Starring-Nicky Henson, Mary Larkin, George Sanders
Scott’s Review #1,084
Reviewed November 19, 2020
Psychomania (1973) is a film that has an intriguing premise turned messy and confusing by aspects not coming together. A motorcycle gang wreaking havoc on their English small town decides to kill themselves and come back from the dead to live forever. They intend to do so with the aid of witchcraft and a sinister cult. Unfortunately, neither the gang come back to everlasting life nor does the premise provide an adequate pay off. The film meanders along without much intrigue or interest except for an above average finale. But even that is too little, too late.
Renowned film and television actor, George Sanders, famous for powerful roles in classics like Rebecca (1940) and All About Eve (1950), in which he won an Academy Award, and numerous other roles, co-stars as a butler.
His role in Psychomania is barely more than a throwaway part since he has little of interest to do. Hardly the crowning achievement of his long career, he committed suicide soon after shooting wrapped. Star, Nicky Henson joked that Sanders saw the finished film and overdosed on pills, realizing how far his career had descended. Hopefully, that’s urban legend.
Beryl Reid, wonderfully bitchy in The Killing of Sister George (1968) as a lesbian soap opera star is similarly downgraded, playing a glamorous matron who gets her kicks by holding seances for her neighbors. She is the mother of the psychopathic leader of a violent teen gang.
Tom Latham (Henson) is the handsome leader of “The Living Dead”, said motorcycle gang, who enjoy driving around town intimidating folks. He is joined by his pretty girlfriend, Abby (Mary Larkin), who is good natured and not as rebellious as the others. Tom has time to flirt with other girls and uses his good looks to his advantage. He is in cahoots with his mother (Reid), and they have a penchant for frogs and black magic.
The gang decides, through Tom’s encouragement, to each commit suicide and if they really believe in it, they will return as one of the “undead”. Each follows suit, except for Abby, and engage in ritualistic activities at their hangout, “The Seven Witches”, which is a poor man’s Stonehenge. They decide to kill Abby because of her defiance.
The DVD quality (mine anyway) was atrocious and did the film no favors. My enjoyment would have increased if the luscious English landscape and its vibrant colors could have been capitalized on. Mrs. Latham’s home, filled with creative antiques and oddities, would have been enhanced with better quality.
The story never comes together. I like the main character of Tom and find his sneering and posturing appealing in a light-hearted way. Henson is way too good-looking to be believable as a foreboding and crazy guy, but he sure is easy on the eyes. No chemistry is to be found between him and Larkin, but they are cast well for this type of film- looks over acting talent. Neither is terrible in the acting department, nor great either.
The supporting characters look very British and of the 1970’s, which is to be expected. This isn’t an annoyance as much as an astute observance. From the doctors who perform the autopsies to the constables, to the chief inspector, everyone looks their part. Psychomania has a 1970’s look and feel, so it ultimately feels like a dated film because there is not much else to distinguish it from others. It’s adequate, but little more.
On the positive, some of the music is chirpy and hip, which adds a bit of an upbeat, contemporary vibe. The numerous motorcycle scenes make me wonder if a motorcycle company has stock in the film, but surprisingly work.
The film, targeted as a horror film, is a strange one to categorize. The cult and witchcraft elements give off that vibe. The title of Psychomania (1973) creates a motorcycle/horror affect. I’m not sure what to make of this film other than a sleazy, greasy, devil-worshipping mess. Poor Don Sharp, well-known for directing many Hammer horror films, seems not to know what to do with the silly script he is handed. It’s goofy comedy or straight-ahead horror?