Tag Archives: Maureen McGovern

The Towering Inferno-1974

The Towering Inferno-1974

Director John Guillermin

Starring Paul Newman, Steve McQueen, Faye Dunaway

Top 250 Films #41

Scott’s Review #194

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Reviewed November 15, 2014

Grade: A

The Towering Inferno (1974) epitomizes the disaster film craze heaped on audiences throughout the 1970s (Airport, Airport ‘75 and ‘77, The Poseidon Adventure (1972), and Earthquake (1974), to name a few).

I am (guilt-free) a huge fan of this 1970s movie genre, though some certainly look down on it; I am not one of them and feel The Towering Inferno is one of the greatest.

The film is enormous, with a strong sense of adventure and danger.

The grand film tells of the trials and tribulations of an enormous cast of characters trapped inside a skyscraper aflame – led by Paul Newman and Steve McQueen (fun fact: the two actors reportedly despised each other).

An incredible skyscraper is erected in San Francisco, with 138 floors; it is professed to be the tallest building in the world and is incredibly state-of-the-art. At the ribbon-cutting ceremony, an elaborate party is held atop the building overlooking the gorgeous Pacific Ocean.

Due to faulty electrical wiring, the building catches fire, and the cast of characters faces one challenge after another to escape the grips of death.

The stellar cast features William Holden, Faye Dunaway, Fred Astaire, Robert Wagner, Jennifer Jones, and O.J. Simpson, in addition to Newman and McQueen.

The film is quite a soap opera style- numerous characters are introduced, many having affairs with each other or suffering some conflict.

Wagner, having a torrid office romance with his secretary, played by then up-and-coming star Susan Flannery, is deliciously sexy, and I yearned to know more about both characters.

Holden’s son-in-law is responsible for the faulty electrical system, yet he blames his father-in-law for cutting budgets.

Another subplot involves Astaire’s character attempting to swindle Jones’s character, only to fall in love with her. The plots are so melodramatic that, given the period of the film, it has a definite primetime television soap opera style to it- think Dallas or Dynasty in a state of peril.

I enjoyed the enormous cast and trying to guess who will be killed off next, and in what elaborate way the film will burn them to death is a joy to watch- several victims fall or jump to their deaths, which eerily (and sadly) bring back morbid images of jumpers from the World Trade towers on 9/11.

The beginning of the film shows a dedication to firefighters everywhere, and the film has a definite moral and heroic quality to the firefighters sent to rescue the people in the building. They are portrayed as heroes and are intended not to be forgotten amid all the drama encompassing the story. This is admirable.

The special effects are elaborate and quite impressive- the glass elevator rescue scene is amazing! The beautiful set designs are a treat to watch, as each lobby, apartment, or lounge in the skyscraper is exquisitely designed in the height of 1970s style.

Every sofa or carpet featured is plush, colorful, and sophisticated. The skyscraper, made of glass, is an amazing element of the film, and the aerial views of the building, especially while ablaze, are impressive, to say the least- remember, 1974 was long before CGI. I am assuming small replicas of the building were used, but what an achievement from a visual perspective.

The effects certainly champion the syrupy story elements.

My only small gripe with The Towering Inferno is, assuming it is 138 stories high, the action taking place at the top of the tower- the rooftop, as well as the party scenes on the top floor- do not feel that high. The scenic outlook overlooking the water and some land feels about 25 stories high, not 138.

Some find The Towering Inferno (1974) to be nothing more than schmaltzy drama- I say schmaltz was never done better.

Enjoy this feast of a big film.

Oscar Nominations: 3 wins-Best Picture, Best Supporting Actor-Fred Astaire, Best Original Dramatic Score, Best Song-“We May Never Love Like This Again” (won), Best Sound, Best Art Direction, Best Cinematography (won), Best Film Editing (won)

Airplane!-1980

Airplane! -1980

Director Jim Abrahams, David Zucker, Jerry Zucker

Starring Robert Hays, Julie Hagerty

Scott’s Review #1,087

Reviewed December 2, 2020

Grade: A-

Airplane! (1980) is a landmark film in the spoof genre, leading the pack in the decade of silly (the 1980s), where films of this ilk and dumb comedies, in general, became a dime a dozen, oversaturating the market.

While the film is unabashedly brainless with gags for miles, the jokes work, and the tasteless brand of humor provides plenty of belly laughs.

Better yet, Airplane! never ages, holding up incredibly well long after its initial release. It’s just perfect for a Saturday late-night watch, or when one needs cheering.

It’s in my Top 10 comedies.

When it was originally released, the timing was perfect to spoof the aging world of disaster films. I refuse to believe that Jim Abraham and the Zucker brothers had malcontent on their minds since they created a friendly and benevolent yarn that’s well-timed.

Good comedy is tough to find, but this film gets it right. The monotone dialogue said with a straight face is what makes the hysterics genuine and palpable.

Not unfairly, it is to say that Airplane! is to disaster films what Mary Hartman, Mary Hartman was to daytime soap operas. A celebration and a clever wink to each, infusing much-needed light-hearted appreciation.

It’s fun to re-watch Airport (1970) and Airport ’75 with fresh eyes and a new perspective in parallel to this film.

Ted Striker (Robert Hays) is an ex-fighter pilot traumatized by the war, now working as a taxi driver. He is terrified of flying despite his previous occupation.

His girlfriend, Elaine (Julie Haggerty), conveniently a flight attendant, dumps him just before her flight from Los Angeles to Chicago.

Naturally, Ted throws caution to the wind and boards the flight in hopes of reconciling.

When several of the passengers and flight crew succumb to food poisoning, an inflatable named Otto must steer the plane toward Chicago.

The crew convinces Ted to muster up the courage to safely land the plane because Otto cannot do it, and subsequently conquer his fear of flying. A perilous yet comical landing ensues, and Ted and Elaine happily reunite.

The plot is a direct steal from Airport ’75 when poor Karen Black’s flight attendant character is famously instructed how to land the aircraft. Until, in a sexist fashion, the men arrive to take control, sending her back to serve coffee. This is intentional and spot-on to show the ridiculous nature of that plot point.

The gags are legendary, the “Surely you can’t be serious”, “I am serious…and don’t call me Shirley” exchange is the most famous one, always providing a laugh.

The effortless dialogue, as inane as it is, somehow works exceptionally well and combines brilliantly with the pacing and delivery.

It’s like a long and wonderful episode of television’s Saturday Night Live.

The chemistry between Ted and Elaine is very strong, making the audience root for their eventual reconciliation, though it’s obvious they will ride off into the proverbial sunset together.

Actors Hays and Hagerty deserve tremendous praise for aligning the characters so well. Also of note are the efforts of Leslie Nielsen and Peter Graves as Doctor Rumack and Captain Oveur, respectively.

Nielsen would subsequently become famous for spoof films, none of them as good as Airplane!

I’ll never profess to be a slapstick person, but Airplane! (1980) is one that I embrace, undoubtedly because of my love for disaster films and fondness for airplanes.

It is advisable to sit back, relax, and enjoy the zany ride that this satirical and very funny film offers.