Category Archives: Richard Lester

1989 Films, Adventure, British, C. Thomas Howell, Christopher Lee, Frank Finlay, Geraldine Chaplin, Jean-Pierre Cassel, Kim Cattrall, Michael York, Oliver Reed, Philippe Noiret, Richard Chamberlain, Richard Lester, Roy Kinnear

The Return of the Musketeers-1989

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The Return of the Musketeers-1989

Director Richard Lester

Starring Michael York, Oliver Reed

Scott’s Review #1,401

Reviewed September 24, 2023

Grade: B

The Return of the Musketeers (1989) is the third Musketeers film directed by Richard Lester, following 1973’s The Three Musketeers and 1974’s The Four Musketeers.

George MacDonald Fraser wrote each screenplay.

This is key to mention because a strong continuity helps make the film fun and charming.

The results of the same person directing and writing resonate on screen in several ways. The characters feel truthful, and their motivations are clear.

A rich sense of the characters’ history is apparent, making the film a pleasing adventure for fans of the franchise.

After ambitious Oliver Cromwell (Alan Howard) overthrows the king, Cardinal Mazarin (Philippe Noiret) enlists a down-and-out D’Artagnan (Michael York) to rally the Musketeers against him.

Porthos (Frank Finlay) accepts the mission at once, but Athos (Oliver Reed) and Aramis (Richard Chamberlain) hesitate at first. Eventually, the three reunite, but they are soon torn apart by infighting and a situation from their past.

They get a chance at redemption when they are sent to England to save the life of King Charles I (Bill Paterson).

There is some slapstick play to endure, making The Return of the Musketeers feel juvenile at times when characters are bopped over the head or otherwise trip and fall in silly form.

For this type of adventure film, the plot is too complicated and veers in different directions a shade too often. I wondered more than once if I was in France or England.

This makes the minor characters difficult to keep track of, and Christopher Lee’s character of Comte de Rochefort once again has little to do.

The costumes and the French setting are a major victory, and the history lessons provided, especially the British and French kings and queens, are more than fulfilling.

We delved into our history books to determine which King Louis reigned when and who was aligned with the film (it’s Louis XIV during the 1600s).

The point of the film, made 15 years after the second film, is to please fans, and the result is a huge success.

I’m a sort of fan with my hubby being a big fan, and we both enjoyed the resurfacing of familiar characters.

It feels like old-home week. The reunion of the musketeers feels like witnessing a family reunion. As D’Artagnan, Porthos, Athos, and Aramis embraced each other, we felt their warmth.

Since the characters played by Raquel Welch and Faye Dunaway (Milady) were dead, a creative idea was to introduce her daughter, Justine, played by Kim Cattrall, into the story. Athos also has a son named Raoul, played by C. Thomas Howell.

This provides a further nod to history and introduces compelling lead characters who have a connection to familiar characters.

It is also an example of good writing and storytelling. Despite the characters being new to the audience, we already care about them because of their ties to other beloved characters.

To make the film more sentimental, a sad incident occurred during filming. Actor Roy Kinnear, who plays lovable Planchet, died following an on-camera accident in which he fell off a horse.

His role was completed using a stand-in, filmed from the rear, with lines dubbed in by a voice artist.

The film is dedicated to him.

Reuniting most of the original cast years later makes The Return of the Musketeers (1989) a warm experience.

Beautiful costumes, locales, and history raise the film above expectations, considering it’s a third installment.

1974 Films, Action, Adventure, British, Charlton Heston, Christopher Lee, Faye Dunaway, Frank Finlay, Geraldine Chaplin, Jean-Pierre Cassel, Michael Gothard, Michael York, Oliver Reed, Raquel Welch, Richard Chamberlain, Richard Lester, Roy Kinnear, Simon Ward, Sybil Danning

The Four Musketeers-1974

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The Four Musketeers-1974

Director Richard Lester

Starring Oliver Reed, Michael York, Faye Dunaway

Scott’s Review #1,379

Reviewed July 17, 2023

Grade: B

The Four Musketeers (1974) is a sequel to the film The Three Musketeers, made a mere year earlier. It takes the second half of the famous novel by French author Alexandre Dumas, with the original film covering the first half.

