Tag Archives: Tom Courtenay

Doctor Zhivago-1965

Doctor Zhivago-1965

Director David Lean

Starring Omar Sharif, Julie Christie

Top 250 Films #31

Scott’s Review #42

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Reviewed June 18, 2014

Grade: A

Doctor Zhivago (1965) is a great film to watch on a cold night or throughout the crisp winter or holiday season.

The film is a classic masterpiece directed by the talented David Lean (Lawrence of Arabia, 1962; A Passage to India, 1986), whose perfectionism shines through in his epic films.

Nearly every scene could be a painting, so the cinematography alone is reason enough to become enchanted with art.

Of course, the story is also a goldmine as a sprawling decades-long love story unfolds amid the ravages of the bloody Bolshevik Revolution.

The film is set in the bitter cold of Russia (though all scenes were shot in Spain), and the harsh climate and war combine with a doomed love story set against the backdrop of numerous battles and wartime conditions.

Nearly all sequences are set in winter, and the blustery, icy effects contrast with numerous scenes of cozy, candlelit cabins or more extravagant, glowing surroundings.

For the best viewing experience, viewers should be surrounded by fire, flaming candles, or another form of warmth while a snowstorm or blizzard rages outside for a perfect viewing experience.

A large-screen television or a cinema is simply a must to watch this film, as it is epic on the grandest scale.

Omar Sharif and Julie Christie (a gorgeous star in her day) are perfectly cast as Uri and Lara, young forbidden lovers enthralled with one another but involved with others.

The film dissects their first meeting and their story over the years, through marriages, births, and deaths amid the ravages of early-twentieth-century Russia.

Despite their affairs, neither is deemed unsympathetic—quite the contrary.

Audiences will fall in love with the pair and become enchanted as they watch their love-tortured adventures unfold.

Sharif and Christie are just magnificent and utterly believable as a couple.

The set pieces are magnificent and flawless in design and detail (my favorite is the Ice Palace).

The cinematography is breathtaking, and the content is remarkably close to the superior novel by Boris Pasternak, evoking a sense of “really being there” in the viewer.

Doctor Zhivago (1965) is a brilliant film, perfect for a snowy winter evening.

Oscar Nominations: 5 wins-Best Picture, Best Director-David Lean, Best Supporting Actor-Tom Courtenay, Best Screenplay Based on Material from Another Medium (won), Best Music Score-Substantially Original (won), Best Art Direction, Color (won), Best Cinematography, Color (won), Best Costume Design, Color (won), Best Film Editing

Golden Globe Nominations: 5 wins-Best Motion Picture-Drama (won), Best Director-Motion Picture-David Lean (won), Best Performance by an Actor in a Motion Picture-Drama-Omar Sharif (won), Best Screenplay-Motion Picture (won), Best Original Score-Motion Picture (won), New Star of the Year-Actress-Geraldine Chaplin

45 Years-2015

45 Years-2015

Director Andre Haigh

Starring Charlotte Rampling, Tom Courtenay

Scott’s Review #488

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Reviewed October 1, 2016

Grade: B+

In 45 Years (2015), acting is the film’s clear highlight and the main reason to watch it.

Seasoned veterans take center stage and give tremendous performances and lessons in acting.

Tom Courtenay and Charlotte Rampling carry the film.

45 Years follows an enduring marriage tested by an outside revelation that escalates into conflict and mixed emotions.

The film moves at a slow pace and can challenge even the most patient viewers, but that pace is warranted, as the longevity of the characters’ marriage is key to the film.

Geoff and Kate Mercer, a happy couple living in rural England, excitedly plan their 45th wedding anniversary (the 40th was canceled because of Geoff’s heart condition).

They are a popular couple in their town, both kind and decent, and many will attend the event.

One day Geoff receives a letter from authorities in Switzerland- a young woman (Katya) he was once involved with, and presumed dead in 1962, has been found.

After falling into an icy glacier, her body is preserved and looks the same as it did then.

Unsure of the extent of their relationship, Kate is riddled with jealousy, curiosity, and guilt.

Geoff and Kate’s marriage is tested.

45 Years is a mature film involving mature characters. Geoff and Kate are still in love decades into their relationship, but the introduction of Katya becomes an unwelcome conflict.

The film plays out gradually, but realistically, as marriage moves along slowly.

The film shows many scenes of Geoff and Kate’s day-to-day activities: they walk their dog together, travel into town to shop, relax, and read the newspaper.

Like real people do.

This is an asset to the film. Real life is sometimes mundane and dull, but these little tasks are pleasurable and soothing.

Geoff and Kate’s marriage contrasts with the relationship Geoff and Katya briefly had years ago (excitement, risk, youth), and Kate’s point of view is understandable.

As details reveal themselves, Kate feels inferior.

She is no longer young and thinks of Geoff and Katya, and the life they might have had together if the accident had not occurred. Despite being dead, Katya becomes an obstacle in Kate’s mind.

The film wisely doesn’t write Kate as a jealous shrew or a one-dimensional character. She fights her jealousy at every turn and tries to stay strong and realistic.

Charlotte Rampling gives such a good, subtle, understated performance that it is easy to overlook how good she is.

She does not have hysterical moments or a scene where she loses control. Instead, Rampling conveys a range of complex emotions through her facial expressions.

Let’s not forget to mention Tom Courtenay. Imagine being in the golden years of your life and a long-lost lover (in spirit anyway) returns to the fold. Geoff cannot help but imagine a life with Katya if she remained alive.

Kate asks Geoff if he would have married Katya, and he cannot deny it.

Several scenes show the couple dealing with “old people” issues, awkward lovemaking, for example, which highlights how different things are from when Geoff and Katya were in their prime.

Geoff cannot help but be whisked back in time with thoughts and what-ifs.

A standout scene is when Kate and Geoff dance at their anniversary party. Having professed his love during a speech, they casually dance. Kate is both touched and pained, and as the scene goes along, it unravels. She explodes internally.

Sometimes, perhaps a tad too slow-paced, I get the point of pacing 45 Years this way. After all, nearly 50 years of marriage is a long time, and similar days will pass with few important moments.

Thanks to great acting, I overlooked this and was astounded at the complexities both Rampling and Courtenay bring to the table.

Oscar Nominations: Best Actress-Charlotte Rampling

Quartet- 2012

Quartet-2012

Director Dustin Hoffman

Starring Maggie Smith

Scott’s Review #122

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Reviewed July 20, 2014

Grade: B+

Quartet (2012) is a fantastic little British film, directed by Dustin Hoffman, and starring the always wonderful Maggie Smith, whom one might argue could be watched in anything.

I certainly could.

Smith stars as a stubborn retired opera singer who begrudgingly settles in at Beecham House, a luxurious senior retirement home for former musicians in their final years.

There, she reunites with colleagues from years past who try to reunite for a concert to save the home from foreclosure.

The cast of senior citizens in Quartet is quite likable, and it’s one of the few smart films that handles aging gracefully.

Comedy and drama mix as the intelligent characters are treated as such in their final years, with a hint of soap opera, since some were intimate with others in years past, and the current hijinks are hysterical.

The film treats aging with respect and dignity, not as a joke, which is one aspect I adore.

A talent-filled cast of British theater actors, along with some real-life musicians, makes this film a treat.

It is terrific to see Pauline Collins (Upstairs/Downstairs) in a large role.