Indiana Jones and the Temple of Doom-1984
Director Steven Spielberg
Starring Harrison Ford, Kate Capshaw
Scott’s Review #759
Reviewed May 17, 2018
Grade: A
The second in the trilogy (I refused to acknowledge the middling Kingdom of the Crystal Skull in 2008), Indiana Jones and the Temple of Doom (1984) is easily my favorite of the group.
Much darker than its predecessor, Raiders of the Lost Ark, it is also better, with more flair and pizzazz. All three (1989’s The Last Crusade added) could be watched in sequence and easily enjoyed as companion pieces for a slice of 1980’s nostalgia.
A prequel to Raiders of the Lost Ark, the action picks up a few years prior as our hero narrowly escapes the clutches of a crime boss in Shanghai, China.
Indiana Jones (Harrison Ford), along with sidekick eleven-year-old Short Round (Jonathan Ke Quan) and nightclub singer Willie Scott (Kate Capshaw), embark on an adventure to retrieve a stolen sacred stone.
The poor villagers have also lost their children to a lavish palace where they are forced to work as slaves.
Wisely in keeping with the continuity of the first story, director Steven Spielberg and writer George Lucas return to the fold. This enriches the experience as both men are in touch with the character of Indiana Jones and do not try to change him.
His familiar wittiness and charismatic nature return and the dashing hero show more skin this time around with more than one shirtless scene.
To cement the good character, Harrison Ford returns to the role he created and made famous.
Indiana Jones and the Temple of Doom is layered with positive aspects and holds special childhood memories for me. I vividly recollect going to the movie theater and excitedly watching the film on the big screen clutching a tub of buttery popcorn.
For a young boy, this is the best- an adventure story for the ages with thrills and edge-of-your-seat sequences.
The film is perfect for the entire family.
Many gorgeous exterior sequences abound throughout the film. A prime example is when the trio encounters deadly assassins on a precarious rope bridge high atop a crocodile-infested murky river.
This scene is fraught with tension and “how will he ever get out of this?” thinking when dear Indie is cornered by the killers.
With lightning-quick thinking, he severs the bridge resulting in a dangling escapade. As numerous bodies fall into the river they are chopped to bits by the hungry reptiles. The fact that the action is all shot outdoors in lush scenery only adds to the enjoyment.
The film is admittedly filled with dark and scary aspects necessitating a PG-13 rating versus a PG one. As Indie, Willie, and Short Round are held hostage in the evil palace, a dangerous sacrifice occurs.
One poor man is chosen to give his life by way of being burned alive in a roaring fire. Indie is then forced to drink potion and presumably suffer the same fate. Other bloody moments occur as a bad guy meets his fate after being flattened like a pancake by a steamroller.
The tone of the film is much darker than Raiders of the Lost Ark.
To offset the blood, guts, and voodoo, the film occasionally parlays into humor mostly at the expense of Willie- the comic relief of the film.
Accustomed to the glamour of costumes and luxurious hotels, the singer is forced to fend for herself amid snakes, elephants, and other creatures. As she hungrily sits down for what she thinks is a scrumptious dinner, she is treated to monkey brains and bulging eyeballs in soup- deemed Indian delicacies.
Readily apparent watching the film now are glaring negative stereotypes associated with the Indian culture. As I am sure the intent was not to insult, some stereotypes do abound with the hokey cuisines and the severe poverty.
The underlying image of tribal Indians as being weird or out of touch is prevalent to say nothing of the odd religious overtones.
Kate Capshaw as Willie is the complete opposite of the central female character of Marion in Raiders of the Lost Ark. Whereas Marion is intelligent and serious, Willie is pampered, rich, and gullible.
I find the camaraderie between Indie and Willie much more palpable than between Indie and Marion and the romantic overtures appealing.
Who can forget the famous “bug scene” in the palace?
Conjuring up wonderful and exciting childhood memories, Indiana Jones and the Temple of Doom (1984) is a treasure for the eyes and the strongest entry in the bunch.
If you are in the mood for a good, fun-filled experience with a healthy dose of Indian culture and adventurous antics with a slice of darkness this one is a must-see.
Oscar Nominations: 1 win-Best Original Score, Best Visual Effects (won)