Category Archives: Hal Needham

The Cannonball Run-1981

The Cannonball Run-1981

Director Hal Needham

Starring Burt Reynolds, Roger Moore, Farrah Fawcett

Scott’s Review #1,204

Reviewed December 4, 2021

Grade: B-

The Cannonball Run (1981) is someone’s idea of collecting big film and television stars of the time and throwing them into a film with a pointless plot about cross-country road racing.

Truth be told, it’s a pretty bad film.

But it’s a fun way to spend 90 minutes seeing a multitude of celebrities in both cameos and leading roles. Otherwise, The Cannonball Run should be skipped.

Taking a glance at the list of players, we have Burt Reynolds, Farrah Fawcett, Roger Moore, Sammy Davis Jr., Dom DeLuise, Peter Fonda, Dean Martin, Jamie Farr, Jackie Chan, Bert Convy, and Terry Bradshaw.

Hopefully, the actors had a good time making the film.

The acting is not stellar, and one wonders if many of the cast phoned it in or even read much of the script. The out-takes look like everyone was having one grand old time.  And whether some were even sober during the shooting is debatable.

The film is loosely based on the 1979 running of an actual cross-country outlaw road race in the United States, beginning in Connecticut and ending in California.

It was one of 1981’s most successful films at the box office, which is a scary realization. It was followed by two forgettable sequels- Cannonball Run II (1984) and Speed Zone (1989).

Feeling very thrown together, director Hal Needham is most known for collaborations with Burt Reynolds involving cars and car chases, so the plot, if one wants to call it that, is right up his alley.

Race teams gather in Connecticut to start a cross-country car race. One at a time, teams drive up to the starters’ stand, punch a time card to record their departure time, and then take off.

The reward for the winner is one million dollars. A representative of the “Safety Enforcement Unit” tries to stop the race due to its environmental impact and safety concerns.

Various teams are shown either evading law enforcement, most of which deal with talking their way out of a possible ticket, or concocting crazy schemes to outmaneuver their opponents.

The winner of the race is rather unimportant.

It’s all silly and not to be taken seriously. There are plenty of stereotypes, like Jamie Farr’s Middle-Eastern wealthy sheik driving a Rolls-Royce and the inevitable scantily clad females in tight wear.

Despite The Cannonball Run being riddled with enough negative aspects to make me hate the film, it’s kind of fun.

The bevy of different vehicles, like an ambulance, an Aston Martin DB5 (driven by Moore’s James Bond, imitating the character, of course), a Ferrari, and a Chevrolet Malibu, are all entertaining.

There is no character development, nor are there any characters with any depth, so the only reason to see the film is for the speedy cars and the competition.

And to see which celebrity will appear next.

A slapstick film that makes even the similarly penned Smokey and the Bandit (1977) seem like high art, The Cannonball Run (1981) is a must-see only for genre fans or those who are willing to watch and perhaps even be entertained by any movie.

I haven’t seen the film in eons, but I can imagine it’s a film only meant for its time and now would feel incredibly dated.

French Connection II-1975

French Connection II-1975

Director John Frankenheimer

Starring Gene Hackman, Fernando Rey

Scott’s Review #1,148

Reviewed June 2, 2021

Grade: B

The French Connection, the winner of the coveted Best Picture Academy Award for 1971 releases, is a brilliant film that holds up well as a cream-of-the-crop cop film.

An action film winning an Oscar is as rare as a horror film winning one. It’s rare.

The decision to make a sequel is debatable, but French Connection II (1975) stands as a decent action crime thriller, but hardly on par with the original.

Is anyone surprised?

Sequels rarely usurp their predecessors, especially when The French Connection is such a superior genre film. In a way, Part II didn’t have much of a chance measured up against Part I.

Films like The Godfather (1972) only come around once in a lifetime.

Unfortunately, William Friedkin did not return to the fold to direct, replaced by John Frankenheimer, best known for the nail-biting The Manchurian Candidate (1962).

Thankfully, Gene Hackman did return. He helps the film from an acting perspective and gives his all in a tough role. His partner, played by Roy Scheider, does not appear and is not mentioned.

Picking up a couple of years after the first one ended, Detective “Popeye” Doyle (Hackman) is still hot on the heels of cagey and sophisticated drug trafficker Charnier (Fernando Rey).

Doyle hops a flight to lovely Marseilles, France. Away from his familiar New York City territory, he struggles to assimilate himself in a strange city and conquer the drug ring to bring Charnier down.

Doyle is accosted and spends time as a dreary heroin addict in rough confines before being tossed away and forced to recover cold turkey style. He becomes even more determined to bring the bad guys to justice- dead or alive.

As a stand-alone action film, French Connection II is not a bad experience. It is certainly better than the still-to-come 1980s doldrums, like the Die Hard and Lethal Weapon cop/buddy films, that marginalized the genre into cookie-cutter popcorn fare.

The equally compelling French landscape replaces the gripping New York City. Gorgeous locales like the French Riviera and the Mediterranean Sea are featured, but Marseilles is not Paris. There exists a seediness and dirtiness that helps the film a bit.

Hackman acts his ass off, especially as a drug addict. I shudder to think of a weaker actor trying to pull off this acting extravaganza. From scenes featuring his withdrawals to his drug cravings, it is exciting to watch and showcase Hackman’s wonderful acting chops.

But the intent is to produce a good action film after all, and that effort is mediocre. French Connection II is not as compelling as The French Connection, and despite some decent chase scenes and a cool finale where Doyle gets his satisfaction, there is little else but by-the-numbers activity.

The final fifteen minutes are the best part of the film.

Remember the frightening car chasing a subway sequence? Or the delicious cat-and-mouse subway sequence between Doyle and Charnier?

Brilliant scenes like this do not exist.

A few clichés are bothersome. Predictably, Doyle stands out like a sore thumb in France, and his hot-headedness emerges quickly, offending or pissing off the French authorities. He is not the most likable character, and I frequently found myself rooting for the bad guys!

I don’t think I was supposed to.

Other implausibilities occur, like the boneheaded decision to send Doyle to Marseilles, to begin with. Was he the only detective, including the French authorities, capable of catching Charnier?

What was the point of the old-lady heroin addict stealing Doyle’s watch?

A shadow of The French Connection, the dull titled French Connection II (1975) is a weaker effort but still respectable compared to other genre films.

This is mostly due to the French landscape and Gene Hackman’s return.