Category Archives: Robin Wright

2000 Films, Bruce Willis, M. Night Shyamalan, Robin Wright, Samuel L. Jackson, Science Fiction, Super Hero, Thriller

Unbreakable-2000

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Unbreakable-2000

Director M. Night Shyamalan

Starring Bruce Willis, Samuel L. Jackson

Scott’s Review #1,260

Reviewed May 29, 2022

Grade: A-

Following the brilliant and massive critical and commercial success of The Sixth Sense (1999), M. Night Shyamalan hit his stride and became a household name known for mixing supernatural and psychological elements in his web of good storytelling.

Following 2002’s Signs credibility tapered a bit but Unbreakable (2000) is an overlooked gem falling in the shadows of The Sixth Sense which everyone remembers best when they talk about the director.

The Sixth Sense and Unbreakable are also strong counterparts because they both star Hollywood legend Bruce Willis who it can be argued started to gain respectability within the industry with the former.

He continues his superior acting and calm character approach.

Unbreakable is part thriller, science fiction, and superhero film, so I have categorized it accordingly. It’s part of an Unbreakable film series and was followed by Split (2016) and Glass (2019) which took years to develop and were decent if underwhelming projects.

Unbreakable is by far the best of the bunch.

David Dunn (Willis) is a regular guy who works as a college football stadium security guard. He is a former star college quarterback whose dreams of stardom never materialized because of a car accident. He lives a somewhat melancholy yet decent life with his wife Audrey (Robin Wright) and son Joseph.

One day David boards a train. The train experienced a devastating derailment with an enormous casualty number. David awakes in the hospital to find that he is the sole survivor of the wreck. He is left unscathed.

Elijah Price (Samuel L. Jackson) arrives on the scene as a mysterious comic book expert who takes a liking to David and his experience. He offers a bizarre explanation as to why David escaped without a single scratch that counters Elijah’s health- he is a frail man who is constantly at risk of breaking his bones.

Elijah and Joseph begin to believe that David is a superhero. At first, David rebuffs this notion but slowly begins to realize he has extrasensory perception.

What is the link between David and Elijah?

I’m not always a big superhero fan and sometimes the storylines are riddled with cliches, stereotypes, and predictability.

But, Unbreakable is fascinating and unpredictable. It’s also dark, cerebral, and contains a surprise ending leaving me summarizing that it’s a different sort of superhero film with layers of cool elements.

It’s a non-traditional superhero film and I love that quality.

There’s a suspension of disbelief of course. How one character can rig a train accident and other crimes is a bit of a stretch but the characters of David and Elijah are compelling enough for me to forget those pesky little plot holes and enjoy the experience.

If the story sometimes falters, the riveting train sequence more than makes up for it. We see David quietly enjoying the train ride until all hell breaks loose. The shattered glass, derailment, and chaos are fabulous entertainment as well as wonderment of what comes next and what the sequence means to the rest of the story.

There are plenty of twists and turns in Unbreakable.

Almost as riveting but in a different way is the opening scene of Unbreakable which will immediately grab the viewer. It is 1961 and an African American woman is told that her baby’s arms and legs are broken. This is later a key to the story but at this time we know not what this intrigue has to do with anything.

Unbreakable (2000) is incredibly fresh and original. It can easily be watched in a double-feature with The Sixth Sense but is nothing like that film except for its director and actor.

But, they are M. Night Shyamalan’s best films, and Unbreakable provides tremendous thought and conceptualization while creating daring camera work long remembered after the first viewing.

2005 Films, Drama, Fred Durst, Independent, Independent Drama, Robin Wright, Sandra Oh

Sorry, Haters-2005

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Sorry, Haters-2005

Director Jeff Stanzler

Starring Robin Wright

Scott’s Review #787

Reviewed July 12, 2018

Grade: A

Sorry, Haters (2005) is a small, indie film that was not well received by audiences or necessarily by many film critics, but that I am a champion of.

The film is a little-known gem and a showcase piece for star Robin Wright, who has become quite the indie queen over the years. Thankfully, the film did receive some recognition via two independent film nominations, which is how I heard of it.

Regardless, Wright gives a fantastic performance as a troubled television executive who becomes involved with a Muslim taxi driver in New York City, panic-stricken post 9/11.

Ashade (Abdel Kechiche), struggles with driving a cab and the myriad of family issues he faces, including legal troubles. When an upscale, white woman, Phoebe (Wright) enters his cab one night, she insists on forging a friendship, but what is her motivation?

She immediately seems slightly unbalanced and tense.

Reluctant, but needing her help, Ashade’s life becomes entangled with hers as Phoebe offers Ashade assistance. But when her true motivations are revealed, the audience will never see the terrific and terrifying conclusion coming.

The film is very dark in tone and hardly a feel-good film. The best facet of Sorry, Haters is the complicated relationship between Phoebe and Ashade and how this plays out within the story.

More accurate is the complex dynamic of Phoebe herself as her motivations are slowly revealed.

As great as Kechiche is, the standout is Wright, but both play well opposite each other. Her role is more developed and the centerpiece as the audience slowly becomes aware of her dark secrets and disturbing behaviors.

Phoebe immediately claims to be going through a divorce and hires Ashade to drive her to nearby New Jersey to observe her ex-husband. She talks his ear off, recounting how she has lost her family. This scene becomes the first clue that Phoebe may be unbalanced.

