Category Archives: Craig Gillespie

Cruella-2021

Cruella-2021

Director Craig Gillespie

Starring Emma Stone, Emma Thompson

Scott’s Review #1,197

Reviewed November 19, 2021

Grade: A-

One of the first red carpet premieres to emerge amid the deadly Covid-19 pandemic, Cruella (2021) is a wickedly funny delight and celebrates the return of cinema to the theaters.

What a fabulous choice.

The makeup, hairstyling, costumes, musical score, and the title character herself make this film loud, proud, and lots of fun.

It’s not too dark for the entire family to enjoy, but far from fluff, either. Suspension of disbelief is mandatory since it’s pure fantasy and not to be dissected for its numerous plot holes and ridiculous antics.

Dogs, people, and costumes fly around in frantic motion to fulfill their every motivation.

The film is way better than anticipated, which is always a treat. It’s not that I wasn’t expecting quality, but I didn’t expect to be entertained and enthralled quite as much as I was.

The experience carried me away.

The live-action force sheds light on the backstory of Cruella de Vil, made famous, of course, as the dastardly villain in the animated Disney feature 101 Dalmatians from 1961.

Her life and intentions are explored in a story similar to Oliver Twist, with a 1970s style. Orphaned young, she must survive the mean streets of London during the punk rock era. She becomes an expert pickpocket and ingenious thief while doubling as the humble fashion upstart Estella.

Estella befriends a pair of young thieves who adore her appetite for mischief, and together they construct a cozy life for themselves and their furry friends. While working as a cleaning lady, Estella is discovered by the ruthless and unkind Baroness von Hellman (Emma Thompson), a fashion legend.

Their complex relationship sets in motion revelations that harken back to Estella’s deceased mother, causing her to embrace her wicked side and become the fashionable, revenge-bent Cruella.

Emma Stone basks in the spotlight as Cruella with ravaging fury and a twinkle in her eye. An incredible actress who has played roles in Birdman (2014), La La Land (2016), and The Favourite (2018), Stone goes full-throttle in her dual role, making them as opposite as possible.

She’s terrific and carries the bombastic film with seeming ease.

Thompson is just as good as the Baroness, a woman with a heart of stone and most similar to Miranda in The Devil Wears Prada (2006). With a snap of her fingers or a glance, she expects to be served and pleased, happy to take credit for other people’s work. It’s a toss-up which character I hate more.

Stone and Thompson are delicious together and chew up the scenery, especially when they spar and attack each other. These scenes are wickedly delightful, and a key to their past may link them forever.

The Baroness is difficult to like, as she attempts to kill Estella/Cruella twice.

The actresses make magic together.

Besides the clear parallels to Oliver Twist, Cruella also mirrors Spider-Man with the alter-ego premise. I saw her as a superhero. Traditionally, Cruella is portrayed as evil and fiendish, but here she is the rooting favorite. This may turn some off, but I loved this facet and the complexity of the character.

To go deeper, the Baroness is more like the animated Disney character Cruella than Cruella is!

I joyously anticipated which 1970s rock song would come next, as nearly every sequence incorporated this genre of music. Bands like Blondie, Queen, and Black Sabbath appear, along with fascinating, modern takes on some of the best hits of the period. This adds a wealth of depth and relevance.

What about the costumes? Oh, how gorgeous they are! Numerous dresses, gowns, and other accessories are featured. The sheer number of outfits and designs in the film is astounding.

My favorite appears as Cruella unfolds a flowing dress from a limousine that stretches for miles and miles, much like a domino effect. It’s flashy and beautiful.

Rumors abound that Stone has signed on for a sequel to Cruella (2021). As long as a more thought-out story continues to be developed, the character can remain as complex as she is entertaining. The style, locale, and time make the film a fantastical retelling of a fantasy.

