All posts by scottmet99

Blood Feast 2: All U Can Eat-2002

Blood Feast 2: All U Can Eat-2002

Director H.G. Lewis

Starring J.P. Delahoussaye, Christy Brown

Scott’s Review #65

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Reviewed June 24, 2014

Grade: B

Blood Feast 2: All U Can Eat (2002) is a sequel to the original Blood Feast from over thirty years ago.

It is not necessary to see the original before seeing this film (I hadn’t). The original killer’s grandson is the gruesome caterer/maniac in this installment.

Director H.G. Lewis heavily influenced John Waters, who has a fantastic cameo as a perverted reverend. This movie is so over the top and campy that it is not to be taken at all seriously.

The premise, if one can call it that, involves a lunatic caterer intent on using various female body parts to concoct a scrumptious meal to serve at a wedding.

The film is more of a comedy than a horror film in the traditional sense.

The victims are bubbleheads, mispronouncing words and traipsing around in skimpy outfits (or less) for no reason. The mean-spirited mother of the bride is a delight.

Scenes of taste testing and the presentation of “ladyfingers” are hilariously creative.

Campy in every way and poorly acted, but good late-night fun.

Fruitvale Station-2013

Fruitvale Station-2013

Director Ryan Coogler

Starring Michael B. Jordan, Octavia Spencer

Scott’s Review #64

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Reviewed June 24, 2014

Grade: B+

Not knowing all of the details of this incident, but only taking into account the details the film presents, Fruitvale Station (2013) is a good film.

Most of the film is in the lead-up to the big incident.

While not perfect, the victim is presented as a good guy, who helps strangers, and stray dogs, loves his daughter, and has a great heart.

He lives a tough life, has been in and out of prison, and is forced to sell drugs to make a living.

But he has a strong family unit (mother, grandmother, girlfriend, friends) so he lives a decent life.

The cops in question are presented very negatively (intense, racist, and brutal).

Again, I don’t know what happened, but obviously, the filmmakers are on the victim’s side (as they should be). The police reasons are revealed at the end of the film.

It’s a heartfelt, good, solid portrayal.

Independent Spirit Award Nominations: 1 win-Best Male Lead-Michael B. Jordan, Best Supporting Female-Melonie Diaz, Best First Feature (won)

Diana-2013

Diana-2013

Director Oliver Hirschbiegel

Starring Naomi Watts, Naveen Andrews

Scott’s Review #63

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Reviewed June 24, 2014

Grade: C+

Assuming all the details of Diana (2013) are accurate, this film was an interesting account of Princess Diana’s last two years of life and her transition from married royalty to single woman, all the while being the most famous woman on earth.

While the film was interesting, I felt something was missing and it was not as gripping as I had hoped.

I also did not quite buy Naomi Watts as Diana. Her mannerisms were off to me and the real Diana was taller.

Also, I didn’t quite believe that Diana could throw on a brown wig and walk freely around London unrecognized.

There was no chemistry between Watts and Naveen Andrews (TV’s Lost), who played a successful heart surgeon with whom Diana begins a romance.

These criticisms do not mean the film was a total failure,(there was a sincere likability and charisma that Watts brought to the role), but not as good as one would have hoped.

12 Years a Slave-2013

12 Years a Slave-2013

Director Steve McQueen

Starring Chiwetel Ejiofor, Lupita Nyong’o, Michael Fassbender

Scott’s Review #62

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Reviewed June 24, 2014

Grade: A

At the time of 12 Years a Slave’s (2013) release, a ton of buzz began circulating. Was it that good?

Considered the front-runner to win the Best Picture statue, it did go on to win the top honor.

The film is not easy to watch. It is brutal and heart-wrenching at times. I will spare the details, but the most intense scene involves a whip.

There are scenes of torture, degradation, and cruelty against the slaves by the slave owners.

While tough to watch, I applaud the film for not glossing over the atrocities of slavery. Some have criticized it for being a retread of similar films, but I disagree. It is worlds more intense than watered-down versions.

However, the film is not a downer.

Yes, a class of people is beaten down and victimized, but they also rise above and never give up hope. The fact that it’s a true story and a book was written on the subject by the real Solomon Northup makes it all the more powerful.

