Category Archives: Cillian Murphy

Oppenheimer-2023

Oppenheimer-2023

Director Christopher Nolan

Starring Cillian Murphy, Robert Downey Jr., Emily Blunt

Scott’s Review #1,384

Reviewed August 1, 2023

Grade: A

Knowing the films of Christopher Nolan who directed works like The Dark Knight Trilogy (2005-2012), Inception (2010), and Dunkirk (2017) I expected what I would be served with by his new film Oppenheimer (2023).

This would include a big booming soundtrack and an arguably more ‘guys’ genre film, but with intelligence, than other contemporary hits like Barbie (2023).

Dark and looming with complexities are usual for Nolan so I settled in for a three-hour epic journey centered on the atomic bomb and physics that has unexpectedly become a blockbuster.

Speaking of the pink phenomenon its simultaneous release with Oppenheimer led to the “Barbenheimer” phenomenon on social media, which encouraged audiences to see both films as a double feature.

This forever links the two vastly different films that were responsible for filling movie theaters once again.

I expected to enjoy Oppenheimer but was jarred (in a good way) by the sheer brilliance of its construction. Prepared for more mainstream fare that typically follows a biography or historical piece I was instead overly fascinated by the experimental elements enshrouding a more conventional film.

During World War II, Lieutenant Colonel Leslie Groves Jr. (Matt Damon) appoints physicist J. Robert Oppenheimer (Cillian Murphy) to work on the top-secret Manhattan Project.

Oppenheimer and a team of scientists spend years developing and designing the atomic bomb. Their work came to fruition on July 16, 1945, as they witnessed the world’s first nuclear explosion, forever changing the course of history.

The film is constructed marvelously in every way and is authentic to the eye. The first notice is that it feels like it’s the 1940s 1920s or 1960s or anywhere in between depending on where the film goes.

The art design, costumes, and makeup feel natural rather than stagey which helps its audience escape into the scientific world.

Speaking of, Nolan constructs the film in a series of pockets and goes back and forth between periods. We see Oppenheimer many times as an aspiring upstart with visions, a confident, established physicist, and in 1963 when President Lyndon B. Johnson presented him with the Enrico Fermi Award as a gesture of political rehabilitation.

His personal life is also explored.

Many, many scenes shift back and forth involving different characters at different ages. Most of the scenes in the 1940s take place in the desert at Los Alamos, New Mexico while the later years are set in a stuffy conference room where Oppenheimer is grilled for his left-leaning and suspected Communist politics.

The cinematography led by Hoyte van Hoytema provides some edgy moments especially when Oppenheimer descends into frightening and psychedelic hallucinations of those suffering the aftereffects of the atomic bomb. Images of peeling and melting faces are terrifying.

Cillian Murphy successfully makes Oppenheimer sympathetic especially after he creates the bomb and is left forgotten by his government.

Various moments in the film showcase Murphy at his best. After relinquishing his deadly bomb after a test the government callously tells Oppenheimer that ‘they’ll take it from here’. The look of dread, regret, and sadness in Murphy’s crystal blue eyes speaks volumes.

Another great scene occurs when President Harry S. Truman (Gary Oldman) a left-leaning democrat calls Oppenheimer ‘a crybaby’ when he expresses interest in returning land to the American Indians.

The supporting cast is a bevy of riches with several top-caliber actors appearing in cameos. My standouts in larger roles are Robert Downey Jr. shredding his Iron Man superhero persona as a slighted and venomous Lewis Strauss, intent on revoking Oppenheimer’s security clearance, and Emily Blunt as the boozy biologist and former communist wife of Oppenheimer.

My biggest takeaway from Oppenheimer (2023) though is a powerful one. The difference between the United States of America during and post World War II and in present times, 2023.

Then, a patriotic infrequently questioned nation brimming with pride and glory, where nationalism was rampant and expected and those with foreign respect were cast aside as traitorous.

Now, a divided country half of whom support an ideology based on hate, racism, and cultlike dedication to a corrupt ex-president, and the other focused on diversity inclusion, and equality for all.

This film resonated so powerfully well and in so many different ways.

Oscar Nominations: 7 wins-Best Picture (won), Best Director-Christopher Nolan (won), Best Actor-Cillian Murphy (won), Best Supporting Actor-Robert Downey Jr. (won), Best Supporting Actress-Emily Blunt, Best Adapted Screenplay, Best Film Editing (won), Best Cinematography (won), Best Costume Design, Best Production Design, Best Original Score (won), Best Sound, Best Makeup and Hairstyling

Inception-2010

Inception-2010

Director Christopher Nolan

Starring Leonardo DiCaprio, Ellen Page

Scott’s Review #558

Reviewed December 22, 2016

Grade: A-

Inception (2010) is the type of film that will leave you astounded, baffled, confused, bewildered, and many other adjectives. To put it more simply, this film needs to be pondered after the fact.