Oscar Nominations: 1 win-Best Costume Design (won), Best Makeup and Hairstyling

I, Tonya-2017

I, Tonya-2017

Director Craig Gillespie

Starring Margot Robbie, Allison Janney

Scott’s Review #712

Reviewed January 10, 2018

Grade: A-

I, Tonya is a 2017 biopic telling of the life and times of the infamous American Olympic figure skater, Tonya Harding, notorious, of course, for her alleged involvement, along with her husband and his friend, in the attack of fellow skater, Nancy Kerrigan during the 1994 Winter Olympics.

The event drew monumental media coverage after the attack, with the uncertainty of Harding’s knowledge or involvement, and her subsequent guilt or innocence continues to be debated.

The film itself is a dark and violent comedy, never taking itself too seriously. It immediately presents the disclaimer that the stated “facts” in the film are open to interpretation and depend on who you ask.

I, Tonya isn’t preachy or directive to the viewer but instead offers up the skater’s life and times in story form.

The film features tremendous performances by Margot Robbie and Allison Janney, as well as Tonya and her despicable mother, LaVona.

I, Tonya, is told chronologically, culminating with “the incident” in 1994.

However, the story begins in the mid-1970s, as Tonya, just a tot at the tender age of four, is as cute as a button and shrouded in innocence. One cannot help wonder if director Craig Gillespie, known for independent films, purposely made this wise casting choice.

We see Tonya, once an innocent child, journey into a life of violence, abuse, and tumultuous living. Harding grew up cold and hard and endured an abusive, complex relationship with her mother, the pressures to be the best skater never ended.

Even upon achieving success, Tonya never felt good enough or loved by her mother.

We then experience Tonya as a fifteen-year-old girl, fittingly first meeting her boyfriend and later, husband Jeff, Gillooly played well by actor Sebastian Stan. The early scenes between the two are sweet, tender, and fraught with the emotions of first love.

As explained by the actors, this was a short-lived time of bliss, and the relationship soon disintegrated into abuse, rage, and chaos.

The main point is to debate Harding’s guilt or innocence, which Gillespie peppers throughout, so it is unclear what to believe or how the audience should think.

“Interpretation” is the key here. Some may see Harding as a victim of life’s circumstances and the hardships she had to endure and may place sympathy upon her. Others may view Harding as off-putting, potty-mouthed, and even icy and violent herself, with a big chip on her shoulder.

In one scene, she publicly belittles the hoity-toity judges who never give her a break and give her less-than-perfect scores.

A clever technique that the film delivers is to have the actors frequently speak to the camera, thus the audience. This is achieved by either interview style or for the action in the film to cease and either Robbie, Janney, Stan, or whomever, turn to the camera and express their version of the events.

I, Tonya possesses a creative, edgy, indie feel.

How brilliant are the performances of both Robbie and Janney?

Robbie, a gorgeous woman, portrays a “red-neck” to the hilt. Through her bright blue eyes, her face is quite expressive—relaying pain, anger, and a seldom triumph. The film often slants the scales in a sympathetic way towards Harding, but it is Robbie’s talents that make us feel this sympathy.

Janney hits the jackpot with a delicious role she sinks her teeth into. A cold-hearted, vicious character, through facial expressions, we occasionally glimpse LaVona, perhaps softening, but as we do, the character does something even more despicable.

A good surprise for fans who remember the real-life events and the real-life players will be treated to a sequence of the honest Tonya, LaVona, Jeff, and Shawn Eckhardt, which play over the film ending credits.

How similar in looks are Robbie to Harding, with her feathered, frizzy, 1980s-style hairdo, and Janney, a dead-ringer for the boozy, chain-smoking LaVona, with her mousy brown bob haircut, complete with scruffy bangs?

Viewers will leave theaters confused, unsure, or perhaps perplexed by what they have just seen, but they will most certainly feel thoroughly entertained and may even depart chanting some upbeat 1980s rock tunes that the film uses throughout.

Thanks to fantastic acting and a strong story, I, Tonya is a success.

Oscar Nominations: 1 win-Best Actress-Margot Robbie, Best Supporting Actress-Allison Janney (won), Best Film Editing

Independent Spirit Award Nominations: 2 wins-Best Actress-Margot Robbie, Best Supporting Female-Allison Janney (won), Best Editing (won)