The performances are outstanding (Ejiofor, Fassbender, Paulson, and Nyong’o).

The look and cinematography are sharp and I love the distinctiveness of the north and south scenes. The setting is stifling hot and dreary.

There are at least two scenes where the camera pans on a shot and holds it for seemingly an eternity until an action occurs, which makes the scenes effective.

While difficult to watch, 12 Years a Slave (2013) should be viewed by everyone to see how far society has come, not forgetting how far we still need to go to eliminate discrimination and victimization.

Oscar Nominations: 3 wins-Best Picture (won), Best Director-Steve McQueen, Best Actor-Chiwetel Ejiofor, Best Supporting Actor-Michael Fassbender, Best Supporting Actress-Lupita Nyong’o (won), Best Adapted Screenplay (won), Best Production Design, Best Costume Design, Best Film Editing

Independent Spirit Award Nominations: 5 wins-Best Feature (won), Best Director-Steve McQueen (won), Best Male Lead-Chiwetel Ejiofor, Best Supporting Male-Michael Fassbender, Best Supporting Female-Lupita Nyong’o (won), Best Screenplay (won), Best Cinematography (won)

Anatomy of a Murder-1959

Anatomy of a Murder-1959

Director Otto Preminger

Starring James Stewart, Lee Remick

Scott’s Review #61

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Reviewed June 24, 2014

Grade: B+

Anatomy of a Murder (1959) is a thought-provoking courtroom/legal thriller that is not a black-and-white, good and bad story.

It is more profound and more complex than that.

Starring James Stewart as an everyman defense attorney, the film, shot effectively in black and white, pushed barriers for its time by using certain words such as “rape” and “panties” that were never spoken in films before this time.

Much of the action takes place inside the courtroom.

The film pushed the envelope and is still enjoyable today.

Throughout the film, which is admittedly slow at times, the audience is unsure of the defendant’s guilt and wary and suspicious of him from the start, which creates great drama.

The rooting value is with Stewart, the hero, and the interesting supporting cast provides deeper layers than similar type films that risk being wordy or preachy.

As each new fact or twist and turn arrives throughout the film, it becomes more and more engaging until it reaches a satisfying climax.

Oscar Nominations: Best Motion Picture, Best Actor-James Stewart, Best Supporting Actor-Arthur O’Connell, George C. Scott, Best Screenplay Based on Material from Another Medium, Best Cinematography, Black-and-White, Best Film Editing

The Amityville Horror-1979

The Amityville Horror-1979

Director Stuart Rosenberg

Starring James Brolin, Margot Kidder

Scott’s Review #60

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Reviewed June 23, 2014

Grade: B-

The Amityville Horror was undoubtedly more thrilling upon its original release in 1979, but sadly, the time has not been kind to this particular film, as it does not hold up well any longer.

It feels dated, but that is not to say it is at all un-enjoyable.

The atmosphere of the movie and the building tension and sense of dread are effective. The audience knows bad things will eventually occur.

The look of the film is dark and creepy and actors James Brolin and Margot Kidder are adequate in the lead roles.

The main problem with the film is all along there is a feeling that I am watching a pale version of The Exorcist (1973) or The Omen (1976), far superior films, with the religious theme that was heavily used in the horror genre throughout the 1970s.

Also, horror in 1970’s cinema was at its best, and by 1979, horror had shifted into the knife-wielding maniac vein.

Add to this the fact that the supposedly “true story” has since been proven a silly hoax, so it takes away any shred of seriousness.

To be fair, the scene involving the herd of flies is scary, but other scenes seem silly and inconsequential.

The Amityville Horror (1979) is not a bad movie, but similar films are far superior.

Oscar Nominations: Best Original Score

The Waiting Room-2012

The Waiting Room-2012

Director Peter Nicks

Starring Cynthia Y. Johnson, Eric Morgan

Scott’s Review #59

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Reviewed June 23, 2014

Grade: B+

The Waiting Room (2012) is an interesting documentary that takes the viewer on a day in the life shift in a very busy public hospital in a poor section of Oakland, California.

Most of the patients are uninsured, low-paid, or unemployed workers, who are sick and in need of medications and treatment and in some cases are quite ill.

