Category Archives: Matt McCoy

L.A. Confidential-1997

L.A. Confidential-1997

Director Curtis Hanson

Starring Kevin Spacey, Russell Crowe, Kim Basinger

Scott’s Review #1,102

Reviewed January 19, 2021

Grade: A

An enormous critical and commercial hit of 1997, L.A. Confidential spins a tale of intrigue and mystery during the 1950s with plenty of big-name stars to go around.

The film can be classified as a throwback, neo-noir escapade, but it’s quite stylistic and fleshed out. It’s well-made with slick elements and Hollywood looks and feels like the lavish production design and musical score, but it’s the seduction and bevy of secrets that will keep viewers glued to their seats, trying to guess what happens next.

As if it doesn’t have enough great elements a powerful whodunit is constructed leading viewers to question if the bad guys are good or the good guys bad.

Stalwarts like Kevin Spacey, Kim Basinger, and Danny DeVito bring star power, while unknowns at the time, Russell Crowe and Guy Pearce are the real reasons to tune in.

L.A. Confidential has a seemingly endless tangled web to absorb and unravel, but the film is paced well and never overcomplicates itself. The strong art direction and musical score make it a delight to the eyes and ears.

The film is fraught with a saucerful of secrets just waiting to be brought to the surface.

Based on the James Ellroy 1990 novel of the same name, it’s the third book in his L.A. Quartet series, the others being The Black Dahlia (1987) and The Big Nowhere (1988). All focus on the Los Angeles Police Department, corruption, and scandal. The former was turned into an unsuccessful film in 2006 starring Josh Hartnett and Scarlett Johansson.

I love films set in the City of Angels with a focus on Hollywood darkness lurking beneath the sunny and swanky exterior. Especially effective is the 1950s time, post World War II, when everything seemed to be coming up roses.

Naturally, murder is the offering of the day.

To summarize, three policemen, each with his motives and obsessions, tackle the corruption surrounding an unsolved murder at a downtown Los Angeles coffee shop in the early 1950s.

Detective Lieutenant Exley (Pearce), the son of a murdered detective, is out to avenge his father’s killing. The ex-partner of Officer White (Crowe), implicated in a scandal uncovered by Exley, was one of the victims.

Sergeant Vincennes (Spacey) feeds classified information to a tabloid magnate (DeVito). Basinger portrays Lynn Bracken, as a glamorous prostitute.

It’s nice watching the film with the knowledge of the big stars Crowe and Pearce would become. Also interesting is to see Spacey when he was a big star, eventually destined to turn into Hollywood mud due to a scandal.

That’s the beauty of watching a classic film and adds a realistic element unknown at the time of the first release.

From a romantic angle, it’s fun and juicy to wonder who Lynn, a Veronica Lake lookalike, will wind up with. Basinger has chemistry with all of the handsome cops and one wonders who she will screw and screw over.

The role is the best of Basinger’s career.

L.A. Confidential is a film that can be viewed multiple times to notice intricacies missed during the first go-around. It harkens back to the 1940s in style, pizazz, and texture. There is something for everyone and it develops well beyond the film noir genre.

It contains great acting, exceptional writing with twisting storylines and events, bloodshed, and thrills. It is an exceptional crime drama almost on par with one of the greats, Chinatown (1974).

The 1990s was an excellent decade for well-made films and L.A. Confidential (1997) is near the top of the pile.

Oscar Nominations: 2 wins-Best Picture, Best Director-Curtis Hanson, Best Supporting Actress-Kim Basinger (won), Best Screenplay Based on Material Previously Produced or Published (won), Best Original Dramatic Score, Best Sound, Best Art Direction, Best Cinematography, Best Film Editing

The Hand That Rocks the Cradle-1992

The Hand That Rocks The Cradle-1992

Director Curtis Hanson

Starring Rebecca De Mornay, Annabella Sciorra

Scott’s Review #360

569891

Reviewed January 9, 2016

Grade: A

One may argue that the slick 1992 thriller, The Hand That Rocks The Cradle, is a direct rip-off of the 1987 blockbuster hit Fatal Attraction, which spawned countless imitators, and they may be accurate, but I simply adore this film.

It contains great tension and is well-acted, but above all, The Hand That Rocks The Cradle features Rebecca De Mornay in a wonderful performance as one of the screen’s most memorable villains, Peyton Flanders.

This is a film that will admittedly not win any awards for originality, but that I love all the same.

Peyton Flanders is very pregnant when we meet her. Her husband is creepy Dr. Mott, an obstetrician who sexually molests Claire Bartel (Sciorra) in his office during an exam.

Humiliated and upset, Claire, after being encouraged by her husband, Michael, files charges against Dr. Mott. He commits suicide and Peyton loses her child. Filled with vengeance, she vows to destroy Claire.

The plot may sound like a tawdry daytime soap plot device, but The Hand That Rocks The Cradle somehow works like a charm.

Unlike Fatal Attraction, there is little rooting value between Petyon and Michael- we know she is a crazed lunatic- the fun is seeing how she gets hers. She manipulates him and insinuates herself into their home- she pretends to be a nanny and subsequently manipulates Michael and Claire’s daughter.

Julianne Moore- in an early role in her storied film career- is believable as Claire’s best friend, who is the only one who sees Peyton for the monster she truly is.

Sadly, her screen time is limited.

Regardless of the other fine performances from the rest of the cast, this is De Mornay’s film- she is psychotic, then sweet, and plays both to the hilt.

I suppose a film like The Hand That Rocks The Cradle (1992) is not intended to be analyzed too much since it tries to thrill, scare, and make the audience uneasy, but boy is it sure fun.