This is a high compliment as it is tough to remember such a complex (in a good way!), savory film.

Inception is visionary and meant to be processed.

A highly intelligent film, of sorts, that will leave you thinking afterward. The story is immeasurably complex and will leave many completely confused, but just go with it.

In a nutshell, it tells the story of a man who intercepts people’s subconscious minds through dreams. Different layers of their minds are revealed as the film goes along. There are also virtual levels to each person’s mind- complex, yes.

The film reminds me quite a bit of The Matrix- but better.

The film has many twists and turns throughout and will keep the viewer both perplexed and fascinated. My only slight criticism is the dream sequences do not feel like dreams at all but are highly stylized action sequences.

Many props have been given for being so inventive, though.

Oscar Nominations: 4 wins-Best Picture, Best Original Screenplay, Best Original Score, Best Sound Editing (won), Best Sound Mixing (won), Best Art Direction, Best Cinematography (won), Best Visual Effects (won)

28 Days Later-2002

28 Days Later-2002

Director Danny Boyle

Starring Cillian Murphy, Noah Huntley

Scott’s Review #507

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Reviewed November 2, 2016

Grade: B+

Before the influx of zombie-related horror films and television shows filled the land- arguably offset by the success of The Walking Dead series, a little film came along- now almost teetering on its influence being forgotten- that presented this genre with fresh insight and creative storytelling posing questions amid the mayhem.

28 Days Later (2002) rejuvenated this largely dormant film category with a gritty story of peril among a group of survivors spared from a deadly virus.

The film is smart as it explores morality issues and the needs of society to continue.

We initially are immersed in confusion as chaos immediately ensues. After a brief prologue of a group of laboratory chimpanzees gone mad, inflicted with rage, being let loose by animal liberators, and killing all present as well as inflicting the humans, we meet a lone man named Joe- the timing is relevant as it is “28 days later” from the incident.

The young man awakens in a hospital to find himself alone amid downtown London- not a soul in sight.  Fortunately, he has been in a coma and missed the crumbling of society due to an outbreak- somehow Joe has been spared.

Gradually, Joe meets others uninfected by the virus and they forge through the country in search of a military base rumored to be a haven.

The infected humans are not zombies, but rather, violent creatures who destroy anyone in their path. The film not only presents the grotesque creatures but also challenges the audience to think in a political sense- how will the survivors forge a new society?

How will women be treated differently from and by their male counterparts in a world that now lacks any police force or government?

My initial reaction to watching 28 Days Later- years after its initial release- is that it now seems slightly dated, but that has more to do with the legions of copycat films that have come after it and have been exposed to.

We have become more encompassed by this type of film, both in genre and in style. Appreciation is warranted for its gritty, fast-paced camera-work, extreme violence, and the use of “infected” who turn from human beings to vicious beings.

A fantastic part of this film is that it is not simply a horror film, it is more layered than that. There are moments of great beauty and tender moments among Joe and Selena- the sole surviving female other than the young, waif-like, Hannah, whose world has been shattered by the death of her loved ones.

In one sad scene, a couple has peacefully committed suicide, rather than face what would surely become of them.

There is a sense of a human story in 28 Days Later, which made me find the film heartfelt and almost sweet. Even the military soldiers- their motivations questionable- are relatable based on the world being turned upside down. A layered, complex, zombie film with some character-driven elements.

The Dark Knight Rises-2012

The Dark Knight Rises-2012

Director Christopher Nolan

Starring Christian Bale, Tom Hardy

Scott’s Review #431

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Reviewed June 23, 2016

Grade: C+

The Dark Knight Rises (2012) is a sequel to the exceptional The Dark Knight from 2008 and, unfortunately,  is a complete letdown, especially compared to that film.

Perhaps my expectations were too lofty- it is a sequel after all, and sequels, typically disappoint.

To be fair, the film looks great and has a fast-paced, modern feel- slick and action-packed. A summer popcorn film.

The story, though, is uninteresting- the villains are not compelling, which is a major miss in a film like this where the villains are crucial.

Tom Hardy as Bane is miscast. Anne Hathaway’s Catwoman is underdeveloped and one-dimensional. We never really know much about what makes these characters tick.

I did enjoy the twist at the end involving Marion Cotillard, which impressed me and I did not see coming throughout the story.

I might have rated The Dark Knight Rises even lower than a C+ had it not been for the group of top-notch actors appearing in the film.

Having loved the most recent Batman film, I expected more and received less.