Tag Archives: Crime Thriller

Legend-2015

Legend-2015

Director Brian Helgeland

Starring Tom Hardy

Scott’s Review #405

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Reviewed May 24, 2016

Grade: B+

Tom Hardy is one of my favorite modern film actors (he should have won the 2015 Oscar for his riveting performance in The Revenant, in my humble opinion) and in Legend (2015) fans are treated to a dual role by the handsome Brit.

Hardy portrays Reggie and Ronald Kray, two of London’s most feared and brutal gangsters.

The film belongs to Hardy in every way, shape, and form, the locales of London are fantastic, and more than one scene is jaw-dropping violent, but the film meanders quite a bit and the vocals of Ron Kray are quite difficult to understand.

Still, impressive effort as a whole.

The time is late 1950s London. Reggie Kray, the more mainstream of the Kray brothers, is a feared member of the organized crime community.  He is coddled by his mother and can do no wrong in her eyes. This makes any relationships difficult as his mum disapproves of his mates.

He falls in love with Frances Shea, a young woman who narrates most of the film, so it is told from an outsider’s perspective. Reggie’s brother Ron has recently been released from a mental hospital and if off of his medications, is certifiably crazy, and very volatile.

He is gay and makes no bones about it.

Ron and Reggie have a love/hate relationship, and this dynamic is the most interesting aspect.

Thanks to Hardy, as the writing is not Legend’s strongest suit, we see two very different characters, even though they look alike. In the myriad of scenes shared between the brothers, it appears that two actors are playing the roles which is to Hardy’s credit.

An important scene emphasizes the relationship between the two. When a rival dares to mention Reggie’s wife’s name disparagingly, he points a gun and fires at the man’s head.

Fortunately, the gun is not loaded, so the audience breathes a sigh of relief. Yet, a worse fate awaits the victim. After the deed is done, Reggie whispers in Ron’s ear that he killed the man “because I can’t kill you”.

This means Reggie would kill Ron if he could- shocking since they are brothers. To add to this, it is implied that he would kill his brother with the same savageness as his victim.

This makes the audience ponder.

Impressive is Ron’s sexuality, especially since he is not written stereotypically. He is brutal, masculine, and hardcore. The fact that Ron Kray was a real figure is important to note. His entourage of boyfriends follows him around in dedication.

Who can blame them as his charisma oozes- think of an unstable James Bond.

The twin’s relationship is the best part of the film, but as a mob film, Legend meanders quite a bit, so much so that it becomes tough to identify what the point is, if not for Hardy.

Save for Frances, none of the supporting characters are written with interest and are all rather forgettable.

The wonderful Chazz Palminteri is wasted in the role of Angelo Bruno, head of a Philadelphia crime family and friend of the Krays. There is little meaning or interest in his role.

A mediocre story, but with leading characters with depth, makes Legend (2015) an interesting film that flies under the radar and receives little notice.

Hopefully, if nothing else, it continues the success that Tom Hardy is currently achieving in modern film.

The French Connection-1971

The French Connection-1971

Director William Friedkin

Starring Gene Hackman, Roy Scheider

Top 100 Films #69

Scott’s Review #342

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Reviewed January 9, 2016

Grade: A

The French Connection had the notable distinction of being the first R-rated film to win the coveted Best Picture Oscar back in 1971.

This praise, similar to The Silence of the Lambs being the first horror film to win Best Picture in 1991, is well worth pointing out and is quite honorary.

The film succeeds, both for myself and other critics, because of the unique style of the camerawork, shot documentary-style, and use of quick edits.

It is much more intricate in every way than the traditional crime thriller.

Gene Hackman stars as the feisty detective, Jimmy “Popeye” Doyle, who along with his partner, Buddy “Cloudy” Russo, (Scheider) are determined to crack the case of a huge heroin smuggling syndicate from France.

The narcotics are flowing into New York City and the duo is determined to get to the bottom of the drug ring, figuring out who is the mastermind and defeating their foe.

The primary culprit is a suave French drug lord named Alain Charnier, brilliantly played by Fernando Rey.

Throughout the film, the action is non-stop, traversing throughout Manhattan and Brooklyn, via subway, and car, as Popeye becomes more and more obsessed with the case.

Director William Friedkin, who also directed the legendary 1973 film, The Exorcist, deserves a heap of praise for creating a film of this caliber. The French Connection can be enjoyed by all and is well beyond the limitations of a “guy film”- it is much more than that.

The editing and frenetic pacing work wonders for the film, all the while not ruining the experience or overshadowing the good plot. Quite simply, the film is a chase across New York City.

Friedkin distinguishes the boroughs by making Manhattan seem sophisticated and stylish, and Brooklyn dirty, grizzled, and drug-laden.

The settings are perfect.

The best scene in the film is the well-known car chase throughout New York City. Popeye is determined not to lose his man, the man riding in a subway on an elevated platform. Popeye steals a car and proceeds to chase the subway narrowly missing pedestrians, including a woman with a baby carriage, as he recklessly weaves in and out of traffic at a high speed, to keep pace with the train.

This is a phenomenal scene as the excitement and tension continue to build.

The conclusion of the film and the final scene is cynical and also leaves the audience perplexed and unsure of what has transpired.

The French Connection is open to good discussion and even interpretation, a novel aspect of the action film.

Providing a tremendous glimpse into 1970s Manhattan and Brooklyn, The French Connection is an exciting film that oozes with thrills, car chases, and a good story.

The film is unique in style and still holds up incredibly well- one of my favorites in the action genre.

Oscar Nominations: 5 wins-Best Picture (won), Best Director-Richard Friedkin (won), Best Actor-Gene Hackman (won), Best Supporting Actor-Roy Scheider, Best Screenplay Based on Material from Another Medium (won), Best Sound, Best Cinematography, Best Film Editing (won)

The Counselor-2013

The Counselor-2013

Director Ridley Scott

Starring Michael Fassbender, Brad Pitt

Scott’s Review #18

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Reviewed June 17, 2014

Grade: A-

The Counselor (2013) is a star-studded, unique, drug trafficking thriller set in Mexico and Texas.

The film has met with some debate as viewers either loved or hated it. There appears to be a case made that those who hated it did not understand the movie.

It is not a “by the numbers” or “predictable” popcorn film. It’s much better than that. It’s a thinking man’s movie.

I saw shades of Quentin Tarantino’s influence and parts were reminiscent of the wonderful TV series Breaking Bad (2008-2013).

There are intersecting stories and heavy acting talent (Fassbender and Diaz are the standouts). This is Cameron Diaz’s best role and wish she would go edgy more often.

There are three brilliantly well-done scenes (motorcycle, Brad Pitt on the street, and landfill scene) that are as disturbing as they are artistic.

There are some plot holes, that can be overlooked.

It’s not simply an action film, but a character-driven one.

The viewing of The Counselor (2013) is a unique experience.