The documentary balances the perspectives of both the patients and the weary hospital staff, who strive to prioritize cases and treat everyone, which is not easy due to overcrowding and underfunding.

I found the documentary quite fascinating and felt like I was an actual observer during a chaotic, yet everyday experience in the busy and stressful Emergency Room.

The situations that arise are heartbreaking and the staff does their very best to accommodate each patient, but many times tragedy ensues or tempers flare due to frustration.

It speaks volumes of the shameless world of United States insurance company profits and selfishness at the cost of human lives and patient suffering.

Sadly, The Waiting Room (2012) was overlooked by the Oscar Academy but did receive an Independent Spirit nomination.

Independent Spirit Award Nominations: 1 win-Best Documentary Feature, Truer Than Fiction Award (won)

Passion-2012

Passion-2012

Director Brian De Palma

Starring Rachel McAdams, Noomi Rapace

Scott’s Review #58

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Reviewed June 23, 2014

Grade: A

Passion (2012) is a must-see for all Brian De Palma fans, Carrie (1976), and Dressed to Kill (1980).

Unfortunately, the film received little fanfare and is mostly forgotten, but it deserves a viewing.

The film is set in the world of advertising, where backstabbing and scheming are commonplace.

Rachel McAdams stars as an executive who steals her assistant’s (Noomi Rapace) ideas regularly. Fed up, the assistant plots revenge.

McAdams is delicious as the callous, calculating, little girl over her head in the corporate world.

The praise goes to DePalma, though, for creating yet another stylistic gem similar in tone to many of his other successful films.

The plot is almost secondary to the direction- twists and turns, and cool camera angles make the film an enjoyable experience. A common DePalma trait is a dreamlike feel which I love in his films.

The ending is a direct homage to Dressed to Kill.

The Snowtown Murders-2011

The Snowtown Murders-2011

Director Justin Kurzel

Starring Lucas Pittaway, Daniel Henshall

Scott’s Review #57

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Reviewed June 23, 2014

Grade: C+

The Snowtown Murders (2011) is an Australian film, based on a true story, of a charismatic, manipulative man who influences a family of misfits into following his murderous streak.

The film is helped by a group of very talented actors (unknowns to me) who successfully relay a sense of bleakness and despair in their lives and some fine, emotional acting makes this film slightly above average.

The entire look of the movie is dreary, raw, and hopeless, from the lighting to the camera shots. The details of the film are impressive- from the confined, dismal house the family lives in, and the unhealthy meals consumed, all are filled with a sense of chaos.

The Snowtown Murders pushes the envelope with the explicitness of the murders and torture scenes, so the viewer is left feeling uncomfortable.

The downside of the movie is that it drags at times and meanders along at a plodding pace adding to the discomfort.

I’m not sure if this is intentional or not, but it harmed me.

Anne of the Thousand Days-1969

Anne of the Thousand Days-1969

Director Charles Jarrott

Starring Richard Burton, Geneviève Bujold

Scott’s Review #56

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Reviewed June 22, 2014

Grade: A-

Anne of the Thousand Days (1969) is one of the better historical dramas I have seen.

One could become absorbed in the history of royalty and learn much. It has a clear Shakespearean quality to it (tragedy) and is compelling in many ways.

It tells the true story of the tumultuous relationship between Henry VIII of England and his second wife, Anne Boleyn, whose union produced one of the most famous queens, Elizabeth I. Henry VIII’s first wife, Katherine, was discarded amid much controversy and political intrigue.

The drama is part of what makes this film so enjoyable, along with the historical element. It is dramatic, but not a soap opera, and the acting is superior.

The film has gorgeous costumes and cinematography, too.

Unfortunately, the finale of the beheading left too much to the imagination, and a more graphic scene would have put it over the top.

The film is near excellent, though.

Oscar Nominations: 1 win-Best Picture, Best Actor-Richard Burton, Best Actress-Geneviève Bujold, Best Supporting Actor-Anthony Quayle, Best Screenplay Based on Material from Another Medium, Best Original Score for a Motion Picture (Not a Musical), Best Sound, Best Costume Design (won), Best Art Direction, Best Cinematography

Non-Stop-2014

Non-Stop-2014

Director Jaume Collet-Serra

Starring Liam Neeson, Julianne Moore

Scott’s Review #55

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Reviewed June 22, 2014

Grade: B-

I am a sucker for a good airline disaster action film.