A recommendation is to watch the sequel directly after the original, so there is less struggle to figure out what is going on. I did not do that, so connecting the plot points was a struggle.

A further negative is the omission of English subtitles, making it difficult to hear or understand the events of the film. British accents are tough.

King Louis XIII’s (Jean-Pierre Cassel) four swashbuckling heroes engage in chivalrous and daring adventures when Cardinal Richelieu (Charlton Heston) and his evil accomplice, Milady de Winter (Faye Dunaway), kidnap the queen’s dressmaker, Constance (Raquel Welch).

The heroes are D’Artagnan (Michael York), Athos (Oliver Reed), Porthos (Frank Finlay), and Aramis (Richard Chamberlain).

It’s a British swashbuckler film, so the adventures are prevalent and the physical comedy is fast and furious. It’s like a sitcom at times, with over-the-top and outlandish fight sequences and one-liners.

The frequent low-cut tops on the female characters are intended to channel the male viewer into a thirteen-year-old boy.

The film gets darker than I anticipated in the final act, which is to its credit, with two deaths. This surprised me in a good way because so much of The Four Musketeers is light-hearted.

The death by the beheading of a major character is well done. The heroes watch an executioner perform his duties to the fiendish character from across a lake. The decapitation is not shown directly, but it’s conveyed through a tremendously effective silhouette from a distance.

The costumes and attention to detail from a historic perspective are superior elements of the film. One can imagine being in the French countryside during the Anglo-French War in the 1600s. The bright sets and lighting create a colorful, picturesque style.

The cast is made up of several A-list Hollywood stars of the time, and each adequately does their share to light up the screen. My favorites are Dunaway as the villainess and Reed as a ‘good guy’, a refreshing change for the actor who usually appears as the heavy.

Reed and Dunaways share some scenes, mostly in flashbacks, that made me want to see more of their romance, but this is not to be. Athos was unaware that Milady de Winter was a criminal who left a permanent branding mark.

Still, what little I got featured tremendous chemistry between the pair, and I would have liked to have seen more.

Where the film loses me a bit is with the silliness, which follows the same formula that made The Three Musketeers a success. Feeling redundant were the endless sword fight scenes and tongue-in-cheek winking.

The film tries hard to be a comedy but also includes darker moments, leaving it feeling unbalanced.

Some actors get short shrift.

Christopher Lee as Count De Rouchfort is a secondary villain and has little to do except prance around in a wig, uniform, and eye patch. His character is no Dracula and does not feel dangerous.

The Four Musketeers (1974) is good entertainment, thanks to a solidly professional cast. Hardly a masterpiece, it’s a bang ’em up comedy adventure with a few moments of death and destruction.

1964 Films, Anna Quayle, Barbara Murray, Charlotte Rampling, Comedy, Documentary, George Harrison, John Lennon, Musical, Musical Comedy, Paul McCartney, Phil Collins, Richard Lester, Ringo Starr, Susan Hampshire

A Hard Day’s Night-1964

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A Hard Day’s Night-1964

Director Richard Lester

Starring The Beatles

Scott’s Review #154

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Reviewed August 18, 2014 

Grade: C

Why this rock documentary, a day in the life film, is considered among the Top 100 films of all time completely escapes me. I’m a huge fan of the band The Beatles, but this is a letdown.

The segments consisting of musical numbers performed by the band are excellent, and, humming along, I enjoyed the black and white filming of the “documentary.” Still, the film is not a documentary in the traditional sense and is very difficult to categorize.

Is it a rock opera, a comedy, a documentary, or a musical? It is somewhat of a hybrid as the viewer journeys through a typical day in the life of a Beatle.

But everything else seems fluff to the point of silliness. Countless scenes of the band running through the streets with adoring fans screaming and chasing after them become irritating. The film has little plot.

The Beatles were a huge band. We get it.

Paul, George, Ringo, and John do a capable job in the film, considering they are non-actors. I’d much rather have been exposed to a straightforward documentary focusing on the background of some of the songs or the band members themselves instead of a lightweight tale of a day in the life of The Beatles with silly attempts at humor thrown in.

A Hard Day’s Night (1964) influenced the 1960s television comedy starring The Monkees.

Oscar Nominations: Best Story and Screenplay Written Directly for the Screen, Best Scoring of Music-Adaptation or Treatment