Category Archives: Sid Caesar

Grease-1978

Grease-1978

Director Randal Kleiser

Starring John Travolta, Olivia Newton-John, Stockard Channing

Top 250 Films #69

Scott’s Review #354

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Reviewed January 9, 2016

Grade: A

Grease (1978) is the ultimate musical fantasy that comes to life and can be appreciated by anyone looking to re-live their high school days through song, or merely escape life’s stresses with a fun, bright musical that is very well made.

Is it realistic? Not, but sometimes escapism is just what the doctor ordered, and Grease is one of my favorite films that meets that criteria.

It is light-hearted and sweet, and above all, it contains wonderful legendary musical numbers.

The time is the 1950s, and we meet Danny and Sandy on a windswept beach with cascading waves and bright sunshine. It is summer break for the two high school students, who meet in California, she vacationing from Australia, and he is a local boy.

They say their goodbyes and return to normal lives, but cannot forget about each other.

Suddenly, Sandy arrives at Rydell High in Los Angeles, coincidentally, where Danny goes to school. Her parents (whom we never see) decided to stay in California.

Danny is a “tough guy” in high school, much different from who he was on the beach with Sandy. He is the leader of the infamous T-birds, a group of boys who love their black leather jackets and cars.

Torn, he maintains his tough image, and he and Sandy find their way back to each other through classmates, songs, and dancing, intermingling with fun supporting characters who encourage them to find true love.

Travolta and Newton-John have magical chemistry, which allows this film to work.

Grease has appeared on stage numerous times, but these actors are fine together. I bought them as teenagers in love, although both were well beyond their teen years.

The supporting cast is excellent- specifically Stockard Channing as the lead Pink Lady, Rizzo, and Sandy’s kind-hearted friend, Frenchy.

Interestingly, no parents ever appear in the film, as it is not about the adults.

However, Rydell’s female principal, Mrs. McGee (played by Eve Arden), and her dotty Vice Principal, Blanche (Dody Goodman), are marvelous as comic relief.

Rizzo is an interesting character and can be argued to be the only one who threatens to steal the thunder from Danny and Sandy. Containing a tough exterior, she is also vulnerable as she fears she has become pregnant mid-way through the film.

Being unmarried and pregnant in the 1950s was quite the scandal, and Channing conveys layers of emotion during her solo number, “There Are Worse Things I Could Do”.

The wonderful high school dance scene is choreographed amazingly well. The excitement of the student body at being filmed for a special television show is apparent as dance numbers and dance contests, some raunchy, follow.

The musical numbers “Grease”, “Greased Lightning”, “Hopelessly Devoted To You”, and “Beauty School Dropout” are intrinsically memorable, all of which are personal favorites of mine.

Grease is a film meant not to be analyzed but rather enjoyed for its fantastic chemistry and energy.

Sometimes, in a film, all the elements come together perfectly, and Grease (1978) is an excellent example.

Oscar Nominations: Best Song-“Hopelessly Devoted to You”

Airport 1975-1974

Airport 1975-1974

Director Jack Smight

Starring Charlton Heston, Karen Black, George Kennedy

Scott’s Review #1,060

Reviewed September 8, 2020

Grade: B+

Possessing all the disaster film genre schmaltz, proper trimmings, and then some, Airport 1975 (1974) is good, hammy entertainment that gleefully satisfies. However, artistic types will be embarrassed to admit how much they like it.

The Towering Inferno (1974) and Earthquake (1974) were among the highest-grossing films of the year, and it is little wonder why. The offering has enough adventure and peril to satisfy the entire family.

I watched this film practically in tandem with Airport (1970) and it feels a letdown by comparison, but that hardly matters. Both are very good.

With great anticipation, the filmmakers paid a ton of cash to secure a bevy of Hollywood stars of yesteryear, ensuring they could rake in the box office.

Most are past their prime but still marketable. What a treat to see legendary silent film star Gloria Swanson playing herself as a passenger.

The unequivocal star and hero of the film is Charlton Heston, as he also was in Earthquake. Karen Black, Myrna Loy, Linda Blair, Susan Clark, Nancy Olson, and George Kennedy (reprising his role from the first Airport) round out the stellar cast.

Worth its price of admission is watching the opening credits to see who is in the cast.

Unlike Airport, which wisely spent much of its time inside the actual airport setting up the events and stories, Airport 1975 takes flight right away and crafts its trials and tribulations within the aisles and cockpit of the plane.

We learn right off the bat that the main romantic couple is Heston and Black. Captain Alan Murdock (Heston) apparently cannot commit to Chief Stewardess Nancy Pryor (Black), and they plan to meet up in Los Angeles to discuss the drama further.

We know they will have more to do with each other as her flight to La La Land takes off.

Quickly, a small plane flown by businessman Scott Freeman (Dana Andrews) is diverted to Salt Lake City airport, and he suffers a massive heart attack while descending.

His plane naturally crashes into the cockpit of the enormous Boeing 747, killing two pilots and blinding the other.

With no one able to fly the plane, Nancy must figure out how to avert disaster as it cascades over mountains and contemplates a fuel leak. Murdock and crew try to land the plane remotely or get somebody up there to save the day.

Predictably, Murdock is that man.

If Airport 1975 weren’t so damned fun, it would be offensive since it’s riddled with gender stereotypes. Screenwriter Don Ingalls composes a project so fraught with machismo and masculinity that the female characters have little chance to do much of anything without being saved by a man.

Let’s cite a couple of examples. Nancy is left alone in the open cockpit to navigate the plane.

Worth mentioning is that her hair remains perfect throughout.

Anyway, Murdock must explain to her how to check various controls, which he does as if she were a five-year-old learning the alphabet, referring to a picture of the “little airplane” and calling her “dear”.

She rattles off a puzzled “what?” before figuring out where or what the “little airplane” is.

Secondary Stewardess Bette (Christopher Norris) is boy-crazy, asking Nancy if the flight crew is “sexy” before making googly eyes at the Latin pilot, Julio (Erik Estrada). He is married, but that doesn’t seem to bother either of them.

They flirt while he orders her to bring him a cup of coffee. The male characters telling the female characters to get them drinks is a common theme in Airport 1975.

Naturally, Murdock eventually makes it on board to take over the controls and land the plane.

We imagine Nancy’s character thinking, “Good Heavens, thank goodness a man arrived just in the nick of time to save all of us!” She is promptly sent to get Murdock a drink and fluff pillows.

But these are gripes I can look past, given that if this film were made in 2020, Nancy would either land the plane or Murdock would be a female character and Nancy a male character.

Imagine that!

The real threats are the peril and drama associated with the events on the flight.

A sick kid (Linda Blair) must reach land quickly so that she can be provided medical assistance, while a crack in the airplane’s ceiling could burst at any moment, killing everyone on board.

For popcorn-fueled entertainment sure to please any viewer, Airport 1975 (1974) is a perfect late-afternoon, rainy-day suggestion.

It is advisable not to look too deeply into the stereotypes and contrived setups, or this will ruin the fun. Instead, hop aboard and enjoy the bumpy flight from the comfy cushions of your living room with the assurance that you will land safe and sound.