The Brutalist-2024
Director Brady Corbet
Starring Adrien Brody, Guy Pearce, Felicity Jones
Scott’s Review #1,468
Reviewed March 1, 2025
Grade: A
The three-hour and thirty-five-minute film The Brutalist (2024) captivated me from the first sequence.
Adrien Brody’s character László Tóth, emerges from what is revealed as a ship. He emigrated to the United States after being sent to the Buchenwald concentration camp and forcibly separated from his wife, Erzsébet, and orphaned niece, Zsófia.
As his ship enters New York Harbor, he sees the Statue of Liberty.
The sequence follows László in the dark, and the audience is confused and unaware of what’s happening. His wife reads a Hungarian letter amid the scene explaining the events.
This is a top notch first scene.
The film is very long, so if you can’t watch it in a movie theater, we recommend watching it in miniseries style and digesting the segments slowly.
While The Brutalist initially feels like a studio blockbuster extravaganza, it’s shockingly an independent film made for relatively little money.
It’s brilliant but slow and methodic with rich moments of raw emotion, and graceful humanity. Parts are edgy and artistically creative with a quiet bombast.
Events occur between 1947 and 1958; the conclusion is set in 1980.
Having escaped post-war Europe, visionary architect László is well-respected and admired in his home country. He finds his way to Pennsylvania, where the wealthy and prominent industrialist Harrison Lee Van Buren (Guy Pearce) recognizes his talent for building.
The central theme of The Brutalist is László’s struggles to achieve the American Dream. While a wealthy client changes his life, it comes at a price. Do we trust Harrison?
An early scene showcases Harrison’s bad temper, and we know this will come into play again, but it does at the expense of László.
There are so many wonderful facets to The Brutalist; some slowly build and reach a dramatic crescendo, and others continue to bubble under the surface, ripe for discussion after the film has ended.
Though sometimes conventional with a heartwarming story of an immigrant’s struggle to succeed in 1950s USA, it is anything but a mainstream film when looked at closely.
Is there an attraction between Harrison and László? Harrison has no wife and seems uninterested in women. László visits a prostitute and cannot perform; he dances with a gorgeous woman and cannot be seduced. He cannot have sex with his wife.
A male/male rape scene is both gorgeously shot and filled with animalistic brutality. It’s the most unconventional rape scene I’ve ever seen in cinema.
László is also addicted to heroin and has bouts of rage. Is his relationship with Erzsébet more a friendship than a romance?
Brady Corbet’s direction is flawless, led by astounding cinematography of rural Pennsylvania. An early shot of a speeding bus with the opening credits shifting sideways brims with fresh style and creativity.
The sophisticated costumes and makeup perfectly fit the era, which is even more reason to give it kudos on such a small budget.
The acting by Brody, Pearce, and Jones is terrific.
We finally meet Erzsébet (Jones) halfway through the film when she makes her way to America. Crippled, due to osteoporosis, she is a brave and confident woman, finding career work as a writer for a newspaper.
Jones enfuses confidence into a role where she could be the victim. In a late scene, she tears down the house in a powerful performance, interrupting a family dinner.
Pearce electrifies in the best role of his career. His sexuality might explain his Jekyll and Hyde personality and bouts of rage. After all, this was the 1940s and 1950s. The actor plays ambiguity so well that knowing what Harrison feels is challenging.
Finally, Brody is brilliant. In a role arguably similar to his character in The Pianist (2002), he is a clever man forced as an immigrant to play the lousy cards he is dealt. With raw emotion, Brody makes every scene real and powerful.
Is he better off in Hungary or Israel?
Corbet, who also co-wrote the screenplay, delves into the experience of an immigrant. He showcases discrimination, preconceived notions, and the hopes and dreams of one man with the cards stacked against him.
The Brutalist (2024) is a beautiful film with much to say. It has soul and grit and perfectly pays tribute to an experience in the 1950s while sadly feeling relevant to the discrimination still facing immigrants in present times.
Oscar Nominations: 3 wins-Best Picture, Best Director-Brady Corbet, Best Actor-Adrien Brody (won), Best Supporting Actor-Guy Pearce, Best Supporting Actress-Felicity Jones, Best Original Screenplay, Best Original Score (won), Best Production Design, Best Cinematography (won), Best Film Editing
Independent Spirit Award Nominations: Best Director-Brady Corbet
