Category Archives: Luke Wilson

2007 Films, Horror, Kate Beckinsale, Luke Wilson, Slasher

Vacancy-2007

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Vacancy-2007

Director Nimród Antal

Starring Luke Wilson, Kate Beckinsale 

Scott’s Review #1,127

Reviewed March 29, 2021

Grade: B-

Many times in cinema there exists a great premise for a good film that is a great idea only and the follow-through falls apart. Vacancy (2007) is one such film.

Especially a vibrant story for a horror film, the first half is way better than the latter half as we can enjoy wondering what will happen next.

The film fumbles the football midway through once it’s revealed who the killer (or killers?) is and never gets its bearings back. It’s still an okay watch but the possibilities could have taken the film to another level.

Instead, we get too much predictability.

The idea seems great because it’s very similar territory to Alfred Hitchcock’s 1960 masterpiece, Psycho. Think Bates Motel and a crazed killer not unlike Anthony Perkins, sans the good chemistry and motivation.

Unfortunately, the killer (or killers?) has no good motivation.

Vacancy is a mish-mash of other recent horror efforts including Saw (2004), Hostel (2005), and Joy Ride (2001). It takes standard material from each and mixes them, trying to create a fabulous concoction.

This doesn’t work so well. Instead, it just feels like a combination of the other films with a similar look and feel.

Since director Nimród Antal is Hungarian this would explain the Hostel pattern which also features a European vibe even though Vacancy is set somewhere off a mountain road in the United States.

A young couple lost in a deserted area near a seedy hotel will likely freak anyone out. What if my car breaks down and I have no cell phone and am not sure where I am, the viewer immediately thinks?

Throw in a serial killer and you’ve frightened the bejeesus out of just about anyone. To make matters worse the characters in Vacancy choose to watch horror films on television for fun- not a smart decision.

When David’s (Luke Wilson) and Amy’s (Kate Beckinsale) car breaks down, they have no choice but to spend the night at a remote hotel. The couple decides to make the best of it by entertaining themselves with low-budget slasher movies on TV.

They suddenly realize that the horrifying images they see are recorded in the room in which they are staying!

With hidden cameras capturing their every move, David and Amy must find a way out before they become the latest stars in another film in the series of snuff films.

At first, they panic then try to use good sense and figure out what the hell is going on and how they can escape this crazy hotel room.

Besides the plot loopholes, there is not good chemistry between Wilson and Beckinsale which doesn’t do the film any favors.

David and Amy are merely your average ordinary horror movie characters. They are on the verge of divorce due to some family tragedy that is never explained nor has anything to do with the events.

They have some measure of smarts and it’s interesting to see how they finagle out of their peril but they are not James Bond either so their actions are implausible and become riddled with B-movie cliches.

By the halfway point Vacancy, which starts quite well, is reduced to a standard horror film with an average cat-and-mouse final sequence made completely predictable.

Speaking of cliches, Antal adds the too-good-to-be-true auto mechanic played by Ethan Embry, the prime suspect, and Mason, the desk clerk.

Is he a suspect too? These characters are a hybrid of Norman Bates and up to a point make the film fun. Once their true colors are revealed it becomes silly.

Luke Wilson and Kate Beckinsale do what they can with a less-than-spectacular script that takes us into familiar territory and borrows way too much from other films.

Vacancy (2007) has some potential that never becomes realized or feels very fresh.

2001 Films, Comedy, Jennifer Coolidge, Linda Cardellini, Luke Wilson, Raquel Welch, Reese Witherspoon, Romantic Comedy, Selma Blair

Legally Blonde-2001

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Legally Blonde-2001

Director Robert Luketic

Starring Reese Witherspoon, Luke Wilson

Scott’s Review #807

Reviewed August 30, 2018

Grade: B+

Legally Blonde (2001) is a film that by all accounts should have been a hot mess, but for some reason is a great ball of fun. High art it ain’t by any means, and the plot is implausible beyond belief, and suspension of disbelief must be securely tucked away.

Despite portraying more serious roles both before and after this film, Reese Witherspoon is largely responsible for the success and is closely associated with this role.

Quite simply, all the elements manage to align with perfection in this film.

Elle Woods (Witherspoon) is president of her sorority at a Los Angeles college. Clad in fluffy pink attire and carrying her cute dog everywhere she goes, she epitomizes the stereotypical “dumb blonde”.

However, she does carry a 4.0 grade point average in fashion.

Expecting a marriage proposal from her upper-class, snooty boyfriend, Warner, Elle instead finds herself dumped due to not being serious enough.

Determined to prove herself worthy, she manages acceptance into Harvard Law School, along with Warner, and embarks on hi-jinks and adventures.

Warner’s fiancee and a potential new love interest cause turmoil for the boisterous Elle.

Legally Blonde never takes itself too seriously and is simply a fun, silly-minded, comic adventure. Audiences will likely chuckle and smile along with Elle’s adventures as she gets into one pickle after another, always determined to prove her intelligence.

To be clear, the film itself is very formulaic and could easily have been trivial and uninspired resulting in a bomb. But Witherspoon shines in the lead role adding a likable, charming quality to the character.

The actress possesses great wit and comic timing so that her character becomes more of a champion and we root for her to overcome obstacles and succeed.

