Village of the Damned-1960
Director Wolf Rilla
Starring George Sanders, Barbara Shelley
Scott’s Review #701
Reviewed November 30, 2017
Grade: B
Village of the Damned is a 1960 black and white horror film released during a spectacular year for the film genre- and specifically for the horror genre.
With legendary films such as Hitchcock’s Psycho and Michael Powell’s British Peeping Tom making their debuts at the same time, what a coincidence that Village of the Damned (also British) shares the same year.
The film is a satisfying treat- certainly not on par with the aforementioned duo of masterpieces, but on its terms, it is a fine film with just enough suspense and intrigue to make it a memorable affair.
Anything in movie horror involving children is downright creepy, so German director Wolf Rilla is wise to adopt a film based on a 1957 novel entitled The Midwich Cuckoos by John Wyndham.
I adore the title and wish Rilla had kept it for the film. Alas, he did not, but the story is well-written and almost like an extended episode of The Twilight Zone or a similar television chapter from the 1960s—it just seems like more of an episodic experience.
No disrespect, of course, but the film does not contain the bombast expected from a feature film, but rather a compartmentalized, small tale.
In the sleepy little town of Midwich, England, a polarizing force suddenly and without warning overtakes the city, causing all the inhabitants to fall unconscious and into a state of inactivity.
Attempts by the military to enter the town fail, even as an airplane crashes to the ground after attempting to cross into Midwich.
As quickly as these events occur, the townspeople “wake up” and resume normalcy. Two months later, all women of childbearing years suddenly become pregnant, causing gossip and intrigue. As the years pass, the children look similar, with platinum-blonde hair, piercing eyes, and rapid growth spurts.
Furthermore, they all are telepathic and communicate with each other in this manner.
The central characters include a prominent professor, Gordon Zellaby (George Sanders), and his wife, Anthea (Barbara Shelley). They are the parents of one of the children, named David, who appears to be the leader of the other children.
As the children become increasingly menacing and intelligent as they grow older, sometimes hurting or killing other townspeople by somehow “possessing” their thoughts, Gordon must race to find a way to trap and stop the children from more dastardly deeds.
The use of black and white cinematography and the small-town setting successfully give Village of the Damned an eerie and mysterious vibe, is little or no bloodshed nor the traditional horror-themed elements- hence the above Twilight Zone reference.
The film does not need these to succeed, as the psychological mystique is compelling enough. We wonder, “What is wrong with these kids?” and “Why do they act so strangely?” “Are they possessed?” and “Is this some weird experiment?”
The answers are never really explained in detail.
Slight negatives to the film are the only limited character development among any prominent characters such as Gordon or Anthea, and these roles are one-dimensional- the children are the stars.
Sanders and Shelley are adequately cast, but I can think of numerous other actors who could have played these parts well.
The conclusion to Village of the Damned is unspectacular, and I was left with an unsatisfied feeling, especially as related to other more satisfying aspects of the film as a whole.
I felt like a bit of potential was not reached.
Gordon merely orchestrates a big event, sacrificing himself to destroy the children, and the film ends.
Village of the Damned was followed by a 1963 sequel entitled, Children of the Damned, which was not deemed a critical nor a commercial success.
Years later, in 1995, the film was remade and directed by John Carpenter but also received poor reviews.
