Gandhi-1982
Director Richard Attenborough
Starring Ben Kingsley
Scott’s Review #1,189
Reviewed October 30, 2021
Grade: A
Ben Kingsley delivers an astonishing performance as Mahatma Gandhi, the steady-handed lawyer who stood up against British rule in India and became an international symbol of nonviolence and peaceful understanding until his tragic assassination in 1948.
Entitled simply Gandhi (1982), the film is directed by Richard Attenborough, who had previously created masculine offerings such as The Great Escape (1963) and The Sand Pebbles (1966).
Calmly, the director creates a grandiose epic, but one that is thought-provoking and introspective in its humility.
I was incredibly affected by this picture.
As beautiful as the cinematography and other trimmings are, the message stands out to me most. One man’s spirit and thirst for fairness and human equality are beyond inspiring decades after the film was made.
Thanks to Kingsley, the biography infuses an infectious sense of what being a human is all about and makes human decency the desired goal.
The film belongs to Kingsley. Despite hosting a cast of literally thousands, he is the only name worth mentioning. He is that superior.
Attenborough, who teams with screenwriter John Briley, presents major events in the life of Mohandas Gandhi (Kingsley).
The film starts suddenly in January 1948, when an elderly Gandhi is on his way to an evening prayer service and is shot point-blank in the chest in front of a large number of dumbfounded greeters and admirers.
His state funeral is shown, the procession attended by millions from all walks of life, with a radio reporter speaking eloquently about Gandhi’s world-changing life and projects.
The film then returns decades earlier, when Gandhi, a young man, has a violent and racist experience. He vows to dedicate himself to nonviolent resistance. Initially dismissed, Gandhi was eventually internationally renowned, and his gatherings of passive protest moved India towards independence.
Gandhi has been criticized for its extraordinary length with a running time of three hours and ten minutes. A suggestion is to watch the film in multiple sittings, though the best recommended approach would be to see it on the big screen.
Unfortunately, I didn’t, but I fantasized about the massive sequences and how gorgeous they would appear at the cinema.
The story, acting, production, and pretty much everything else about Gandhi is a ravishing spectacle.
It’s worth its weight to sit back and watch Kingsley completely immerse himself in the role. The actor deservedly won the Best Actor Academy Award and, despite his oodles of other film roles, is best remembered for this one.
I’m half-surprised that it didn’t typecast him, since he is so identifiable in the role.
I want to mention two aspects that some might notice less than others, but that are simply astounding. The cinematography of India’s deserts, towns, and cities is rich in detail and accuracy. If one cannot go on a trip to India, the next best thing is to watch this film instead. You’ll get a good dose of realism.
South Africa is also featured.
The costumes brilliantly showcase Indian flair and culture, so much so that I felt I had been to an interesting country at the time the film portrayed the events, nestled amid the luxurious colors and good taste.
Post-1982, the epic film genre exists rarely, if ever, anymore.
Long gone are the days of brilliance like Gone With the Wind (1939) or Lawrence of Arabia (1962), which are truly a delight to lay one’s eyes on.
Gandhi deserves to be appreciated as much as those other films, despite being released in a less-than-artistic decade in cinema.
Gandhi (1982) is a wonderfully tragic film that leaves the viewer feeling sad but also inspired to carry the torch that one brave man picked up.
A history lesson is also a lesson in humanity and in the courageous fight one man waged. Military power is not the way to achieve change in the world.
Oscar Nominations: 7 wins-Best Picture (won), Best Director-Richard Attenborough (won), Best Actor-Ben Kingsley (won), Best Screenplay-Written Directly for the Screen (won), Best Art Direction, Best Cinematography (won), Best Costume Design (won), Best Film Editing (won), Best Makeup, Best Original Score, Best Sound
