Uncut Gems-2019
Director Ben Safdie, Josh Safdie
Starring Adam Sandler, Idina Menzel
Scott’s Review #1,049
Reviewed August 5, 2020
Grade: A-
The Safdie brothers have quickly emerged as a directing force to be reckoned with, producing two “gems” in only three years.
Co-written by Ronald Bronstein, the final product is jagged, fast-paced, and frighteningly intense.
Uncut Gems (2019) follows up the similarly themed Good Time (2017), giving star Adam Sandler his most significant role yet.
Yes, his performance even rivals the brilliant one in Punch-Drunk Love (2002), leading him to his first Independent Spirit Award win for Best Male Lead.
He was robbed of an Oscar nomination. We can’t have everything.
Playing a loud-mouthed Jew is hardly new territory for the actor. Think of most of his screwball comedies from the 1990s and 2000s before he delved into serious actor territory. In the dreadful Jack and Jill (2011), he played two of them!
But a trip down memory lane is surely not what the actor prefers; instead, he undoubtedly prefers to veer off course to more mature movies for the latter part of his film career. Uncut Gems made money, so let’s hope so.
We meet Howard Ratner (Sandler) following his first-ever colonoscopy, which leaves him anxious and irritable.
On better days, he is needier and a somewhat lovable teddy bear as he carries on an affair with his employee, Julia (Julia Fox), and his estranged wife Dinah (Idina Menzel), who has agreed to a divorce after Passover.
Howard runs KMH, an upscale jewelry store in the Diamond District section of New York City. How he manages to land and carry on with both gorgeous ladies is a mystery, but Dinah is a kept woman, and Julia’s father is in the jewelry industry, thus explaining why Howard is.
There is something particularly charismatic about Howard that draws other characters and the viewers to him.
As revealed at the beginning of the film and the main storyline, Howard has made a deal with Ethiopian Jewish miners in Africa to obtain a valuable black opal and sell it to him at a low price, presumably so that he can make a substantial profit from it in the United States.
It is also quickly established that Howard is a mess, owing $100,000 to his brother-in-law and loan shark. To complicate matters, his shady business associate brings basketball star Kevin Garnett into Howard’s shop.
After spotting the opal, he asks to borrow it for one night with his NBA Championship ring as collateral. This cannot end well, and it doesn’t.
The subsequent activity in Uncut Gems is crude, foul-mouthed, and off-putting to some. I have friends who watched eight or twelve minutes of it and either turned it off or left the theater in a huff.
If you are expecting a comedy rife with potty jokes or other juvenile humor, look elsewhere.
This is the real deal, with a deadly ending that is impossible to imagine. I loved the settings of Manhattan, Long Island, and Mohegan Sun in Connecticut the best.
The Safdie brothers have two major knacks. They can craft tense, edge-of-your-seat crime thrillers like nobody’s business with a pulsating backdrop and a herky-jerky editing style. They can also catapult A-list actors teetering on the verge of being typecast for specific roles into the deep waters of creativity and sink or swim risk.
No better example than Robert Pattinson’s risky turn as a grizzled bank robber in Good Time (2017), shedding his sterile, pretty-boy image that The Twilight (2008-2013) films brought him. This led to his fantastic turn in The Lighthouse (2019).
The soon-to-be household name directing team does not deserve all the credit, though, even though the men serve in a variety of key positions, including acting, editing, shooting, mixing sound, and producing their films.
Sandler has become an interesting and versatile actor as he forges into the drama vein. Happy to roll up his sleeves and do an indie film for little money (like he needs it!), he proves that an unlikeable character can have hints of likability, black humor, and pizzazz.
He completely embodies Howard, making the audience love and hate him. He balances two women, schemes to get rich, and neglects his kid’s school play, yet he is appealing.
Let’s ceremoniously proclaim 2019 as the year that stars previously known for generic films, determined to break out with challenging and fantastic roles, were shunned by the Academy.
Jennifer Lopez, shockingly snubbed for Hustlers (2019), is being punished for years of mediocre films such as Maid in Manhattan (2002) and Monster-in-Law (2005), which join her compadre Sandler in two of the biggest snubs of the decade, with Uncut Gems (2019).
Perhaps an Oscar will be in their future if they stay the course and remain true to the work.
Independent Spirit Award Nominations: 3 wins- Best Feature, Best Male Lead-Adam Sandler (won), Best Director-Benny Safdie and Josh Safdie (won), Best Screenplay, Best Editing (won)
