Category Archives: Alan Mowbray

1946 Films, Alan Mowbray, Cathy Downs, Henry Fonda, Jane Darwell, John Ford, Linda Darnell, Victor Mature, Western

My Darling Clementine-1946

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My Darling Clementine-1946

Director John Ford

Starring Henry Fonda, Victor Mature

Scott’s Review #1,017

Reviewed April 30, 2020

Grade: A-

Esteemed director John Ford, mostly known for crafting the very best in the Western genre for four decades creates a timeless story that is character-driven and unpredictable.

My Darling Clementine (1946) provides a superb atmosphere amid a depressing ambiance led by Henry Fonda, the appealing leading man of the day. The iconic American Western folk ballad, “Oh My Darling, Clementine” appears during the opening and closing credits to bookend the classic.

In 1882, events get underway when a group of men herds cattle through the Old West en route to California. The Earp brothers (Wyatt, Morgan, Virgil, and James) encounter the sinister Clanton family, who salivates over the profit the animals could supply them.

After being rebuffed for a sale, the Clantons kill young James and steal the cattle. Wyatt (Fonda) vows revenge and settles in at Tombstone, Arizona where he befriends the dangerous Doc Holliday (Victor Mature), Clementine Carter (Cathy Downs), the ravishing Chihuahua (Linda Darnell), and Mac, the local bartender.

The film is based on real-life Western figures and events. Wyatt Earp was a lawman and gambler while Doc Holliday was a gambler, gunslinger, and dentist. Both men participate in the famous and bloody gunfight at the OK Corral, the thirty-second shootout between lawmen and outlaws, regarded as the most well-known battle in the American Wild West.

This makes the film both historical and fun for viewers anticipating some truth. The rest is a created story.

One can delve into other avenues of enjoyment during My Darling Clementine other than the action from the screen. The rich surrounding elements are as glorious, and plentiful.

Much of the events take place outdoors, a treat and the spacious and wide-open exteriors are a marvel to lay an eye on. The exquisite clouds and sprawling lands are evident as is the black-and-white cinematography. This adds a measure that color film would have ruined.

Unlike other Westerns, there is surprisingly little racism to be found. Commonly, American Indians are classified as the enemy and subsequently mistreated. Other than one quick scene where an unnamed Indian is booted out of town, a racist moment can be found.

Quite a few Mexican characters appear, most prominently Chihuahua, the apple of every man’s eye. To see Mexican culture represented and celebrated with dancing and country colors is a nice addition.

The pacing is superior too, with little lag or drag time. The relatively short running time of one hour and thirty-six minutes is a benefit as events get down and dirty quickly. The combustible energy of the saloon scenes, simply a must in this genre, is great.

So much transpires within each scene as the patrons eat, drink, dance, sing, and fight. Interesting characters like the bartender and Granville Thorndyke, a stage actor who performs Shakespeare, make the film very fleshed out from a character perspective.

A minor demerit that must be aimed at the film is the awkward decision to write a perplexing ending that sours the wrap-up. When the big shootout concludes Wyatt decides to depart Tombstone, bidding adieu to a confused Clementine at the schoolhouse, wistfully promising that if he returns, he will look her up.

This is weak and unsatisfying considering she moved to the West from the East to be with Doc, who dies. Why would she decide to stay and why would he leave considering the pair was drawn to each other as the film escalates? I was expecting a “happily ever after” moment.

My Darling Clementine (1946) is an elite treasure in a genre that is commonly one-note and riddled with stereotypes and bad treatment of those who are not white, masculine men. Sure, the whiskey flows heavily as the guns are cocked and loaded at a moment’s notice.

But, with arguably two main heroes (Wyatt and Doc), well-crafted supporting characters, and a stoic final fight, this film has it all, providing depth and freshness to an often-stale cinematic genre.

1941 Films, Alan Mowbray, Alexander Korda, Drama, Gladys Cooper, Laurence Olivier, Romantic Drama, Vivien Leigh

That Hamilton Woman-1941

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That Hamilton Woman-1941

Director Alexander Korda

Starring Laurence Olivier, Vivien Leigh 

Scott’s Review #779

Reviewed June 27, 2018

Grade: B+

That Hamilton Woman (1941) is an obscure, black, and white gem that stars legendary actors and real-life couple Vivien Leigh and Laurence Olivier.

Providing a story of an old-fashioned style romance, war battles, and dazzling cinematography, the film succeeds as a classic film that should be better remembered than it is.

