The Lost Daughter-2021
Director Maggie Gyllenhaal
Starring Olivia Colman, Dakota Johnson
Scott’s Review #1,232
Reviewed February 21, 2022
Grade: A
Throughout The Lost Daughter (2021), there is a constant feeling of dread that may result in viewer anxiety. We know that bad things are coming, but we do not know how or when. This makes for good drama done exceptionally well by director Maggie Gyllenhaal in her astounding debut.
She has acted for years and has made the transition to writer/director.
Gyllenhaal adapts her film from a novel written by Italian author Elena Ferrante. The experience is extremely female-centered, and having a female pen both book and film makes it a rich and authentic project.
The result is a brilliant depiction of motherhood and choices, making it essential for everyone to see and appreciate this film.
However, the film is not for everyone, nor will it please those seeking a conventional work about mother and daughter love and moments of happily skipping through the field of daisies. It has feel-good moments, but it’s much darker than some might expect.
For me, those aspects are what make The Lost Daughter so damned amazing.
We meet middle-aged Leda (Olivia Colman) when the woman embarks on a seaside vacation in Greece. She begins to observe a young mother, Nina, played by Dakota Johnson, and her daughter, Elena, on the beach and becomes obsessed with them.
Leda unwisely butts heads with the mother’s menacing extended family, who may be mafia-related.
Leda begins to have memories of her early motherhood when she struggled to raise two young girls while balancing her career as a professor. When she spontaneously steals Elena’s doll, she becomes increasingly obsessive, battling moments of rage and emotion.
Colman is a perfect choice for the central character. From the first moment she appears on the screen, we know there is conflict surrounding her. She is consumed by anger and either guilt or tension.
The actress is outstanding at portraying Leda’s complexities through her eyes and facial expressions. Many shots of Leda quietly observing events or sitting on the beach, deep in thought, are powerful.
Though a quiet film, The Lost Daughter never drags or lags, thanks to Gyllenhaal’s perfect portrayal of a doleful atmosphere. I was dying to know Leda’s secrets, and the interspersing flashbacks to a young Leda, wonderfully played by Jessie Buckley, finally provide resolution.
But that’s just the beginning of the fun. Once Leda’s backstory is revealed, and Gyllenhaal makes us wait quite a while for the reveal, there are more places for the film to go, like what about the stolen doll?
The viewer will not only wonder why Leda stole the doll but also why she won’t return it, especially when it’s known how desperately the family wants it back. Will they kill her when they find out she has it?
Beneath all the drama, a lingering question is posed to the viewers. Do I want to be a parent? The film is not only for women, but men can certainly ask themselves the same question.
The inclusion of a male character played by Ed Harris is evidence of this. In his youth, he struggled with being a father.
The film has a sense of purpose and meaning that many films lack. A film that poses questions and makes the viewer squirm a bit is top-notch for me. The basic story of a lone woman on vacation evolves into a tale of intensity and psychological warfare within oneself and one’s feelings.
The Lost Daughter (2021) is a complicated watch, but it offers a lesson in outstanding acting, directing, writing, and how atmosphere and mood can enhance a story layered with intrigue.
As shocking and unsettling as moments are, I was left feeling satisfied that I had seen something of worth and merit.
I can’t wait to see what Gyllenhaal does next.
Oscar Nominations: Best Actress-Olivia Colman, Best Supporting Actress-Jessie Buckley, Best Adapted Screenplay
Independent Spirit Award Nominations: 3 wins-Best Feature (won), Best Director-Maggie Gyllenhaal (won), Best Screenplay (won), Best Supporting Female-Jessie Buckley
