Harold and Maude-1971
Director Hal Ashby
Starring Bud Cort, Ruth Gordon
Top 250 Films #70
Scott’s Review #208
Reviewed December 30, 2014
Grade: A
Harold and Maude (1971) is the bravest and most left-of-center film that I have ever had the pleasure of viewing. A subject matter so taboo that it had never before been explored in cinema and, to my knowledge, has not since.
The film challenges so many mainstream views of aging, sex, and relationships.
Ruth Gordon and Bud Cort give performances of a lifetime.
The film tells the story of an unhappy, wealthy teenager named Harold (Cort) whose mother- hilariously played by Vivian Pickles- is a cold socialite attempting to reform Harold from his rebellious adolescent behavior.
Harold frequently plays suicide pranks on her and the numerous females she tries to set him up with, reducing them to tearful exits from the family mansion in frightened hysterics.
Obsessed with attending funerals for fun, one day, Harold meets Maude (Gordon), an older woman, at a funeral, and it turns out that both share the same fascination, but for vastly different reasons, as the story shows.
They embark on a tender romance despite their age difference of over sixty years.
In many ways, Maude is the real adolescent of the film, which I love. It is a role reversal of sorts. On the cusp of age eighty, she has a pure zest for life, living each minute as if it were her last, unconcerned with the consequences of her actions- she is a true free spirit.
She gleefully steals cars parked on the street, and her erratic driving is comically brilliant.
Harold becomes the more responsible one despite being the tender age of only nineteen. He cares for Maude, and her shocking revelation towards the end of the film floors Harold.
It will also shock the audience.
Harold and Maude deal with death, but the film is not a downer. It is hilarious at times, brilliantly written, and Maude, a Nazi prison camp survivor, does not fear death- she has seen her share of it and almost embraces it.
Harold is just beginning his life, and the contrast of the characters and their growing bond is what works best in this film.
The aforementioned Vivian Pickles knocks it out of the park with her portrayal of Harold’s mother- her comic wit and timing are excellent- she callously hosts a dinner party. She boasts to the guests about her travels to France while Harold sits ignored, bored, and depressed, staring at his mother in disbelief.
He wants nothing to do with her or her trivial lifestyle. She makes an unimportant phone call while Harold dangles from the ceiling in a faux suicide attempt- clearly a cry for attention from his mother.
This is a total black comedy.
The implied intimacy between Harold and Maude was too much for many viewers in 1971. I find it sweet and quite tastefully done. They fall in love, and it feels wonderful for both of them.
I would be remiss not to mention the fantastic, lively soundtrack by Cat Stevens.
Edgy, laugh-out-loud, unusual, and witty are words to describe Harold and Maude (1971)- one of the most intelligent comedies in film history.
