Category Archives: 2010 Films

Animal Kingdom-2010

Animal Kingdom-2010

Director David Michod

Starring James Frecheville, Ben Mendelsohn

Scott’s Review #519

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Reviewed November 15, 2016

Grade: A-

Animal Kingdom (2010) is an excellent Australian crime drama movie that is in the same vein as Goodfellas (1990), The Godfather (1972), or a myriad of other mafia/mob-type films- only Aussie style, which in itself piques interest.

The film has an indie feel, is raw and not slickly produced, and isn’t over-dramatized with explosions, CGI effects, or other bells and whistles, making it character-driven.

It’s a well-made drama about a seventeen-year-old boy named Joshua, whom his extended family of criminals takes in.

Starting as an innocent, he slowly becomes entangled in the family’s web of corruption. This mirrors Al Pacino’s Michael Corleone in The Godfather.

The plot becomes even more compelling with the arrival of a good-hearted detective (Guy Pearce) who tries to steer Joshua on the straight and narrow.

The acting is top-notch (Jacki Weaver, in particular, is amazing as the diabolical leader of the family), shocking events happen out of the blue, and the operatic music mixed with dramatic moments is well done.

Animal Kingdom (2010) is a diamond in the rough.

Oscar Nominations: Best Supporting Actress-Jacki Weaver

Restrepo-2010

Restrepo-2010

Directors Tim Hetherington, Sebastian Junger

Scott’s Review #514

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Reviewed November 10, 2016

Grade: B-

Restrepo (2010) is an informative documentary concerning a group of American soldiers sent to Afghanistan to battle the Taliban.

Filmmakers spent a year following this group of men, documenting their experiences, pains, losses, and joys.

Camera crews follow them almost non-stop.

The most interesting aspect of this piece is the camaraderie that is evident among the soldiers- a bond that is a brotherhood of sorts.

Friendships that develop amid peril will undoubtedly never be broken or tarnished.

The fear and worry that these soldiers go through- under the constant uncertainty of attack, far away from their families- is powerful.

Slight gripes are the redundancy of the documentary’s subject matter. The projects developed around one war or another seem endlessly repetitive.

I freely admit this is an important matter, but while watching Restrepo, I couldn’t help feeling that I’d seen other versions of the same documentary before, not to mention in mainstream film.

The war experience is a popular story to tell.

I also got the sense of an ‘us against them mentality in this documentary, which is not always a good thing.

More about the relationships with the “good” Afghan people might have been nice.

Overall, though, Restrepo (2010) is a decent, interesting documentary.

Oscar Nominations: Best Documentary Feature

Independent Spirit Award Nominations: Best Documentary

You Again-2010

You Again-2010

Director Andy Fickman

Starring Kristen Bell, Jamie Lee Curtis, Sigourney Weaver

Scott’s Review #510

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Reviewed November 4, 2016

Grade: C

If not for the cast (Jamie Lee Curtis, Betty White, and Sigourney Weaver), You Again (2010) would have been a bad experience and a dimwitted, by-the-numbers comedy.

But the talent involved has helped matters greatly.

This is not meant to give the film much credit.

As it is, it is not a great film, and quite silly and dumb, but the cast successfully turns it into a light, fun, dumb movie instead of solely drivel. With a less likable cast, this would undoubtedly have been the case.

Bell is not my favorite actress, but alas, she seems to be getting star turns in these types of films.

The premise is basic and tried and true- a twenty-eight-year-old “beautiful” woman (Kristen Bell) who was an ugly duckling in high school returns to her hometown for her brother’s wedding, and his fiancé turns out to be her high school nemesis.

It is a standard Hollywood comedy cliché, with typical gags and a “we have seen this before” story.

A gripe: Kristen Bell is a cute, all-American girl-next-door, but I would be remiss not to point out that she is not the beauty they make her out to be.

Thanks to the aforementioned cast and the wit that Curtis and Weaver bring to their rivalry (as mothers of the respective fiancés and Bell’s character- they were high school rivals a generation before), You Again (2010) does get some meager credit.

Not much, but some.

Let Me In-2010

Let Me In-2010

Director Matt Reeves

Starring Kodi Smit-McPhee, Chloe Grace Moretz

Scott’s Review #509

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Reviewed November 4, 2016

Grade: A-

I loved Let Me In (2010).

It is nearly as exceptional as the original, Let the Right One In (2008), a Swedish film.

Billed as horror, it contains none of the typical horror clichés or corny dialogue; rather, it is mysterious, compelling, and character-driven.

This in itself is refreshing.

Additionally, the cinematography is exceptional in its coldness, darkness, and good old-fashioned ambiance.

Let Me In is about a twelve-year-old outcast named Owen (Kodi Smit-McPhee), who befriends a neighbor girl, Abby (Chloe Grace Moretz), who we learn is a vampire.

