Tag Archives: Robert Zemeckis

Back to the Future-1985

Back to the Future-1985

Director Robert Zemeckis

Starring Michael J. Fox, Christopher Lloyd

Scott’s Review #1,205

Reviewed December 5, 2021

Grade: A-

Being a child of the 1980s films like Back to the Future (1985) left an indelible mark on me. I fondly recall excitedly going to the movie theater on a Saturday afternoon with a giant tub of popcorn in tow and enjoying the hell out of this film.

I’ve subsequently seen it several times since.

There exists a magical, futuristic element that left me and countless other youngsters and adults alike with a sense of wonder. And one amazing car!

Michael J. Fox, a huge television star of the 1980s largely thanks to the sitcom Family Ties, powered through to the big screen with the help of this film and others.

The 1980s was a wonderful decade to grow up in.

Small-town California teen Marty McFly (Fox) is thrown back into the 1950s when an experiment by his eccentric scientist friend Doc Brown (Christopher Lloyd) goes awry.

Traveling through time in an amazing DeLorean car, Marty encounters younger versions of his parents (Crispin Glover, Lea Thompson), and must make sure that they fall in love or he will cease to exist.

To further complicate matters, Marty has to then return to his own time and save the life of Doc Brown.

Back to the Future is one of those films that has something for everyone and the stars perfectly aligned to make it a blockbuster popcorn hit. Besides the science fiction elements, there is humor, a cool 1950s throwback vibe, romance, and natural chemistry between Fox and Lloyd who together carry the film.

It’s hardly an art film and goes for the jugular with mainstream additions like a killer soundtrack led by The Power of Love by Huey Lewis and the News which was all over top 40 radio in the summer of ’85. Counterbalancing the current times was another smash hit Johnny B. Goode, a 1958 Chuck Berry tune.

There is a safe vibe for sure and director Robert Zemeckis knows his action-adventure romantic comedies. This may be his best work but he also skews adding much diversity or heavy topics. He simply creates a fun, entertaining film.

Fox is perfectly cast in the role of Marty and I cannot imagine anyone else in the part though method actor Eric Stolz was the original choice and spent several dismal weeks filming scenes until he was replaced.

Fox is the ultimate boy next door, cute but goofy, and relatable to teenage boys across middle America.

Lloyd is perfect as the zany Doc Brown. He is wacky without being too ridiculous and bridges the gap between generations. The character is presumed to be old enough to be Marty’s (in present-day) grandfather and the two characters rely on each other. Back to the Future shows that an unlikely friendship can develop.

The film is also great at depicting the vast differences between the 1950s and the 1980s. At a simpler time, the 1950s are viewed as wholesome while the 1980s are perceived as the decade of excess and some fun is poked at both generations. But, both generations can also connect.

In an acute moment, Marty helps secure his parent’s bond and ensures he is created. This could be viewed as icky to some but the romance between the two parents is tender and sweet. The interactions between all characters are sentimental without being saccharine.

Back to the Future was the feel-good film of 1985 and a must-see for those living in the period. It holds up surprisingly well with then state-of-the-art special effects not now looking dated or laughable. It also explores growing up as an adolescent and identifying with one’s parents and the differences they have.

Who can’t relate to that in some way?

Oscar Nominations: 1 win-Best Original Screenplay, Best Original Song-“The Power of Love, Best Sound, Best Sound Effects Editing (won)

The Polar Express-2004

The Polar Express-2004

Director Robert Zemeckis

Starring Tom Hanks

Scott’s Review #800

Reviewed August 8, 2018

Grade: B+

The Polar Express (2004) is a modern entry into the annals of holiday film history. Along with treasures like Rudolph, Frosty, the Grinch, and all the other standards, this film has become a popular one to watch throughout the season.

The film is not exactly like the others, since it is the first of its kind to incorporate live human characters animated using live-action motion capture animation.

The mood of the film is mysterious, edgy, and with a dark tint, so jolly it isn’t, but compelling it is, and visually is a marvel.

The story is as follows- on a snowy (naturally!) Christmas Eve, a young boy living in Grand Rapids, Michigan, is doubtful of the existence of Santa Claus. When a steam locomotive suddenly appears outside of his house, he curiously boards the train to find a mysterious conductor (Tom Hanks) manning the train.

As the train rolls away the boy meets two other children on board and stops for another one, also reluctant to get on. They begin a dazzling, frozen adventure to the North Pole with the promise of receiving the first gift of Christmas from Santa Claus himself.

The main reason to recommend The Polar Express is simply for the gorgeous visual treats offered. In 2004 the film was a unique experience and I fondly recall sitting in a dark movie theater observing the film for the first time.

There was a magical element to the surroundings, combining intrigue and fantasy that still holds up well.

For adults, I do not think the film is at all scary, but I have heard some reviewers complain that the moody ingredients are a bit frightening for children so there is that concern. 

