Category Archives: Horror-Comedy

An American Werewolf in London-1981

An American Werewolf in London-1981

Director John Landis

Starring David Naughton, Griffin Dunne

Scott’s Review #253

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Reviewed July 2, 2015

Grade: B

A melding together of British-American horror and comedy, An American Werewolf in London (1981) provides entertainment while also being a campy and silly comedy.

While two American buddies, Jack and David, traverse the countryside of England with backpacks in tow, a spring break jaunt of sorts, one is viciously attacked and killed by a strange werewolf setting off a series of strange occurrences that play out over the remainder of the film.

From this point, the film is told from the perspective of one of the males as the other appears to him in visions warning of his inevitable demise into a werewolf.

An American Werewolf in London does not intend to mock the genre of horror but is certainly campy and over-the-top.

Despite cult classic accolades being thrust upon the film which I respect, it is not among my favorites.

I would have preferred it tilt more towards the horror classification rather than the comedy because it comes across as some sort of a spoof as the main characters overact.

The film has a silly quality to it. It is light fare instead of dark or morbid and even the kills are meant to be fun, not horrific. In a way, it is almost cheesy and that is not a compliment.

This is not to say that the film is completely subpar. It is decent, but not very believable and I think that is a distraction and a missed opportunity.

However, my favorite characteristics of this film are the makeup/special effects and the musical score which features such fitting treats as “Moondance”, “Bad Moon Rising”, and “Blue Moon”.

Sense an intelligent theme? The makeup, especially during the reanimation sequences is creative and still impressive today considering the film was made in 1981.

Besides, the best scene of the film is undoubtedly the “Slaughtered Lamb” scene when Jack and David stumble upon the aptly named pub filled with interesting, blue-collar-looking locales.

When one of the tourists inquires about a mysterious five-pointed star on the wall the pub dwellers become angry and cold leading the young men to be confused and intrigued.

This scene is filled with interest and I only wish the pub characters had more of a chance to shine as they seem benevolent and filled with potential backstory.

I would have enjoyed learning more about the history of these folks.

Sadly, the focus is by and large on Jack and David and a poorly constructed love interest- Nurse Alex Price, who is not to be taken at all seriously and played for one-dimensional laughs.

A lighthearted, sort of fun late-night flick, An American Werewolf in London is a cult film, though I would not agree with the cult classic distinction.

Oscar Nominations: 1 win-Best Makeup (won)

Theatre of Blood-1973

Theatre of Blood-1973

Director Douglas Hickox

Starring Vincent Price, Diana Rigg, Ian Hendry

Scott’s Review #230

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Reviewed March 23, 2015

Grade: B

Theatre of Blood (1973) stars Vincent Price, a long-time fixture in the classic/campy horror scene, as a demented Shakespearean theatre actor who enacts revenge on critics who fail to recognize him for a coveted award he cherishes.

Price, as always, frighteningly good, delivers a campy, but not ridiculous, turn as the crazed actor.

Price’s appearance alone- tall, wiry, with sinister facial expressions- poises him perfectly to believability in any dastardly role he portrayed in his heyday, and the performance he gives as Edward Lionheart is no exception.

Not solely a campy, melodramatic horror film, Theatre of Blood rises above that categorization with humorous tributes to Shakespeare and a unique chronicle of the Shakespearean works used to systematically take out the critics one by one, about the Shakespearean story, quite frankly, in a comical and witty way.

Price eerily dresses in many different elaborate costumes to commit the murders- a wine-tasting expert, a television host, among other interesting characters, and oftentimes, taunts his victims before permanently dispensing them.

The film is quite British in tone and humor, and is done in a tongue-in-cheek manner, so that the murders are not to be taken at all too seriously.

The critics themselves- seven or eight of them- are deliciously fun. One is a loud, boisterous, fat man who always has his beloved poodles at his side.

What happens to him and the dogs is better left unsaid.

Another is an uptight, sophisticated woman (played by Price’s real-life wife Coral Browne). Several of the critics are depicted as comic villains, so their demises are not particularly devastating for the audience, as they are, to begin with, rather unlikable.

I found myself rooting for Lionheart and looking forward to the next murder!

One criticism involves Diana Rigg, who plays Price’s daughter Edwina, accomplice to his dirty deeds. Well known for her starring role in On Her Majesty’s Secret Service and the 1960s Avengers series, Rigg has little substance to do in Theatre of Blood.

Perhaps by 1973, her film career was on the decline, and she was no longer winning the coveted roles. I would have loved to see her sink her teeth into a meatier role.

A sidekick, Edwina, could have done much more.

The film belongs to Price, and the unique storytelling of Shakespeare’s works was made possible only by this great actor.

Not overly serious and played for some laughs, Theatre of Blood (1973) is successful in its telling of an interesting British horror story.

It’s a nice late-night treat for fans of the British horror genre, especially.

The Lair of the White Worm-1988

The Lair of the White Worm-1988

Director Ken Russell

Starring Amanda Donohoe, Hugh Grant

Scott’s Review #15

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Reviewed June 17, 2014

Grade: C+

The Lair of the White Worm (1988) is a very strange film.

Set in Scotland, it tells the tale of a giant snake skeleton found in the ground that leads to a series of strange events.

A wealthy Lady, brilliantly played by Amanda Donohue, begins a sinister plot to sacrifice the townspeople.

The film is campy and way over the top, though Donohue is delicious and seems to have fun with the role of a slithering, sexy, bisexual creature.

The gloomy ambiance is fantastic, mixed in with many psychedelic sequences that entertain.

It’s a somewhat fun, late-night B-movie, to be sure, but the plot did not seem to make much sense to me, especially in the final act.

Lair of the White Worm (1988) is a trippy experience to say the very least. I may need to see it again.

The Gruesome Twosome-1967

The Gruesome Twosome-1967

Director H.G. Lewis

Starring Elizabeth Davis, Gretchen Wells

Scott’s Review #8

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Reviewed June 17, 2014

Grade: B+

The Gruesome Twosome (1967) is an offbeat treat, an extraordinary, super-low-budget horror film from influential director H.G. Lewis.

This film is an enjoyable, campy, midnight-movie type of experience. The acting is completely over-the-top and played for laughs, purposely.

It felt like watching a horror version of a John Waters film, and the atmosphere and acting style undoubtedly influenced Waters.

Shots were added to fill the running time to warrant a film release. KFC and Michelob products are featured, and one favorite scene is a sorority-type slumber party where the girls dance while eating KFC.

The seven-minute intro of the talking foam heads is wonderfully strange and not to be missed.

While campy, there is one intensely gruesome scene towards the beginning of The Gruesome Twosome (1967), and it is a must-see for cult horror and/or late-night film fans.