Owen is bullied at school and, through Abby, learns to stand up to his tormentors.

I am partial to international language films, so the American version, to me, lacks a bit of that engaging language. It is not…well, international, so that detracts slightly, but not much at all, and this effort is quite remarkable.

This film is a horror film- in the classic sense of containing vampires and not being played for goofs- and quite gory, but also a beautiful, emotional film, and the concepts of sadness and loneliness are explored.

Let Me In (2010) is one of the best horror films I’ve seen in recent years.

Night Catches Us-2010

Night Catches Us-2010

Director Tanya Hamilton

Starring Kerry Washington, Anthony Mackie

Scott’s Review #503

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Reviewed October 29, 2016

Grade: B+

Night Catches Us (2010), as a film, has some strong qualities and is captivating and interesting to watch.

It is largely set in 1970s Philadelphia and explores the racial tensions of the time.

Kerry Washington and Anthony Mackie star and do a great job with the material.

The film tells the story of a former 1960s Black Panther (Mackie) who returns home after a decade to start his life over, or so he hopes.

Night Catches Us is a combination of love stories and political/social commentary and is an important film to watch.

The leads, along with Wendell Pierce, are great, and the real-life 1960s Black Panther rally footage is interesting to see from a historical perspective.

My only criticism is that I wanted a bit more.

Certain events seem plot-driven and forced- slightly clichéd in the romance department- but overall I enjoyed the film very much, especially for Mackie and Washington’s performances.

Great acting and a socially relevant story.

Independent Spirit Award Nominations: Best First Feature

Sweetgrass-2010

Sweetgrass-2010

Director Lucien Castaing-Taylor, Ilisa Barbash 

Scott’s Review #502

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Reviewed October 28, 2016

Grade: F

While generally, I am an advocate and champion of film documentaries, I always love to learn something new; Sweetgrass (2010) had a strange effect on me- simply put, I despised the film.

Even if the subject matter doesn’t particularly interest me, it usually garners at least some recognition and praise for what it is.

Sweetgrass is a documentary about a group of sheepherders from Montana transporting their herd to another location.

It was unclear to me why the sheep were being transported or where they were going, but I assume it was nearby.

The documentary has no narrative and little dialogue, except for one sheepherder ranting and raving about how tough it is to be a sheepherder, all the while smoking incessantly.

Most of the time is spent watching sheep and sheep and sheep and sheep- and still more sheep wandering about and drifting down a mountain range.

Then we see still more sheep moving about.

As my mind began to wander, I began to wonder if the sheep were a metaphor of some kind. Then they threw in some dogs and horses for good measure.

The location scenes are nothing special, and after a brief five minutes of appreciation of the gorgeous landscape, I was over it.

At one hour and forty-five minutes in length- way too long for a documentary that moves along at a snail’s pace- it is about an hour too long for my tastes.

After pondering the film, my only determination is that the filmmakers were hoping to give the viewers a real-life slice of what it is like to be a shepherd- snore!

I would have rather experienced interviews and commentary with some merit on the subject.

Worse than the redundant pacing, the constant mistreatment of some of the sheep is inexcusable and has no bearing on the topic at hand, which I confess to being unsure what the point of the documentary even was, other than as a cure for insomnia.

Sweetgrass (2010) is a complete waste of time.

Independent Spirit Award Nominations: Best Documentary, Truer Than Fiction Award

Machete-2010

Machete-2010

Director Ethan Maniquis, Robert Rodriguez

Starring Danny Trejo

Scott’s Review #501

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Reviewed October 28, 2016

Grade: B

Machete (2010) is a clear, fun homage to 1970s exploitation films, directed by Robert Rodriguez (a protege of Quentin Tarantino) and heavily influenced by his mentor.

It strongly resembles a Tarantino film with its comic, over-the-top elements and violence, but it’s less compelling in the story department and lacks crisp, rich storytelling.

It tells the story of a Mexican ex-Federal agent (named Machete), played by Danny Trejo, who is involved in a plot to kill a corrupt United States Senator (played by Robert De Niro).

He attempts to flee Mexico for Texas, is shot, and spends the remainder of the film vowing revenge on his assailants.

Machete contains many celebrity cameos and is fun to watch- in a light way. The film isn’t meant to be taken seriously.

For the interested, you also get to see Lindsay Lohan topless.

The film is a fun, violent popcorn flick with a nice political message, but if you’re into these types of movies, rent Grindhouse: Planet Terror (2007), which is a better experience.

I Spit on Your Grave-2010

I Spit on Your Grave-2010

Director Steven R. Monroe

Starring Sarah Butler

Scott’s Review #492

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Reviewed October 9, 2016

Grade: B+

Too often in the horror genre, remakes of classic or cult classic gems are spewed out with high hopes but little worth, and more often than not, quickly forgotten and fading into oblivion.