A major component is the mixture of human beings and animated tools. The familiar actor who everybody knows is Tom Hanks as the conductor. Therefore, to sit back and observe the character is a wonderful thing- is it Tom Hanks or is it an animation?

It is ultimately both, but the fun is in the observation and wondering how the filmmakers created this experience.

And listen for Hanks in other voice performances throughout the film. 

The story (or fable) itself is warm and fairly predictable. But, of course, being largely made with kids in mind, this is to be expected. There is never a doubt that the boy (interestingly never given a name) will ultimately believe in Santa after all and live happily ever after.

The magic is in the details, though- the boy’s journey to this realization is peppered with fun and creative richness- the little girl’s floating ticket and an ornament falling off a Christmas tree are good particulars. 

Director, Robert Zemeckis, and Hanks worked closely together in Forrest Gump (1994) so the pair are familiar with each other, creatively speaking. Hanks undoubtedly had much input into the decision making and it shows. 

I do not personally rank The Polar Express (2004) among the best of the best holiday film offerings, but I support an occasional dusting off of this work for viewing pleasure.

Perhaps over time the animations may become dated or seem less dazzling, but the film is still to be appreciated for its creative elements. The story is nothing spectacular (in a way Scrooge for kids) but makes for a pleasant family viewing experience. 

Oscar Nominations: Best Song-“Believe”, Best Sound Editing, Best Sound Mixing

Forrest Gump-1994

Forrest Gump-1994

Director Robert Zemeckis

Starring Tom Hanks, Robin Wright, Gary Sinise

Top 100 Films #94

Scott’s Review #362

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Reviewed January 9, 2016

Grade: A

Awarded a bevy of Academy Awards in the year 1994, Forrest Gump is a film that is engrained in many people’s memories since the film was a monster hit in the mid-1990s.

Some complained that the unrealistic nature of the film was silly, and the story too saccharine, but the film is an innocent, sweet piece about a simple-minded man’s journey through life and the insurmountable success that he achieves.

I adore the film largely from a sentimental standpoint and the memories that watching the film years later conjures up.

I find the film to be a comfort.

Zemeckis, a feel-good film director (Back to the Future-1985, Who Framed Roger Rabbit? -1988), carves a whimsical tale of a fellow, Forrest Gump (played brilliantly by Tom Hanks), a slow-witted, but gentle soul, from Alabama, and his decades-long journey through life.

His lifelong love is Jenny (played by Robin Wright), who is a troubled girl and relies on Forrest over their friendship spanning decades.

Forrest is always in the right place at the right time and influences the events of history in his innocent way.

Forrest Gump is unique in its clever use of editing to incorporate Forrest into real-life historical events, which is a big part of the appeal of the film.

In one instance, Forrest meets with Richard Nixon and reveals the Watergate scandal. He also met President John F. Kennedy after winning a football scholarship.

And who can ever forget the numerous lines made famous from the film- “Stupid is as stupid does”, and “Life is like a box of chocolates. You never know what you are going to get.”, to name just two.

What I love most about the film is that it has heart and the relationships that Forrest shares with the central characters in his life are rich. Forrest’s haggard, but kind mother (Sally Field) loves her son and they share a tender, emotional relationship.

When Forrest enlists in the Army during the Vietnam War, his grizzled commanding officer, Lt. Dan Taylor (an Oscar-nominated performance by Gary Sinise), surprisingly becomes one of Forrest’s closest friends.

The film takes a darker turn when we begin to see a more human side to Taylor after a horrible accident, which leaves him without legs. To counterbalance this tragedy, Forrest is comically wounded in the buttocks.

I am not sure if I love or loathe the character of Jenny. Wright is perfect at giving her some vulnerability and her terrible upbringing can excuse some of her actions and take advantage of Forrest for arguably her gain.

Still, she has Forrest’s heart so she cannot be all that bad.

A favorite scene occurs in Washington as Forrest speaks at an anti-war rally. Jenny, in the crowd, recognizes Forrest and their reunion is sweet. Jenny, now a hippie and expelled from school, returns to Forrest’s life.

The fate of both Jenny and Mrs. Gump are scenes that will undoubtedly require tissues to get through as they are tender and emotional as can be.

Zemeckis’s Forrest Gump (1994) has emotion, sweetness, and heart, and those are nice qualities for a film to have.

It is not too sappy overwrought or manipulative, instead provides an honest story.

Oscar Nominations: 6 wins-Best Picture (won), Best Director-Robert Zemeckis (won), Best Actor-Tom Hanks (won), Best Supporting Actor-Gary Sinise, Best Screenplay Based on Material Previously Produced or Published (won), Best Original Score, Best Sound Effects Editing, Best Sound, Best Art Direction, Best Cinematography, Best Makeup, Best Film Editing (won), Best Visual Effects (won)