Tag Archives: Adventure

The Towering Inferno-1974

The Towering Inferno-1974

Director John Guillermin

Starring Paul Newman, Steve McQueen

Top 100 Films #43

Scott’s Review #194

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Reviewed November 15, 2014

Grade: A

The Towering Inferno (1974) epitomizes the disaster film craze heaped on audiences throughout the 1970s (Airport, Airport ‘75 and ‘77, The Poseidon Adventure (1972), and Earthquake (1974) to name a few).

I am (guilt-free) a huge fan of this 1970s movie genre, though some certainly look down on it, I am not one of them and feel The Towering Inferno is one of the greatest.

The film is enormous and has such a sense of adventure and danger.

The grand film tells of the trials and tribulations of an enormous cast of characters trapped inside an inferno-flamed skyscraper – led by Paul Newman and Steve McQueen (fun fact- the two actors reportedly despised each other).

An incredible skyscraper is erected in San Francisco, at one hundred and thirty-eight floors it is professed to be the tallest building in the world and incredibly state-of-the-art. At the ribbon-cutting ceremony, an elaborate party is held atop the building overlooking the gorgeous Pacific Ocean.

Due to faulty electrical wiring, the building catches fire and the cast of characters faces one challenge after another to escape the grips of death.

The stellar cast features stars like William Holden, Faye Dunaway, Fred Astaire, Robert Wagner, Jennifer Jones, and O.J. Simpson in addition to Newman and McQueen.

The film is quite a soap opera style- numerous characters are introduced, many having affairs with each other or suffering some sort of conflict.

Wagner having a torrid office romance with his secretary played by then up-and-coming star Susan Flannery is deliciously sexy and I yearned to know more about both characters.

Holden’s son-in-law is responsible for the faulty electrical system yet blames his father-in-law for cutting budgets.

Another subplot involves Astaire’s character attempting to swindle Jones’s character but then falling in love with her. The plots are so melodramatic that, given the period of the film, it has a definite primetime television soap opera style to it- think Dallas or Dynasty in a state of peril.

I enjoyed the enormous cast and trying to guess who will be killed off next and in what elaborate way the film will burn them to death is a joy to watch- several victims fall or jump to their deaths, which eerily (and sadly) bring back morbid images of jumpers from the World Trade towers on 9/11.

The beginning of the film shows a dedication to firemen everywhere and the film has a definite moral and heroical quality to the firemen sent to rescue the people in the building. They are portrayed as heroes and intended not to be forgotten amid all the drama encompassing the story. This is admirable.

The special effects are elaborate and quite impressive- the glass elevator rescue scene is amazing! The beautiful set designs are a treat to watch as each lobby, apartment, or lounge in the skyscraper is exquisitely designed at the height of the 1970s style.

Every sofa or carpet featured is plush, colorful, and sophisticated. The skyscraper, made of glass, is an amazing element of the film, and the aerial views of the building, especially while ablaze are impressive, to say the least- remember- 1974 was long before CGI. I am assuming small replicas of the building were used, but what an achievement from a visual perspective.

The effects certainly champion the syrupy story elements.

My only small gripe with The Towering Inferno is, assumed to be 138 stories high, the action taking place at the top of the tower- the rooftop as well as the party scenes on the top floor- do not feel that high- The scenic outlook overlooking the water and some land feel about twenty-five stories high, not one hundred and thirty-eight.

Some find The Towering Inferno (1974) to be nothing more than schmaltzy drama- I say schmaltz was never done better.

Enjoy this feast of a big film.

Oscar Nominations: 3 wins-Best Picture, Best Supporting Actor-Fred Astaire, Best Original Dramatic Score, Best Song-“We May Never Love Like This Again” (won), Best Sound, Best Art Direction, Best Cinematography (won), Best Film Editing (won)

Jack the Giant Slayer-2013

Jack the Giant Slayer-2013

Director Bryan Singer

Starring Nicholas Hoult, Eleanor Tomlinson

Scott’s Review #93

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Reviewed July 4, 2014

Grade: C

Jack the Giant Slayer (2013) is a fantasy, CGI-laden film most likely targeted at a young audience.

It tells the story of Jack, a farmhand who must rescue a beautiful princess from the world of giants after an accident causes a gateway to open to their world.

The film is loosely based on the fairy tale “Jack and the Beanstalk”.

The special effects in the Land of the Giants are the most impressive aspect.

Otherwise, it is a love story mixed with adventure and is not very engaging. It is also very predictable.

Heavyweights Ewan McGregor and Stanley Tucci appear in over-the-top performances and the acting of the princess (Eleanor Tomlinson) is shockingly wooden.

The finale is mildly entertaining as a chase through the castle occurs, but the film is so weighted down by the effects and the lack of a good story that it is a middle-of-the-road film.

Kon-Tiki-2012

Kon-Tiki-2012

Director Joachim Ronning, Espen Sandberg

Starring Pal Sverre Valheim Hagen, Anders Baasmo Christiansen

Scott’s Review #78

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Reviewed June 28, 2014

Grade: C+

I don’t know what has happened to the nominating process for the Best Foreign Language Film Oscar (it has been controversial for years), but it used to be you could count on any of the five nominated films to be interesting, edgy, and even controversial.

These days, a few of the nominated films squeaking through barely rise above mediocrity and are such mainstream stories.

Kon-Tiki (2012) is one such film.

It tells the tale of a Norwegian scientist determined to sail, via raft, from Peru to the Polynesian islands to prove a Sun God, centuries ago, made the same voyage.