This is not the case with I Spit on Your Grave.

I Spit on Your Grave is a 2010 remake of the original 1978 film and is just as disturbing.

Having seen the original and been shocked by the content, I didn’t expect the same from the retelling.

Much to my surprise, this version contains the same intensity and is fraught with brutality- however, not in an unnecessary way.

The film tells the story of a young writer who leaves the hustle and bustle of New York City for a couple of months of relaxation in the country to work on a novel.

While there, she is brutally raped by a bunch of local men.

As terrible as this is, the victim then exacts revenge on all of them, one by one, which is the real crux of the story, and we cheer on her (just as brutal) vengeance.

The rape scenes are quite intense and difficult to watch, but necessary, as the viewer wants the perpetrators tortured and maimed…which they are.

This film is for horror fans who like it brutal.

Howl-2010

Howl-2010

Director Rob Epstein, Jeffrey Friedman

Starring James Franco

Scott’s Review #491

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Reviewed October 9, 2016

Grade: B+

Howl (2010) is a compelling courtroom drama biopic starring James Franco, who is wonderfully cast.

This role, despite being in a small film with little recognition, cements Franco’s talents as an edgy actor willing to tackle challenging work rather than stick to mainstream safe fare.

Franco has become one of my favorite young actors. He is so diverse and believable in any role he takes on.

The story follows 1950s poet Allen Ginsberg and his trial to determine whether his poems were art or should be banned as indecent.

Much of the action takes place in the courtroom, and the film wisely mixes animation (in scenes of Ginsberg reading his poetry) with traditional scenes.

The film lets the viewer get to know Ginsberg’s character. He was troubled (his sexuality, delusions, stints in a mental hospital), for sure, but also had a true, authentic love of writing and poetry, which is inspiring in an age of digital technology.

Sometimes good old-fashioned words are the truest art.

Howl (2010) is an interesting little film.

Catfish-2010

Catfish-2010

Director Henry Joost, Ariel Schulman

Starring Nev Schulman, Ariel Schulman

Scott’s Review #489

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Reviewed October 2, 2016

Grade: A-

I loved Catfish (2010), which is a hybrid movie/documentary.

I know some people were disappointed with the twist towards the end, but I thought it was interesting and made the film quite compelling- a surprise ending, if you will.

The shaky documentary-style filming adds to the intensity.

The plot revolves around a young photographer, Nev (Nev Schulman), who strikes up an online Facebook friendship with an eight-year-old artist.

It’s risky, but they discuss art and paintings and chat regularly.

Nev lives in New York City, while Abby lives in Michigan.

Nev’s brother Ariel is shooting a documentary and thinks it would be perfect for the pair to drive to Michigan and meet Abby.

Once they do, they are in for a surprise as the web of circumstances that follows makes the film creepy, eerie, and mysterious.

I do not want to give any more away, but Catfish (2010) is an interesting, well-thought-out story, which is a true case.

The film’s presentation is wonderful.

Date Night-2010

Date Night-2010

Director Shawn Levy

Starring Steve Carell, Tina Fey

Scott’s Review #481

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Reviewed September 17, 2016

Grade: D+

Date Night is a perfect example of mediocrity in modern filmmaking.

We have two current comedic actors here- Steve Carell and Tina Fey- circa 2010- at the top of their game.

The filmmaker’s idea is to pair these two and make an appealing romantic comedy for the masses.

The main issue with this film is that the result is generic and quite an average offering.

The entire film is incredibly plot-driven, with no character development to speak of.

If I am being too harsh, admittedly there is nice chemistry between the two leads, but it is wasted by sloppy writing.

A couple from the New Jersey burbs, Carrell and Fey portray husband and wife, Phil and Claire Foster. Saddled with two kids and their romance reaching dullsville, Phil decides to take Claire to a ritzy Manhattan restaurant.

When they arrive, they cannot get a table, so they pretend to be another couple a get one after the other couple no-shows. This leads to a tale of mistaken identity as the other couple possesses a flash drive that a mobster (Ray Liotta) wants.

This leads to a chase through Manhattan as they try to outrun and outwit their pursuers.

Wahlberg plays a hunky client of Claire’s, always shirtless, who threatens Phil and Claire’s marriage.

Several others of the current Hollywood elite- Kristen Wiig, James Franco, Mila Kunis, and Mark Ruffalo- make small and somewhat pointless appearances. Specifically, Franco and Kunis as a stoner-type bickering couple are silly and unnecessary to the story.

Carrell and Fey are quite funny as individuals and as a duo. Date Night, though, does not capitalize on or showcase their respective talents.

The film tries too hard to come up with scenario after scenario of the two on the run and encountering one problematic situation after another.

