10 Cloverfield Lane-2016
Director Dan Trachtenberg
Starring Mary Elizabeth Winstead, John Goodman
Scott’s Review #643
Reviewed May 11, 2017
Grade: B+
10 Cloverfield Lane is a 2016 psychological thriller billed as somewhat of a successor to the 2008 hit Cloverfield, though I fail to see the apparent correlation between the films.
Furthermore, the two stories seemingly have little or nothing to do with one another.
Despite these pesky details, 10 Cloverfield Lane is a perfect, edge-of-your-seat type film that is unpredictable and thought-provoking.
By the time the credits roll, it is a film worthy of discussion—an excellent quality for a movie.
Without any dialogue during the opening sequence (a clever move), we meet Michelle (Mary Elizabeth Winstead), a twenty-something woman presumably on the outs with her boyfriend, who we never see.
Alone, she flees their residence and drives into the night to parts unknown. The couple is metropolitan, living in central New Orleans.
Now in the middle of Louisiana, and hearing radio reports of strange blackouts, Michelle is soon involved in a terrible car accident. When she awakens, she finds herself chained to a bed inside a small bunker inhabited by two men, Howard (John Goodman) and Emmitt (John Gallagher, Jr.).
They insist that the outside world is no longer and all human beings are dead as a result of a catastrophic attack. Initially skeptical, Michelle slowly uncovers various clues that baffle her about the truth.
10 Cloverfield Lane may very well be John Goodman’s best film performance.
He plays Howard with gusto and mystery, and the audience is primarily baffled about whether to trust this man. Is he a vicious abductor, creating a make-believe world to keep Michelle hostage-or is he telling the truth?
He plays the character as creepy and surly but with a tinge of vulnerability and sadness.
I certainly was both fascinated and confused by Howard and could not determine his true motivations.
Winstead also deserves credit for portraying a strong yet sympathetic female character who is never reduced to playing a victim, a testament to the actress’s ability.
Over the years, Winstead has appeared in several duds (Black Christmas, 2006, and The Thing, 2011), so seeing her in a film worthy of her talents is nice.
Michelle is intelligent and determined to deduce her surroundings and formulate a clever escape plan. However, in a nice twist, the filmmakers ask whether she wants to leave the safety of her bunker after all.
Producer J.J. Abrams weaves a story with twists and turns, keeping the tension and interest high throughout the film. The primary question that reoccurs is, “What on earth lies outside of the bunker?”
I enjoy that this film is not the typical, cookie-cutter fare in which we root for the female victim to escape the clutches of a male maniac—it is much deeper and more complex than that.
Most enjoyable is how events slowly unfold, and we, the audience, begin to question thoughts we have harbored throughout the run of the film.
A perfect example of this comes in the final chapter, when events take off in an entirely different direction than the rest of the film. I felt a bit suffocated inside the bunker. What a relief to finally have some action occur outside of this location and into the fresh air.
But what lurks in this new setting?
One slight oddity is that the film includes Bradley Cooper’s voice as Michelle’s boyfriend, Ben, who is heard only by telephone. I did not notice this until the credits rolled, and it seemed like a silly and unnecessary inclusion.
Also, we never know the turmoil between Michelle and Ben. Is their domestic trouble simply plot-driven antics, or does it have a deeper meaning?
In a nutshell, 10 Cloverfield Lane (2016) is a film best watched when one does not know the first thing about the plot or circumstances surrounding events.
The film was enjoyable because I did not know the twist, the conclusion, or even who starred in it. This kept all of the elements of surprise from me, making it more enjoyable.