As the film progresses, this becomes more obvious. As Phoebe dines with colleagues, she engages in reluctant conversation as she violently cuts her leg with a fork underneath the table for some relief.

Wright can do no wrong as an actress appearing in numerous films over the years. She is not a “box office” type of actress and this is to her credit.  She chooses independent films that allow her to sink her teeth into good, meaty, complex, female roles.

The role of Phoebe is of that ilk. The character is unstable and borders on madness and has rage bubbling under the surface. Wright portrays these emotions successfully.

Let’s not forget the other leading actor- Kechiche is purely dynamic in the male leading role. The audience will undoubtedly sympathize right away with this man and the character.

Since the period is so close to the events of 9/11, and the character is Muslim (some big clues to the climactic conclusion here), the man is a prime target for discrimination.

Since his brother is imprisoned and needs a legal team, Ashade is quite vulnerable and ultimately at Phoebe’s mercy.

The interesting dynamic between Phoebe and Ashade is that they do not share a romantic relationship at all. Developing a friendship based on need, there is something not right with the situation, and director Jeff Stanzler provides the appropriate mood with many scenes occurring either at night or in the confines of Ashade’s taxi.

Dialogue frequently seems awkward between the two.

Despite not being an easy film to watch, Sorry, Haters (2005) is a film with a powerful message and great scenery of one of the most vibrant cities in the world.

The film is dark, even dour, but above all contains a powerful message with a timely subject matter. Rich in character development between the leads and the maniacal motivations of some.

I found the film to be topical, riveting, and disturbing.

Independent Spirit Award Nominations: Best Female Lead-Robin Wright Penn, Best Screenplay

1994 Films, Best Picture Oscar Winners, Dick Cavett, Drama, Gary Sinise, Haley Joel Osment, Robert Zemeckis, Robin Wright, Sally Field, Scott's Top 100 Films, Tom Hanks

Forrest Gump-1994

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Forrest Gump-1994

Director Robert Zemeckis

Starring Tom Hanks, Robin Wright, Gary Sinise

Top 100 Films #94

Scott’s Review #362

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Reviewed January 9, 2016

Grade: A

Awarded a bevy of Academy Awards in the year 1994, Forrest Gump is a film that is engrained in many people’s memories since the film was a monster hit in the mid-1990s.

Some complained that the unrealistic nature of the film was silly, and the story too saccharine, but the film is an innocent, sweet piece about a simple-minded man’s journey through life and the insurmountable success that he achieves.

I adore the film largely from a sentimental standpoint and the memories that watching the film years later conjures up.

I find the film to be a comfort.

Zemeckis, a feel-good film director (Back to the Future-1985, Who Framed Roger Rabbit? -1988), carves a whimsical tale of a fellow, Forrest Gump (played brilliantly by Tom Hanks), a slow-witted, but gentle soul, from Alabama, and his decades-long journey through life.

His lifelong love is Jenny (played by Robin Wright), who is a troubled girl and relies on Forrest over their friendship spanning decades.

Forrest is always in the right place at the right time and influences the events of history in his innocent way.

Forrest Gump is unique in its clever use of editing to incorporate Forrest into real-life historical events, which is a big part of the appeal of the film.

In one instance, Forrest meets with Richard Nixon and reveals the Watergate scandal. He also met President John F. Kennedy after winning a football scholarship.

And who can ever forget the numerous lines made famous from the film- “Stupid is as stupid does”, and “Life is like a box of chocolates. You never know what you are going to get.”, to name just two.

What I love most about the film is that it has heart and the relationships that Forrest shares with the central characters in his life are rich. Forrest’s haggard, but kind mother (Sally Field) loves her son and they share a tender, emotional relationship.

When Forrest enlists in the Army during the Vietnam War, his grizzled commanding officer, Lt. Dan Taylor (an Oscar-nominated performance by Gary Sinise), surprisingly becomes one of Forrest’s closest friends.

The film takes a darker turn when we begin to see a more human side to Taylor after a horrible accident, which leaves him without legs. To counterbalance this tragedy, Forrest is comically wounded in the buttocks.

I am not sure if I love or loathe the character of Jenny. Wright is perfect at giving her some vulnerability and her terrible upbringing can excuse some of her actions and take advantage of Forrest for arguably her gain.

Still, she has Forrest’s heart so she cannot be all that bad.

A favorite scene occurs in Washington as Forrest speaks at an anti-war rally. Jenny, in the crowd, recognizes Forrest and their reunion is sweet. Jenny, now a hippie and expelled from school, returns to Forrest’s life.

The fate of both Jenny and Mrs. Gump are scenes that will undoubtedly require tissues to get through as they are tender and emotional as can be.

Zemeckis’s Forrest Gump (1994) has emotion, sweetness, and heart, and those are nice qualities for a film to have.

It is not too sappy overwrought or manipulative, instead provides an honest story.

Oscar Nominations: 6 wins-Best Picture (won), Best Director-Robert Zemeckis (won), Best Actor-Tom Hanks (won), Best Supporting Actor-Gary Sinise, Best Screenplay Based on Material Previously Produced or Published (won), Best Original Score, Best Sound Effects Editing, Best Sound, Best Art Direction, Best Cinematography, Best Makeup, Best Film Editing (won), Best Visual Effects (won)