As the plot of Date Night wears on, I notice that each situation is a matter of convenience.

Conveniently, Claire has a client in town (Wahlberg), who is a security expert. They go to him for help and, predictably, his hunkiness bothers Phil and piques Claire’s interest- though, of course, we know full well Phil and Claire will end up together- that is how these mainstream films go.

In another scene. Phil and Claire can break into an office building unnoticed, trigger the alarms, conveniently find a needed file, and escape, miraculously all before the police arrive minutes later.

Very plot-driven.

The lead actors in Date Night are appealing and even charming together, but it falls flat. Still, the inane plot makes it unappealing to watch, and the slew of stars that somebody decided would be a great addition to a lukewarm film is odd.

The roles written have little bearing on the central plot, so it was apparent why they were added.

Date Night (2010) is a film we have seen time and time again with other actors in similar roles.

Easy A-2010

Easy A-2010

Director Will Gluck

Starring Emma Stone

Scott’s Review #478

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Reviewed September 10, 2016

Grade: B-

Easy A (2010) is a film with some good parts and some dumb parts.

However, at the end of the day, it is forgettable, and who will remember a film like this in ten years?

The film is a teen comedy about a girl who makes up a rumor about herself to gain attention from her peers.

Emma Stone is great in this movie and shows the enormous potential of her budding film career. She reminds me a bit of Lindsay Lohan. She is likable, great at comedy, and has a fun persona.

Also deserving of credit is Lisa Kudrow, who appears in the movie.

At times, the dialogue is intelligent and witty; other times, it turns into a typical dumb comedy.

This is sad because, given the star power involved, Easy A (2010) might have been a better film than it turned out to be.

A Serbian Film-2010

A Serbian Film-2010

Director Srđan Spasojević

Starring Srđan Todorović, Sergej Trifunović

Top 10 Most Disturbing Films #6

Scott’s Review #282

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Reviewed October 13, 2015

Grade: B

A Serbian Film is a 2010 Serbian horror film that attempts, and succeeds, in breaking down every possible taboo barrier, albeit in a stylish, admirable, artistic way.

The film is not for the faint of heart, and even die-hard, gross-out horror fans might find it too shocking to view.

It is not so much the gore that is challenging- horror aficionados have seen this before.

But rather the blatant display of the subject matter at hand, which delves full speed ahead into pornography, including rape (both sexes), necrophilia (sex with corpses), and child sexual abuse, that is both tough and sickening to watch.

Priding myself on being able to take anything thrown my way in the world of film, I admired A Serbian Film’s bravery in going places rarely explored before.

I felt, however, that the story wasn’t very compelling or particularly well written, and that its primary goal was to shock the audience rather than tell a great story.

Intriguingly, Serbian films have been banned in several countries for their obviously controversial content.

Milos is a semi-retired porn star, now happily married to the beautiful Marija and living a peaceful existence. Although they struggle financially, they manage to get by while raising their six-year-old son, Petar.

One day Milos runs into a fellow porn star, Lejla, who suggests he contact a powerful porn producer and return to the business, citing an enormous windfall to be had since the producer is making more “artistic” films these days.

Milos cannot resist the potential money and meets with the mysterious man named Vukmir. One thing leads to another, and he is once again lured back into the porn industry.

What he is not told is the premise or details of the film he is to appear in, only to show up at the designated filming location.

Predictably, this leads to disaster, and the film’s main plot emerges. Milos is drugged to become a “stud”, bedding and beating almost anything that breathes…..or doesn’t breathe if you catch my drift.

Brazen is a polite way of describing this film. It is perverse and goes way out there. Milos, while drugged, begins to do crazy stuff, not realizing what he is doing, and spirals further out of control as the drugs increase.

The producer, in the film’s brief attempt at a social slant, cites child pornography as being in popular demand, as online viewers clamor for this new form of “art”.

Two scenes stand out as especially gruesome. One involves a pregnant porn star giving birth- she does so, and her counterpart proceeds to rape the screaming baby; the new mother grins in sinister pleasure.

In another, Milos rapes his son, Petar, while Milos’s brother rapes Milos’s wife. Of course, being heavily under the influence, Milos does not realize what he is doing, but the film succeeds in shocking and disgusting the audience.

Both of these horrific scenes have nothing to do with the story and are included to shock the viewer and elicit a reaction.

My criticism is that the grotesque scenes have little to do with the story and are arguably unnecessary to further the plot.

Shocking for the sake of being shocking, the film reminds me in a way of Salo, a brutal art film from 1975, which focuses not on horror, but on the horrific time of Nazi-ism.

Salo is a masterpiece because it contains a powerful, thought-provoking story.

A Serbian Film (2010) is a brave film, but ultimately the story achieves nothing more than being a disturbing, and I never need to see it again.