I found Non-Stop (2014) to have two parts- the first one hour and fifteen minutes and the final thirty minutes.

A film like this (action, popcorn flick) requires suspension of disbelief.

The events in this film will NEVER happen.

In recent years, Liam Neeson, at sixty years old plus, has settled nicely into action hero star in mediocre to above-average film roles.

He has found his niche.

The first part of the film is highly entertaining. One hundred and fifty passengers on board an international flight from New York to London are in peril when a terrorist begins texting troubled U.S. Air Marshall (Neeson) that someone on the flight will die every twenty minutes unless One hundred and fifty million dollars is transferred to their account.

From this point begins a compelling whodunit.

Which passenger is sending the text messages? Could it be a flight attendant or the captain of the plane? Several characters are introduced and some red herrings commence. Who begins framing the Marshall? Why?

This is compelling fun stuff.

Most of the action takes place on the plane giving the film a claustrophobic atmosphere.

Then, however, the second part of the film takes over. Not to give spoilers away, but it reaches a ridiculous, silly conclusion, and I found myself saying out loud, “this is stupid”.

A needless and contrived plot of a little girl on the flight is trivial.

I expected more from Michelle Dockery of Downton Abbey fame.  Lupita N’Yongo is given a throwaway role (let’s assume she was cast before her Oscar-winning turn in 12 Years a Slave in 2013).

Popcorn fun, but disappointing ending summarizes Non-Stop (2014).

Dallas Buyers Club-2013

Dallas Buyers Club-2013

Director Jean-Marc Vallee

Starring Matthew McConaughey, Jared Leto

Scott’s Review #54

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Reviewed June 24, 2014

Grade: A-

While Dallas Buyers Club (2013) is a well-written screenplay, based on the true story of a straight Texas man who contracted AIDS circa 1985, the main appeal of the film is the brilliant performances by Matthew McConaughey and Jared Leto.

1985 was a different period as far as the deadly virus goes- people did not know then what they do now, so the fear and the judgments featured in the film must be kept in mind for the time it was and the location (Bible-belt Texas).

McConaughey’s physical transformation is an amazing feat, to begin with, a normally handsome, well-built actor, turned gaunt and hollow-eyed, but he completely encompasses this role with an intense, character, rich and flawed.

His body language and mannerisms are mesmerizing.

Leto’s performance as a transsexual, also stricken with the disease, is equally amazing. The character is immediately sympathetic and vulnerable- a wounded bird you would like to take under your wing and save.

Despite the subject, the film itself is not a downer, nor does it attempt to be preachy. Rather, it is a tale of friendship, human growth, and survival in bleak times.

The film is dark, yet inspirational at the same time.

McConaughey and Leto deserve their Oscar wins for these roles.

Oscar Nominations: 3 wins-Best Picture, Best Actor-Matthew McConaughey (won), Best Supporting Actor-Jared Leto (won), Best Original Screenplay, Best Makeup and Hairstyling (won), Best Film Editing

Independent Spirit Award Nominations: 2 wins-Best Male Lead-Matthew McConaughey (won), Best Supporting Male-Jared Leto (won)

Mandingo-1975

Mandingo-1975

Director Richard Fleischer

Starring James Mason, Susan George

Scott’s Review #53

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Reviewed June 21, 2014

Grade: B+

Mandingo is quite a controversial film from 1975 and inspirational to Quentin Tarantino’s Django Unchained and also to 12 Years a Slave, as it is very similar to the latter of those films.

It centers on a family of southern slave owners who eventually have physical relations and even romantic, loving relationships with their slaves.

There is also a sub-plot involving bare-knuckle fights to the death among the male slaves that is disturbing to witness.

The entire film is extreme and difficult at times, but also has a mystical, dreamlike element to it and is in no way an exploitation film.

The sticky, hot, deep southern setting adds a wonderful atmosphere. The romances are an interesting facet of the film, which I have never seen in similarly themed movies.

There is one sympathetic slave owner, but happily, the others get their comeuppance, one by one, which is delightful to watch.

Mandingo (1975) is an interesting film because it inspires others to follow it and shows how far we have come as a society.

