Tag Archives: I. S. Johar

Lawrence of Arabia-1962

Lawrence of Arabia-1962

Director David Lean

Starring Peter O’Toole, Alec Guinness, Omar Sharif 

Top 250 Films #139

Scott’s Review #355

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Reviewed January 9, 2016

Grade: A

Lawrence of Arabia (1962) is quite a grand film that must be seen on a large screen. This will ensure full appreciation of the enormous scale of the production.

Numerous shots of objects in the distance are featured, and the small screen dulls the experience.

An excellent film from top to bottom and groundbreaking at the time, due to the scope and vast proportions of the production, Lawrence of Arabia achieves its place in cinematic history.

It’s a treat to revisit from time to time.

The film is divided into two parts with an intermission, as with epics that last nearly four hours.

Peter O’Toole stars as T.E. Lawrence, a bored British Army Lieutenant who talks his way into a transfer to the Arabian desert.

As the film opens, it is 1935, and Lawrence has just been killed in a motorcycle accident. While this concept of revealing the ending and working backward is common in current films, it was novel in 1962 when the film was made.

While in Arabia, Lawrence successfully bonded bitter rival tribes to unite against Turkish oppression during World War I. He meets two young guides and other central characters there: Prince Faisal (Alec Guinness) and Sherif Ali (Omar Sharif).

Much of the film features the battles between the rival tribes and Lawrence’s struggle to achieve peace.

Many location sequences of Lawrence and company traveling miles and miles of hot desert are featured.

Some complain that Lawrence of Arabia is too slow-moving a film, but that is its selling point. I find the scenes of the group languishing across the desert incredibly lush and rich in meaning.

The intense heat and beating sun are fantastic in their cinematic grandeur. The film is meant to take its time—precisely what an experience in the Arabian desert would be like—and the mountainous dunes and swirling winds are brilliantly filmed.

David Lean is the king of the sprawling epic, and Lawrence of Arabia is his crowning achievement.

Lawrence is a well-written, layered, and complex character. He is not easy to describe or understand, which is also to the film’s credit.

The sheer weight loss that O’Toole underwent over the two years it took to film Lawrence of Arabia is impressive enough, but he was also a tortured soul emotionally.

The epic film Lawrence of Arabia (1962) requires a half-day of dedicated viewing, but it is worth every minute.

For a reminder of what an actual, breathtaking film looks like sans the oversaturated CGI and quick edits, one should take a deep breath and appreciate this work of art for its majestic look.

Oscar Nominations: 7 wins-Best Picture (won), Best Director-David Lean (won), Best Actor-Peter O’Toole, Best Supporting Actor-Omar Sharif, Best Screenplay Based on Material from Another Medium, Best Music Score-Substantially Original (won), Best Sound (won), Best Art Direction, Color (won), Best Cinematography, Color (won), Best Film Editing (won)

Death On The Nile-1978

Death On The Nile-1978

Director John Guillermen

Starring Peter Ustinov, Mia Farrow, Lois Chiles

Scott’s Review #714

Reviewed January 14, 2018

Grade: B+

Death On The Nile is a 1978 British thriller that follows up the successful 1974 offering, Murder On The Orient Express- both films based on the fabulous Agatha Christie novels of the 1930s.

This time around, Belgian detective Hercules Poirot (Peter Ustinov) investigates a string of deaths aboard a luxurious steamer carrying the lavishly wealthy and their servants.

The film is a good, old-fashioned whodunit, perhaps not on the level of storytelling as its predecessor, the murder mystery, does not contain the oomph expected, but features exquisite Egyptian historical locales, worth its weight in gold.

Featuring a who’s who of famous stars and tremendous actors of the day, Death On The Nile carves a neat story right off the bat in such a way that the murder victim is fairly obvious right away- most of the characters have reason to celebrate her demise.

Rich and reviled heiress, Linnet Ridgeway (Lois Chiles), has stolen best friend Jacqueline’s (Mia Farrow) beau, Simon, sparking a bitter feud between the women. While honeymooning in Egypt, the newlyweds are continually taunted by angry Jacqueline.

Once the cruise ship departs with all on board, Jackie is the prime suspect when Linnet is murdered.

Poirot must find the killer as numerous other suspects, all with grudges against Linnet, begin to emerge.

Death On The Nile features a stellar cast, including legendary Bette Davis as Marie Van Schuyler, an eccentric American socialite with an eye for Linnet’s necklace.

Davis’s casting is reason enough to watch the film, though the character is not center stage but rather a supporting role.

The lead female honor goes to Farrow, who has the meatiest and most complex role in the film.

Jackie’s unstable actions make her the most likely to commit the deed, but the fun is to figure out the “whys” and the “hows” of the murder. Is there more than one killer? Are they working in cahoots or independently? As the body count increases, these questions begin to resonate more and more.

The costumes and sets are gorgeous, and it is no wonder the film won the Oscar for Best Costume Design. At a ball, the women are dripping with jewels and gorgeous gowns.

Along with Davis, boozy author Salome Otterbourne, hilariously played by Angela Lansbury, is granted the prize of wearing the most luxurious and interesting of all the costumes. She drips with jewels and, with a cocktail always in hand, is the film’s comic relief.

Director John Guillermin makes the film an overall light and fun experience and, despite the murderous drama, does not take matters too seriously.

Offering humorous moments, this balances nicely with the inevitable murders.

The fun for the audience is deducing whodunit- most of the characters have the motive, and the cast of characters is hefty.

I had memories of the famous board game Clue- Was it Jackie in the ballroom with the revolver? You get the idea. The film makes for a good, solid mystery game.

Comparisons to 1974’s Murder On The Orient Express cannot help but be drawn, especially in the lead casting of Hercule Poirot.

Truth be told, Albert Finney’s portrayal in “Murder” is superior to Peter Ustinov’s Poirot in “Death,” and I am not sure what purpose Colonel Race (David Niven) as Poirot’s friend offers other than to be a loyal sidekick and present a character that Poirot can explain events to, think what Watson was to Sherlock Holmes.

Regardless, Finney is the superior Poirot, as he musters more strength and charisma than Ustinov.

How lovely and historic to witness the wonderful Egyptian locales- the Sphinx and the Great Pyramids are featured amid an attempt on the life of the romantic pair by way of falling rocks- this sets the tone for the perilous cruise about to be embarked upon.

Perhaps a perfect film for a Saturday stay-at-home evening with friends, complete with a serving of quality wine and cheese, Death On The Nile is a sophisticated, yet fun, British mystery film, fantastic to watch in a party setting where the audience can be kept guessing until the nice conclusion and the big reveal of who killed whom and why.

Oscar Nominations: 1 win-Best Costume Design (won)