Category Archives: Dody Goodman

Private Resort-1985

Private Resort-1985

Director George Bowers

Starring Rob Morrow, Johnny Depp, Hector Elizondo

Scott’s Review #1,382

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Reviewed July 26, 2023

Grade: B

Depending on what type of film you are looking for Private Resort (1985) may be just what the doctor ordered.

A version of Animal House (1978) or Porky’s (1981) shifted to a sunny beach resort is the perfect summer setting for a sex romp with enough g-strings, boobs, and bare butts to make even non-prudish viewers blush a little.

Suffice it to say, director George Bowers, mostly known as a film editor, and screenwriter Alan Wenkus wasn’t seeking any Academy Award nominations.

Though silly, thoughtless, and caked with terrible acting Private Resort is a fun flick.

Shamelessly, since its 1985 release the distributors have callously billed mega Hollywood star Johnny Depp as the ‘star’ of this film. Someone even dared to add his photo to the film’s cover art, which I nearly used when creating my film review.

In reality, Depp plays second fiddle to Rob Morrow, who is the film’s real star and proudly displays more bare flesh than Depp does.

Morrow also proudly dons a dress and wig for a lengthy drag performance.

Thankfully, another source cleverly depicts a lineup of bronzed and toned beach bodies donning the letters that spell ‘Private Resort’ (see above) on different cover art.

Horny teenage buddies, Ben and Jack (Morrow and Depp) decide to spend a weekend in a swanky Miami beach resort chasing the flock of equally horny and scantily clad women they encounter.

How they have the money to afford a room is never explained.

Their fun is parlayed when they cross paths with a shifty jewel thief played by Hector Elizondo and his leggy girlfriend Bobbie Sue (Leslie Easterbrook). Throw in a romance with all-American-looking waitress Patti (Emily Longstreth) and sultry Dana (Karyn O’Bryan) and you’ve got a plot.

Bowers throws in enough physical comedy and antics to keep the action moving along in a speedy one-hour and twenty-two-minute running time.

The gags follow films like Caddyshack (1980) or any of the other countless 1980s slapstick comedies and you can pretty much bank on what you’ll be served up.

Why, the opening scene follows a parade of sexy female sunbathers slathering suntan lotion on or suggestively bending over for all to see. Many were uncredited so my hunch is that adult film stars were used.

Morrow is the standout and his boyish charisma lights up the screen especially when he becomes smitten with Patti. The fresh-faced pair make a perfect match and exude young love becoming the heart of the film.

Elizondo and Easterbrook dutifully perform their parts as one-dimensional foils and MILF roles respectively. Decent actors are worlds above any of the other supporting actors in terms of talent. Even comic actress Dody Goodman goes way over the top in her role as the wealthy grandmother to Dana.

Andrew Dice Clay, then known as Andrew Clay also appears.

Private Resort gets a severe wrist-slapping for two crass fat-shaming scenes not worth giving time to other than to mention it’s not kind to plump girls.

I first saw Private Resort (1985) as a teenager when it was first released and loved it. This was before I blossomed into a snobby film critic. Seeing the film a million years later with more sophisticated tastes I still find it fun, especially on a scorching summer night.

That’s got to count for something, right?

Grease-1978

Grease-1978

Director Randal Kleiser

Starring John Travolta, Olivia Newton-John

Top 100 Films #70

Scott’s Review #354

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Reviewed January 9, 2016

Grade: A

Grease (1978) is the ultimate musical fantasy that comes to life and can be appreciated by anyone looking to re-live their high school days through song, or merely escape life’s stresses with a fun, bright, musical, that is very well made.

Is it realistic? Not, but sometimes escapism is just what the doctor ordered, and Grease is one of my favorite films that meet that criteria.

It is light-hearted and sweet, and above all contains wonderful legendary musical numbers.

The time is the 1950s, and we meet Danny and Sandy on a windswept beach with cascading waves and bright sunshine. It is summer break for the two high school students, who meet in California, she vacationing from Australia, and he is a local boy.

They say their goodbyes and return to normal lives, but cannot forget about each other.

Suddenly, Sandy arrives at Rydell High in Los Angeles, coincidentally where Danny goes to school. Her parents (whom we never see) decided to stay in California.

Danny is a “tough guy” in high school, much different from who he was on the beach with Sandy. He is the leader of the infamous T-birds, a group of boys who love their black leather jackets and cars.

Torn, he continues his tough image and he and Sandy find their way back to each other through classmates, songs, and dancing, intermingling fun supporting characters who encourage each of them to find true love.

Travolta and Newton-John have magical chemistry, which allows this film to work.

Grease has appeared on stage numerous times, but these actors are fine together. I bought them as teenagers in love, although both were well beyond their teen years.

The supporting cast is excellent- specifically Stockard Channing as the lead Pink Lady, Rizzo, and Sandy’s kind-hearted friend Frenchy.

Interestingly, no parents ever appear in the film as it is not about the adults.

However, Rydell’s female principal, Mrs. McGee (played by Eve Arden), and her dotty Vice Principal, Blanche (Dody Goodman), are simply marvelous as comic relief.

Rizzo is an interesting character and can be argued is the only one who threatens to steal the thunder from Danny and Sandy. Containing a tough exterior, she is also vulnerable as she fears she has become pregnant mid-way through the film.

Unwed and pregnant in the 1950s was quite the scandal and Channing gives layers of emotion during her solo number, “There Are Worse Things I Could Do”.

The wonderful high school dance scene is choreographed amazingly well. The excitement of the student body at being filmed for a special television show is apparent as dance numbers and dance contests, some raunchy, follow.

The musical numbers are intrinsically memorable from “Grease”, “Greased Lightning”, “Hopelessly Devoted To You”, and “Beauty School Dropout”, all of which are personal favorites of mine.

Grease (1978) is a film that is not meant to be analyzed but rather enjoyed for the fantastic chemistry and energy in which it has.

Sometimes in a film, all of the elements simply come together perfectly and Grease is an excellent example of this.

Oscar Nominations: Best Song-“Hopelessly Devoted to You”