The Anniversary-1968

The Anniversary-1968

Director Roy Ward Baker

Starring Bette Davis

Scott’s Review #52

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Reviewed June 21, 2014

Grade: B+

The Anniversary (1968) is a British film based on a play of the same name.

The story centers on the Taggert family reunion, celebrating the anniversary of the matriarch (Bette Davis) and the deceased patriarch.

The film is set like a play, and most of the action takes place inside the Taggert family mansion.

The film is all Davis, and she gives a deliciously over-the-top performance as a vicious mother intent on controlling her son’s life and terrorizing their wives or significant others with cutting remarks and insults.

Davis must have had fun with this role, as her storied career was clearly on the downturn, and this role allowed her to let loose.

One must wonder if Davis chewed up the actors in the cast as much as the characters- rumor has it she was pretty intimidating to her fellow actors and a terror to work with, which adds to the macabre enjoyment.

Her physical appearance, with an eye patch, wig, cigarette, and bright red lipstick, all work in her favor. Her maniacal laugh is incredibly campy and wonderful to watch.

Bette Davis is one of the greats, and The Anniversary (1968) serves as a late-career romp that is fun to watch.

Philomena-2013

Philomena-2013

Director Stephen Frears

Starring Judi Dench, Steve Coogan

Scott’s Review #50

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Reviewed June 20, 2014

Grade: A-

I am thrilled to see anything starring Judi Dench (although don’t get me started on my disdain of Shakespeare in Love from 1998).

I could listen to her read the phone book as she has that voice that soothes and makes one content.

Philomena (2013) is thankfully a starring role for Ms. Dench after supporting turns in the James Bond films as M.

She plays a woman in search of her son who was taken from her by the Catholic Church fifty years ago.

I respect a film that challenges an institution, especially if it is based on a true story.

In addition to her wonderful performance, the film is quite layered with a few twists and turns thrown in.

Dench’s self-titled character begins an adventure, along with an author talking into championing her cause, to find the whereabouts of her child.

It raises important questions about faith, religion, and the Catholic Church.

It will leave you pondering after the credits roll.

The main draw is Judi Dench who is so simplistic yet effective in her performances.

Well done.

Oscar Nominations: Best Picture, Best Actress-Judi Dench, Best Adapted Screenplay, Best Original Score

Annie Hall-1977

Annie Hall-1977

Director Woody Allen

Starring Woody Allen, Diane Keaton

Scott’s Review #48

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Reviewed June 19, 2014

Grade: A

Annie Hall (1978) is one of Woody Allen’s finest works and that says something as his list of wonderful films goes on and on (Manhattan, Blue Jasmine, and Interiors) are gems.

Annie Hall is a witty, intelligent, great comedy. It is sharply written, quirky, and neurotic all rolled into one.

Comedy is a tough genre. Romantic comedies are even tougher to get right.

My favorite part of the film is Woody Allen himself. Some might say he plays himself, but he is engagingly hysterical as the neurotic, skeptical, Jewish, cynical New York man named Alvy.

He meets and falls in love with equally neurotic Annie Hall, played by Diane Keaton.

They quarrel, love, and traverse from New York to California and back.

There are some very funny scenes (lobster, movie theater line, and the drive-through Manhattan), and the intelligent, crisp dialogue makes this a top-notch comedy.

Oscar Nominations: 4 wins-Best Picture (won), Best Director-Woody Allen (won), Best Actor-Woody Allen, Best Actress-Diane Keaton (won), Best Screenplay Written Directly for the Screen Based on Factual Material or Story Material Not Previously Published or Produced (won)

Black Nativity-2013

Black Nativity-2013

Director Kasi Lemmons

Starring Jennifer Hudson, Forest Whitaker

Scott’s Review #46

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Reviewed June 18, 2014

Grade: C-

Black Nativity (2013) is a family holiday movie about a poor Baltimore teen sent to live with his affluent, estranged grandparents (Forest Whitaker and Angela Basset) in Harlem.

Jennifer Hudson plays the teen’s financially struggling mother.

The estrangement stems from a silly misunderstanding years ago when Hudson’s character was pregnant with her now teenage son.

I enjoyed the performances of Whitaker, Bassett, and Hudson, and the sprinkling of songs performed by the leads was nice, but the story was incredibly sappy and predictable and wrapped up in a nice bow at the end of the film.

