Category Archives: H.G. Lewis

Blood Feast-1963

Blood Feast-1963

Director H.G.Lewis

Starring Thomas Wood, Connie Mason

Scott’s Review #100

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Reviewed July 10, 2014

Grade: B-

Blood Feast (1963) is the debut film by horror master H.G. Lewis, who invented the gore genre.

The film is simplistic and makes his later films almost seem a big budget.

This film is not meant to be taken seriously and anyone who does is completely missing the point. It is exploitation, but completely over-the-top, with wooden performances for laughs, specifically by Connie Mason, who stinks.

The story involves a demented caterer who is hired by a mother to cater an Egyptian-themed dinner party. He, of course, uses real body parts to complete the meal is obsessed with some silly curse, and owns a female Egyptian statue that talks to him.

The kills are laughing out loud in their basic shock value and all the victims are women.

One victim’s tongue is torn out, as another is whipped to death, which, in a more modern film like Saw would be horrific. But the kills are so comedic, and the gore blood so amateurish, that the audience cannot help but chuckle.

The highlight for me was the intentionally (let’s hope) horrendous acting by all involved.

I much prefer H.G. Lewis’s later films, but this blueprint is a nice introduction.

2000 Maniacs-1964

2000 Maniacs-1964

Director H.G.Lewis

Starring William Kerwin, Connie Mason

Scott’s Review #79

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Reviewed June 28, 2014

Grade: B

Two Thousand Maniacs is a 1964 offering by gore director H.G. Lewis set in the South.

The premise of the film surrounds a southern town, ironically named Pleasant Valley, slaughtered and destroyed during the Civil War, and is resurrected every 100 years to enact revenge on northerners who are unlucky enough to stumble upon their town.

Five nice-looking, fashionable tourists, headed to Atlanta, are duped by local townspeople into making a wrong turn and given the hero’s welcome by the town folk for a festive centennial celebration.

The welcome is, of course, a guise for a sinister plot to dismember and barbeque the tourists as part of the feast of the celebration.

The film takes a bit to get going, there is no killing until 30 minutes into it but then kicks into high gear as some of the most graphic, brutal deaths ensue.

A woman is tied to a platform as one townsperson after another attempt to hit a bullseye so that an enormous boulder falls, carnival dunk-tank style, stoning her to death.

Another victim has each limb tied to a horse as they gallop in different directions, thus dismembering him.

Still, another is forced into a barrel laced with nails and sent rolling down a hill.

Another has her thumb and arm chopped off and served for dinner.

These are gruesome deaths.

Certainly, a film like this is done for fun, thus the term horror-comedy, but surely heavily influenced other macabre films that followed- The Texas Chain Saw Massacre (1974) and Deliverance (1972).

The southern rednecks are played to the hilt by mostly real townspeople and the cheerful song “The South will rise again” sticks in the viewer’s mind long after the film ends. The entire tone of the film is bright and cheerful, and the townspeople, on the surface, seem happy-go-lucky and warm. They even kill with charm.

Two Thousand Maniacs (1964) is a fun, splatter film from one of the genre’s most revered filmmakers.

Blood Feast 2: All U Can Eat-2002

Blood Feast 2: All U Can Eat-2002

Director H.G. Lewis

Starring J.P. Delahoussaye, Christy Brown

Scott’s Review #65

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Reviewed June 24, 2014

Grade: B

Blood Feast 2: All U Can Eat (2002) is a sequel to the original Blood Feast from over thirty years ago.

It is not necessary to see the original before seeing this film (I hadn’t). The original killer’s grandson is the gruesome caterer/maniac in this installment.

Director H.G. Lewis heavily influenced John Waters, who has a fantastic cameo as a perverted reverend. This movie is so over the top and campy that it is not to be taken at all seriously.

The premise, if one can call it that, involves a lunatic caterer intent on using various female body parts to concoct a scrumptious meal to serve at a wedding.

The film is more of a comedy than a horror film in the traditional sense.

The victims are bubbleheads, mispronouncing words and traipsing around in skimpy outfits (or less) for no reason. The mean-spirited mother of the bride is a delight.

Scenes of taste testing and the presentation of “ladyfingers” are hilariously creative.

Campy in every way and poorly acted, but good late-night fun.

The Gore, Gore Girls-1972

The Gore, Gore Girls-1972

Director H.G. Lewis

Starring Frank Kress, Amy Farrell

Scott’s Review #12

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Reviewed May 14, 2014

Grade: B+

The Gore Gore Girls (1972) is a fun, late-night, campy horror film by the “Godfather of Gore”, H.G. Lewis.

An unknown assailant is hacking strippers to bits using very unusual methods. An investigator is hired to find out whodunit.

It’s an entertaining experience and I love the use of the whodunit mixed in with horror. I enjoyed the outcome when the killer was revealed.

Influenced by John Waters (even the music seems identical!) it’s a hearty viewing of wildness, merriment, and debauchery.

Comedian Henny Youngman appears, though he later denied being in the film.

The strippers are over the top and unique and the investigator (sort of a Sherlock Holmes type) is wonderful to watch.

Quite a low budget as the audio is tough to hear at times and the video fuzzy, but this only enhances the fun.

Continuity errors for miles, but it hardly matters.

The Gruesome Twosome-1967

The Gruesome Twosome-1967

Director H.G. Lewis

Starring Elizabeth Davis, Gretchen Wells

Scott’s Review #8

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Reviewed June 17, 2014

Grade: B+

This offbeat treat is an incredibly strange, super-low-budget horror film from influential director H.G. Lewis.

This film is an enjoyable, campy, midnight-movie type of experience. The acting is completely over-the-top and played for laughs, purposely.

It felt like watching a horror version of a John Waters film and the atmosphere and acting style surely influenced Waters.

Shots were added to fill the running time to warrant a film release. KFC and Michelob products are placed and one favorite scene is a sorority-type slumber party as the girls danced while eating KFC.

The 7-minute intro of the talking foam heads is wonderfully strange and not to be missed.

While campy, there is one intensely gruesome scene towards the beginning of the film and a must-see for cult horror and/or late-night film fans.