The overall theme here is a tragic love story with a sad ending.

One of the best aspects of That Hamilton Woman is witnessing the super-couple team of Leigh and Olivier act opposite one another. The actor’s talents are reason enough but makes a fascinating viewing experience.

The curiosity of the pairing of big stars in their heyday is a delight, and highly appealing and both actors do not disappoint. One wonders whether they were acting or otherwise enjoying the experience.

That Lady Hamilton begins with a jarring scene in which the title character, known as Emma, Lady Hamilton (Vivien Leigh) is thrown into debtor’s prison after stealing booze in France.

The rest of the story is told via flashbacks as she regales her fellow prisoners with how she wound up in her current state. Her former life starkly contrasts as Emma appears as a young woman with hope, promise, and riches.

It is hard to imagine how her life turned out so badly which gives the film quality of strong intrigue.

The film then has a “riches to rags” element as the story is told in reverse. Full of energy, British Emma moves with her mother to the Kingdom of Naples where she marries the affluent (and much older) Sir William Hamilton (Alan Mowbray), presumably for his money.

When handsome Admiral Horatio Nelson (Olivier) appears on the scene, the pair fall madly in love. They face tremendous hurdles, however, as the war rages on and each is unfaithful to their respective spouses.

Since the film was made scarcely two years after the epic romance Gone with the Wind (1939), one cannot help but compare Leigh’s portrayal of Emma to Scarlett O’Hara.

Emma comes across as a British version of the southern lass, especially as she is clad in gorgeous gowns or romancing men.

However, as the film develops she becomes a much more sympathetic character and certainly less of a vixen. Still, there are plenty of similarities for viewers to draw from.

The role of Lady Frances Nelson (Gladys Cooper) is completely one-note so the rooting value is never in doubt. The audience is firmly in the corner of Emma and Horatio and this is the film’s intention.

With that said, Cooper does a fantastic job of making her character completely unlikeable. Her icy, vengeful spirit is in perfect balance with the sympathetic lead characters. The fact that Horatio and Emma are adulterers, especially for the year the film was made, is not fully explored.

To be critical, and presumably, because the film is old, the video quality is not the greatest. If the film were in color the gorgeous Italian landscapes and Leigh’s lovely costumes would have appeared even more lavish and picturesque.

But due to the age of the film, not much can be done about it unless it is decided to repackage the disc or make it a Blu-ray offering.

Still, the luminous mountains and the lush oceans of southern Italy are frequently featured throughout the film, which is a real treat.

Purely a showcase for newlyweds Olivier and Leigh to dish their real-life romance for mainstream audiences, That Hamilton Woman (1941) must have been a big deal at the release.

While suffering from lackluster film quality, the story is quite hearty featuring romantic scenes combined with loud, bombastic battle scenes and a bit of British and Italian history.

Sadly, this film is largely forgotten, but is a good watch for fans of the legendary stars.

Oscar Nominations: 1 win-Best Sound Recording (won), Best Art Direction-Interior Decoration, Black-and-White, Best Cinematography, Black-and-White, Best Special Effects

1956 Films, Alan Mowbray, Deborah Kerr, Musical, Walter Lang, Yul Brynner

The King and I-1956

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The King and I-1956

Director Walter Lang

Starring Yul Brynner, Deborah Kerr

Scott’s Review #26

671936

Reviewed June 17, 2014

Grade: B

The King and I is another countless Rodgers and Hammerstein musical that dominated the 1950s and 1960s film era.

Having seen the stage version, the film contained two gigantic stars of the period (Yul Brynner and Deborah Kerr), Brynner having made this role his legacy.

The story is similar to The Sound of Music as the teacher takes on children of the King, but not quite as gripping, and the chemistry among the leads is there, but not quite completely there.

The Bangkok palace set and the costumes are stylish and fantastic in design.

As a whole, the songs are not as memorable as some other similar musicals, but that is compared to magnificence.

Interesting how much of the cast is not Asian, a characteristic of the stage version too, that is often overlooked and accepted. This is not a criticism, merely a notice.

It’s a nice musical, but not as enjoyable as others, but is still worth watching.

Oscar Nominations: 5 wins-Best Motion Picture, Best Director-Walter Lang, Best Actor-Yul Brynner (won), Best Actress-Deborah Kerr, Best Scoring of a Musical Picture (won), Best Sound Recording (won), Best Art Direction-Color (won), Best Cinematography, Color, Best Costume Design, Color (won)