Scene one screams predictable and safe.

I did not sense any real conflict or grit throughout the movie and it felt like watching a Hallmark-made-for-television movie- not a compliment.

Black Nativity (2013) is a nice family story, but a little more.

Skip unless you enjoy the watered-down family fare.

Animal Farm-1954

Animal Farm-1954

Director Joy Batchelor, John Halas

Voices Gordon Heath, Maurice Denhall

Scott’s Review #45

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Reviewed June 18, 2014

Grade: B+

The animated film is based on the classic fable written by George Orwell.

This film is quite different from the typically wholesome Disney animated film of the time, and reportedly, many parents were shocked by the subject matter (didn’t they read the book??).

Animation-wise, this film does resemble a Disney film as the colors and animals are meticulously drawn and composed.

As anyone who has read the book knows, the tale is dark and satirical/political. Unfortunately, it is relatable today, as class systems, power, and greed are still quite prevalent in today’s society.

The ending is changed and is more hopeful than the book ending, presumably to appeal to a larger audience.

The written fable is far superior to the film, though the film is well done and effective and gets the message across.

Made in the 1950s, Animal Farm (1954) still holds up well and a look at the dark side of humanity.

Frances Ha-2012

Frances Ha-2012

Director Noah Baumbach

Starring Greta Gerwig, Adam Driver

Scott’s Review #44

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Reviewed June 18, 2014

Grade: B+

Frances Ha (2012) is an intelligent, quirky comedy-drama made ever so appealing by its star, Greta Gerwig, an up-and-coming indie star (Greenberg-2010, The House of the Devil-2009).

She is the heart of this film and has an intense rooting value to her. You want to be her friend.

Made in black and white, which is unique and highly effective in an indie way, it tells the tale of a moderately talented dancer struggling to make it in New York City.

“Frances”, along with her best friend, hops from situation to situation in an attempt to establish normalcy. Gerwig shines with the perfect blend of awkwardness, sarcasm, and wit that she gives to the character and the viewer falls in love with her as she travels through many trials and tribulations.

It’s a year-in-the-life type of film.

Frances Ha is reminiscent of a Woody Allen film as it contains many neurotic yet lovable characters.

Independent Spirit Award Nominations: Best Feature, Best Editing

Frozen-2013

Frozen-2013

Director Chris Buck, Jennifer Lee

Starring Kristen Bell, Idina Menzel

Scott’s Review #43

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Reviewed June 18, 2014

Grade: B

The adjective that springs to mind about the latest hit animated film Frozen (2013) that has overtaken the nation is “cute”.

The story is loosely based on the Hans Christian Anderson story (which is modified immensely) and tells the story of two royal sisters (Elsa and Anna), one of whom has special “ice” powers and accidentally injures the other causing a rift.

From this point, there are a series of misunderstandings, love interests, a handsome prince, an adventure through the snow, and a Snow White-type theme.

The story is uplifting, sweet, and targeted to kids and parents seeking a wholesome, safe experience, but is it too safe?

My one criticism is the lack of diversity and culture in the main characters as they are all similar in looks, which doesn’t set the best example for kids watching.

The musical numbers stuck in my head as I hummed them for days. The songs are very trendy, and pop-leaning which may make this film age quickly and have an overly current flavor.

I loved the frozen, icy, wintry animation sets that are perfect while watching in the winter months.

Olaf, the sidekick, the mini snowman is witty and steals the show.

Oscar Nominations: 2 wins-Best Animated Feature Film (won), Best Original Song-“Let It Go” (won)

Catch-22-1970

Catch-22-1970

Director Mike Nichols

Starring Alan Arkin, Martin Sheen

Scott’s Review #41

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Reviewed June 18, 2014

Grade: B

Catch-22 (1970) is a satirical film similar in subject matter to Robert Altman’s M*A*S*H, released the same year though admittedly I have not seen that film yet.

It does remind me of Dr. Strangelove, and Slaughterhouse-Five in their anti-war theme.

This film is well-made and certainly effectively portrays the outrageousness and lunacy of war.

Most of the characters are presented as crazy, albeit in a dark-humored, over-the-top way.

