstick appears, just like the Wicked Witch of the West.

When Lula desperately clicks her red heels three times to no avail, we strangely wonder where the home she wants to return to is.

The film is one of those that is hard to take seriously or focus on the plot too much.

This is evidenced by the inclusion of Twin Peaks (1990-1991; 2017) alumni Sheryl Lee, Sherilyn Fenn, and Grace Zabriskie. They play The Good Witch, Girl in Accident, and Juana Durango, respectively.

Each character is indescribable in their strangeness.

The nuttiness continues with bizarre turns from Crispin Glover and Harry Dean Stanton.

Interesting that Wild at Heart was released the same year as Twin Peaks. The inclusion of a seedy bar named One-Eyed Jacks, which appears in both productions, is about all that is comparable between the two productions. The main events in Wild at Heart are in Texas and Washington for Twin Peaks.

Aside from the storylines, the best part of Wild at Heart is the cinematography. Enough dark, dusty highway sequences emerge, using glowing, moody lighting and foreboding cracks and crevices, in other visceral scenes.

Cigarette smoking has never looked as sexy or dangerous as it does in this film.

Despite admirable, perfectly Lynch-y elements in Wild at Heart (1990), the film is just too far over the top for me to fall in love with.

I’ll pull out my copies of Blue Velvet (1986) and Mulholland Drive (1992) any day before Wild at Heart.

Oscar Nominations: Best Supporting Actress-Diane Ladd

Independent Spirit Award Nominations: 1 win-Best Supporting Male-Willem Dafoe, Best Cinematography (won)

Back to the Future-1985

Back to the Future-1985

Director Robert Zemeckis

Starring Michael J. Fox, Christopher Lloyd

Scott’s Review #1,205

Reviewed December 5, 2021

Grade: A-

As a child of the 1980s, I was left with an indelible mark by films like Back to the Future (1985).

I fondly recall excitedly going to the movie theater on a Saturday afternoon with a giant tub of popcorn in tow and enjoying the hell out of this film.

I’ve subsequently seen it several times since.

There exists a magical, futuristic element that left me and countless other youngsters and adults alike with a sense of wonder. And one amazing car!

Michael J. Fox, a huge television star of the 1980s largely thanks to the sitcom Family Ties, powered through to the big screen with the help of this film and others.

The 1980s were a wonderful decade to grow up in.

Small-town California teen Marty McFly (Fox) is thrown back into the 1950s when an experiment by his eccentric scientist friend Doc Brown (Christopher Lloyd) goes awry.

Traveling through time in an amazing DeLorean, Marty encounters younger versions of his parents (Crispin Glover, Lea Thompson) and must ensure they fall in love, or he will cease to exist.

To further complicate matters, Marty then has to return to his own time and save Doc Brown’s life.

Back to the Future is one of those films that has something for everyone, and the stars are perfectly aligned to make it a blockbuster popcorn hit.

Besides the science fiction elements, there is humor, a cool 1950s throwback vibe, romance, and natural chemistry between Fox and Lloyd, who together carry the film.

It’s hardly an art film and goes for the jugular with mainstream additions like a killer soundtrack led by The Power of Love by Huey Lewis and the News, which was all over top 40 radio in the summer of ’85.

Counterbalancing the current times was another smash hit, Johnny B. Goode, a 1958 Chuck Berry tune.

There is a safe vibe for sure, and director Robert Zemeckis knows his action-adventure romantic comedies. This may be his best work, but he also skews adding much diversity or heavy topics. He creates a fun, entertaining film.

Fox is perfectly cast as Marty, and I cannot imagine anyone else in the role. However, method actor Eric Stolz was the original choice and spent several dismal weeks filming scenes before he was replaced.

Fox is the ultimate boy next door, cute but goofy, and relatable to teenage boys across middle America.

Lloyd is perfect as the zany Doc Brown. He is wacky without being too ridiculous and bridges the gap between generations. The character is presumed to be old enough to be Marty’s (in present-day) grandfather, and the two characters rely on each other.

Back to the Future shows that an unlikely friendship can develop.

The film also effectively depicts the vast differences between the 1950s and the 1980s. At a simpler time, the 1950s are viewed as wholesome, while the 1980s are perceived as the decade of excess, and some fun is poked at both generations.

But both generations can also connect.

In a moment of crisis, Marty helps secure his parents’ bond and ensures he is created. This could be viewed as icky to some, but the romance between the two parents is tender and sweet.

The interactions between all characters are sentimental without being saccharine.

Back to the Future was the feel-good film of 1985 and a must-see for those living in the period. It holds up surprisingly well, with the state-of-the-art special effects not looking dated or laughable now.

It also explores growing up as an adolescent and identifying with one’s parents and the differences they have.

Who can’t relate to that in some way?

Oscar Nominations: 1 win-Best Original Screenplay, Best Original Song-“The Power of Love, Best Sound, Best Sound Effects Editing (won)

Friday the 13th: The Final Chapter-1984

Friday the 13th: The Final Chapter-1984

Director Joseph Zito

Starring Kimberly Beck, Corey Feldman

Scott’s Review #125

60002390

Reviewed July 21, 2014

Grade: B

Being the 4th chapter in the popular Friday the 13th saga, and the shameless marketing of this installment as being the final chapter, obviously a fib since the ending of the film sets up another sequel, I have a soft spot for this Friday the 13th sequel.

If I am being honest, with each viewing, I realize more and more it’s not nearly as good as the first three.

From a storyline and technical perspective, it is a crappy movie.

It now seems incredibly dated and of its time- the acting is mediocre at best, but fans of the franchise will love it.

It’s predictable, much like eating at McDonald’s, you know exactly what you will get, and that is fine for a certain audience.

A gathering of horny, pot, and beer-induced teens flock to Camp Crystal Lake for a weekend of revelry. Apparently not knowing, or caring, that dozens of other teens have been slaughtered there before, they begin their partying.

For horror fans, there is comfort in this film. We know the youths will be killed- we just don’t know how or when. That’s the fun and beauty of it.

Will someone be decapitated? Lose a limb? Will the murder weapon be an ax or a machete? Who will be the last remaining victim?

The introduction of the twins is a nice touch, and a very young Crispin Glover appears.

The addition of Corey Feldman to this one adds child feistiness. Otherwise, it’s pretty formulaic, and not much sets it apart from the others.

Fans of the franchise will love Friday the 13th: The Final Chapter (1984), all others stay away.