He forms a team and off they go.

Supposedly based on a true story, the team faces the typical challenges in an oceanic adventure- bad weather, sharks, the raft in peril, and dissent among the ranks.

These high sea clichés have gotten to me recently.

The film is similar in context to Life of Pi, also made in 2012. It’s not a bad film, but there is nothing special about it either and it has glossy and safe written all over it- the score is Spielberg to the nines who has nothing to do with this film.

The five adventurers are bronzed with buff bodies when nobody was buff in the 1940s when this film is set, and the scruffy beards, after months of sailing, look perfectly phony.

For the top-tier foreign language group, I expected something more cutting-edge and with more substance.

Oscar Nominations: Best Foreign Language Film

The African Queen-1951

The African Queen-1951

Director John Huston

Starring Humphrey Bogart, Katharine Hepburn

Scott’s Review #76

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Reviewed June 28, 2014

Grade: B-

The African Queen (1951) is a difficult film to review.

Revered and appearing on many of the greatest films of all time lists, this film is disappointing.

Humphrey Bogart and Katharine Hepburn star as a couple who despise each other, stranded together on a tugboat in Africa on the eve of World War I.

Sure, the chemistry between Bogart and Hepburn (Hollywood royalty in their day) is there, and the opposite attraction has a definite rooting value as their passion oozes off the screen.

He is a grizzled alcoholic American. She is a repressed, puritanical British woman. The locales of Africa, as the couple traverses on a makeshift boat, are gorgeous.

That is it for me, though- nothing else about the film is spectacular.

The plot is silly and unrealistic, and the two are thrown together purely for plot purposes. The adventure seems quite secondary to the love story at hand.

How far-fetched is that an “old maid” and a sailor could build torpedoes and blow up an enormous German warship?

The film is a decent, old-fashioned romantic adventure but not much more, which disappoints me because, given its accolades, I was expecting much more.

Bogart won the 1951 Best Actor Oscar for this performance.

Oscar Nominations: 1 win-Best Director-John Huston, Best Actor-Humphrey Bogart (won), Best Actress-Katharine Hepburn, Best Screenplay

All is Lost-2013

All is Lost-2013

Director J.C. Chandor

Starring Robert Redford

Scott’s Review #4

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Reviewed June 16, 2014

Grade: D

The accolades heaped on All is Lost from 2013 escape me.

Some felt that this was Robert Redford’s late-in-life masterpiece. I’ve never found him to be a great talent as an actor, and while not horrible in this film, it is not the Oscar-worthy performance being bandied about.

Many actors would play this role better- Tom Hanks and Sean Penn come to mind.

Beyond the performance, facets of the film remain unexplained. How did he become shipwrecked? Why did ships pass by not noticing him? Who is he?

Much of the movie drags and a feeling of having seen this film many times before kept gnawing at me. I do give the film credit for containing only one cast member.

But castaway and shipwreck movies have been around since the beginning. They all have the standard plot developments- broken equipment, sharks, and storms, which makes it quite contrived.

Fail.

Independent Spirit Award Nominations: Best Feature, Best Director-J.C. Chandor, Best Male Lead-Robert Redford, Best Cinematography

Noah-2014

Noah-2014

Director Darren Aronofsky

Starring Russell Crowe, Jennifer Connelly

Scott’s Review #3

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Reviewed June 16, 2014

Grade: B+

Learning that Darren Aronofsky, a very dark director (Black Swan-2011, Requiem for a Dream-2000, and The Wrestler-2008), would be tackling a religious film piqued my curiosity.

Those expecting an uplifting, happy film about “god” will be disappointed.

This film is generating controversy from the religious folks, which I find interesting, but nobody wants me to go off on a tangent.

The film tells the tale of the biblical figure, Noah, and his quest to do God’s will through the signs he is given.

It takes incredible talent to make a film like this not seem silly and Aronofsky, Russell Crowe, and Jennifer Connelly succeed.

The film is quite dark and at times Noah comes off as more of a madman than a savior.

The visual effects and the musical score are wonderfully effective.

Noah (2014) has a few plot holes but is a nice fantasy/apocalypse-type film.

The Hunger Games: Catching Fire-2013

The Hunger Games: Catching Fire-2013

Director Francis Lawrence

Starring Jennifer Lawrence, Josh Hutcherson

Scott’s Review #1

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Reviewed June 16, 2014

Grade: B-

I confess to not having read any of the Hunger Games books, so I am critiquing the film on its film merits only with no knowledge of the books.

Interestingly, I graded the first Hunger Games (2012) film a B- and that is what I am giving this one, almost for the same reason.

The first hour sets up the second hour, but it is unnecessarily drawn out. At times it’s slightly dull.

The meat of the film then takes off and the film is quite good though the film still does not completely hold my attention throughout.

First and foremost, Jennifer Lawrence is the best part. She has the charisma and likability to carry it off.

The chemistry between the two leads (Lawrence and Hutcherson) is there so there is rooting value for the couple.

The third part of the triangle is weak (Liam Hemsworth has far too little screen time to make him a viable rooting factor).

Donald Sutherland is wonderful as the evil President, but Philip Seymour Hoffman seems to phone in his performance and the character is not all that intriguing.

The mood of the film and visuals (fog, train sequences) are great because there is modern darkness, and the premise and wondering who will die next during the games are interesting.

The somewhat twist at the end was effective.

To summarize nice characters/acting, great looking film, mediocre story, and slow pacing in the first act.