Alan Arkin is wonderful as the protagonist trying to find a way out of the island of Italy where he and his fellow pilots are stationed.

At times the film feels disjointed and tough to follow, which I understand the novel is too (I have not read the entire book), but the message of the movie comes across loud and clear.

The Way, Way Back-2013

The Way, Way Back-2013

Director Nat Faxon, Jim Rash

Starring Steve Carrell, Toni Collette

Scott’s Review #40

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Reviewed June 18, 2014

Grade: B-

The Way, Way Back (2013) is a cute, summery, “coming of age” story about a teen misfit struggling to fit in.

It contains the basic stereotypical characters (boozy neighbor, overbearing step-father type), but kudos to great performances by Allison Janney and Steve Carell who make the film much more than it would have been otherwise.

The film feels like something that has been done many times before but contains a charming, feel-good quality.

Still, I would have enjoyed it more if some risks had been taken and the characters delved into more.

It is a one-dimensional film that ultimately disappoints.

American Hustle-2013

American Hustle-2013

Director David O. Russell

Starring Christian Bale, Bradley Cooper, Jennifer Lawrence

Scott’s Review #39

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Reviewed June 18, 2014

Grade: A

Having seen American Hustle (2013) a month ago and finally getting around to reviewing it, it’s a perfect time as a slew of Oscar nominations has been reaped upon it, thus, undoubtedly more people will be seeing it in the weeks ahead.

I loved this film.

Some were underwhelmed, but I found it quite authentic and stylish.

I loved the 1970’s period and felt the hairstyles, clothes, and props were spot on.

I also felt the film had great acting and, though I’m not a fan, Jennifer Lawrence enraptured me. The same with Cooper, Bale, and Adams, who all deserve their Oscar nods.

I found it similar in style to Boogie Nights, a 1997 masterpiece directed by Paul Thomas Anderson.

The 1970s musical rock score was perfect. The subject matter of political corruption and cat-and-mouse intrigue was effective and resounding.

Oscar Nominations: Best Picture, Best Director-David O. Russell, Best Actor-Christian Bale, Best Actress-Amy Adams, Best Supporting Actor-Bradley Cooper, Best Supporting Actress-Jennifer Lawrence, Best Original Screenplay, Best Production Design, Best Costume Design, Best Film Editing

All the Boys Love Mandy Lane-2006

All the Boys Love Mandy Lane-2006

Director Jonathan Levine

Starring Amber Heard

Scott’s Review #38

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Reviewed June 18, 2014

Grade: B-

All the Boys Love Mandy Lane is an interesting, experimental type horror meets art film from 2006.

On the surface, it appears to be a by-the-numbers slasher throwback involving a group of teens spending a boozy weekend on a Texas farm, of course, in the middle of nowhere.

They are systematically offed one by one. This sounds standard, but there are some moody, artistic, beautiful scenes mixed in, hence the horror/art-house label.

There is a certain “Texas Chainsaw Massacre” charm to it as well.

The story, however, makes little sense and the protagonist’s motivations are confusing and never explained, so while adventurous in parts, the film ultimately fails based on the story’s inconsistencies.

The characters are also rather unlikable, perhaps intentionally so, as these are the characters the audience enjoys seeing hacked to bits.

Saving Mr. Banks-2013

Saving Mr. Banks-2013

Director John Lee Hancock

Starring Tom Hanks, Emma Thompson

Scott’s Review #36

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Reviewed June 18, 2014

Grade: A-

Saving Mr. Banks (2013) is a movie that transports you back to the wonders of childhood.

It is a delightful, whimsical tale of how the story of “Mary Poppins” made it to the silver screen as a Walt Disney production in the 1960s and there were many challenges.

Emma Thompson and Tom Hanks (as author P.L. Travers and Walt Disney, respectively) prevent this film from being overly sentimental and even sappy, by their character portrayals.

Travers is a difficult, demanding woman, but Thompson adds layers to her so the viewer feels attached and sympathetic.

Tom Hanks portrays Disney to the hilt as patient and understanding. Travers’s backstory is heartfelt and interesting.

Saving Mr. Banks (2013) is a mainstream, Hollywood feature, but one that reeled me in from the get-go and never let up.

Oscar Nominations: Best Original Score