By miles, she is the standout in the film.

Suspension of disbelief is at an all-time high. In “real life” there is no way Elle would ever make her way into the elitist Ivy League school brandishing a pink resume or other silly tricks to be cute and appealing.

Nor would she ever likely be so instrumental in winning a murder case so quickly. To nobody’s surprise, Elle eventually graduates with flying colors and is honored with giving a graduation speech inspiring those around her.

But as implausible as these situations are, they are also Legally Blondes’ appeal.

The supporting characters are pure caricatures, especially the main foils (Warner and Vivian- who take Elle’s place as fiancee). Both are the villains, Vivian going so far as to embarrass Elle by inviting her to a stuffy party under the guise of it being a costume party.

In the end, one of the characters “turns good”, another common element of predictable films of this nature. But again, the film is just pure and simple fun, so these stereotypes are okay.

In more modern times (not that 2001 was so long ago), the film would have not been directed by a man, but rather by a woman.

Screenwriters Kirsten Smith and Karen McCullah Lutz prepared a female-driven film that was based on a novel by Amanda Brown.

Why a man was chosen to direct is beyond me, but, alas, this is the way things were at the time.

Interestingly, another recent film that I reviewed, My Big Fat Greek Wedding (2002) would work perfectly as a now retro romantic comedy double feature along with Legally Blonde (2001).

Both are fun and light but also celebrate strong female characters.

Legally Blonde borrows much from the 1995 brilliant similar genre Clueless but is not as great as that film. Still, the film is an inspired effort due largely to the charms of its lead star.

2014 Films, Bill Hader, Comedy, Craig Johnson, Dark Comedy, Independent, Independent Comedy, Joanna Gleason, Kristen Wiig, Luke Wilson, Ty Burrell

The Skeleton Twins-2014

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The Skeleton Twins-2014

Director Craig Johnson

Starring Bill Hader, Kristen Wiig

Scott’s Review #179

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Reviewed October 2, 2014

Grade: A-

The Skeleton Twins (2014) is a tremendous, character-driven, family drama that focuses on character development rather than standard plot devices.

The film stars Bill Hader and Kristen Wiig from Saturday Night Live, but do not be fooled based on the actors involved that The Skeleton Twins is a light comedy- it is not.

There are laugh-out-loud scenes throughout, but this is a serious story about depression, suicide, and anger, and at times, very dark.

Wiig plays Maggie, a woman in her thirties who seemingly has it all. Lance, her handsome, loyal husband, played by Luke Wilson, adores her. She has a stable job as a dental hygienist and lives a quiet, quaint life in upstate New York- seemingly enjoying a happy middle-class existence.

Hader plays Milo, Maggie’s estranged twin brother, who lives in Los Angeles and is a struggling actor with no agent, reduced to waiting tables in a lousy restaurant. Presumably, just out of a relationship, Milo attempts suicide by slitting his wrists.

Maggie flies to Los Angeles to visit Milo in the hospital and invites him to recuperate with Maggie and Lance in New York.

Having grown up as best friends, they reconnect once Milo moves in.

The Skeleton Twins is so jam-packed with interesting stories, both current and back story, that it becomes effortless to fall in love with Maggie and Milo.

When the twins were aged fourteen, their father committed suicide by jumping off a bridge, a father they were very connected to.

Their mother, played by Joanna Gleason, was a horrible mother growing up and, in present times, is a hippie involved in an interracial marriage. She awkwardly visits Maggie and Milo and attempts to heal them through meditation.

Other character history is revealed.

Milo, who is gay, was molested by his teacher when he was fifteen years old, a teacher he is still in love with, and is wonderfully played against type by Ty Burrell.

Maggie has carried on affairs with various men throughout her marriage to Lance and is secretly using birth control pills to avoid becoming pregnant. Lance happily thinks they are trying to conceive.

The characters of Milo and Maggie are incredibly layered and well-written. They are both damaged from a difficult childhood, suffer from depression, and now only have each other.

Scenes in The Skeleton Twins range from hysterical- a scene in a dentist’s office involving laughing gas rolling on the floor funny and a lip-synching scene to the hit “Nothing’s Gonna Stop Us Now”, are both wonderful.

Dramatic and shocking scenes where Milo and Maggie go at each other with gusto, dredging up childhood wounds, are brilliantly acted by Wiig and Hader.

The chemistry between Wiig and Hader is incredible and both actors are very successful at playing hysterical comedy versus dark drama, which impressed me.

Luke Wilson is great in support as the straight-laced, nice guy married to Maggie.

A slight criticism- the character of Milo is written as stereotypically gay- man-hungry and hardly a man’s man. He has trouble clearing brush because presumably, he is too girly to handle the task.

I wish more films would steer away from these stereotypes.

Ty Burrell’s character of Rich is so complex that I wish he would have been explored a bit more- being gay how can things work with his girlfriend while harboring many secrets? Is he still in love with Milo despite repeatedly pushing him away? I would have loved more depth to this complex character.

After the film, I felt the filmmakers did not go as dark as they could have, and audiences will know what I mean following the final scene.

There is no fairy tale ending ether.

Milo and Maggie are damaged goods who only have each other making for a dynamic character-rich film.