Category Archives: Gilmer McCormick

Silent Night, Deadly Night-1984

Silent Night, Deadly Night-1984

Director Charles E. Sellier Jr.

Starring Robert Brian Wilson

Scott’s Review #974

Reviewed December 30, 2019

Grade: B

Silent Night, Deadly Night (1984) is a fun, holiday-themed horror/slasher flick that is cheery mayhem in the spirit of the season, and a worthy addition to any horror fan’s collection.

The film is best watched late at night for the intended effect, and it is obvious to see around the holiday it celebrates.

It would make a great companion piece to Black Christmas (1974), a superior film, but both contain eerily similar musical scores, the former updated with electronic beats for the 1980s.

The horror film was met with ridicule and protest upon release for promoting a killer Santa Claus, despite the story being slightly overreacted to and misinterpreted.

The ‘real’ Santa Claus does not perform the slayings, but rather a mentally unstable young man dressed in the red suit does the dirty deeds.

Nonetheless, the film was unceremoniously yanked from theaters after parents expressed fear that their kids might be traumatized by the film. Silent Night, Deadly Night has graduated to cult-classic status and is entertaining, perhaps embracing its derision instead of running from it.

The action begins in rural Utah in 1971, as the Chapman family drives to a retirement home to see their catatonic grandfather. When left alone, the elder warns five-year-old Billy to fear Santa Claus, but his parents disbelieve him.

On their way home, they stop along the roadside to help a man dressed as Santa Claus, whose car appears to have broken down. The man robs and kills the parents, sparing Billy and his brother from death.

Three years later, Billy and Ricky reside in an orphanage led by the sadistic Mother Superior and a kindly nun, Sister Margaret (Gilmer McCormick).

Ten years later (present times), the now-grown Billy (Robert Brian Wilson) is benevolent and friendly, obtaining a job as a stock boy at a toy store with the help of Sister Margaret.

As Christmas Eve approaches, Billy has flashbacks of his parents’ murders and later is forced to play Santa Claus for the Christmas party when a co-worker falls ill.

As the staff becomes inebriated, a female co-worker is nearly raped, causing Billy to go berserk and kill both the assailant and the victim, who blames Billy. He then spends the night prowling the area for victims he can stab or behead.

Fun is the name of the game with Silent Night, Deadly Night.

The film is a macabre treat for slasher fans. The kills are respectable with the traditional methods used- an ax to the head and a bow and arrow death, along with more elaborate deaths like strangling with a chain of Christmas lights, and a bare-chested female victim being impaled on a moose head.

The highlight is the beheading of a mean teenage bully as he gleefully sleighs down a hill on a stolen sled.

Plenty of gratuitous bare chests (female) common in these types of films are in store for the lusty male viewer, but a nude male is glimpsed as well to make for some R-rated diversity.

Par for the course with slasher films made decades ago is the omission of cultural diversity. Not one Black, Latin, or Asian character is ever seen. The pure-as-snow Utah setting might be one justification.

If one were to attempt to analyze Silent Night, Deadly Night (not recommended), one could deduce a specific religious message, or at least a questioning of Catholicism, specifically the harshness of Mother Superior and her interpretation of punishment as good, implemented in the name of god.

Or maybe she is just a sadistic character? In perfect contrast, Sister Margaret is loving, protective, and nurturing to the orphans.

Whatever the filmmakers’ intention, humor is the recipe, as their strictness and rigidity are played for laughs.

Proper for any horror film, the final scene leaves room for a sequel. Indeed, four follow-up films were made, with the younger Ricky taking over as the serial killer.

In satisfying form, Ricky glares at Mother Superior and exclaims “Naughty!” before the credits roll. The unrated version of Silent Night, Deadly Night is the preferred version to watch.

Pull up the covers, light the fire, and kick back with a six-pack of Bud Light, roast some marshmallows, and enjoy Silent Night, Deadly Night (1984) for what it is.

Bad acting, sins of the flesh, and a delightful holiday slaughter, with unintentional (or intentional) humor and clichéd characters, make for robust enjoyment on a lightweight scale.

Slaughterhouse Five-1972

Slaughterhouse Five-1972

Director George Roy Hill

Starring Michael Sacks, Ron Leibman

Scott’s Review #84

972612

Reviewed July 1, 2014

Grade: A-

Slaughterhouse-Five, adapted from the novel of the same name and made in 1972, is a dream-like visual experience through cinematic time.

The main character (Billie Pilgrim) is a World War II soldier who survives a horrific explosion during the war, and he, along with the viewer, floats through time to relive, but not change, three other periods in his life.

It is a first-person narrative.

As a senior during the most engaging period, he is transported to a lavish planet in outer space where he falls in love with a Goddess.

There is a certain anti-war sentiment to the film, and it is certainly cerebral, unique, mesmerizing, and tough to explain, but it is dreamy and clever, and, after 30-plus years, is surprisingly fresh. It should be experienced.

It is a science fiction type of film.

My favorite scene is the humorous, yet tragic, runaway Cadillac scene.

Godspell-1973

Godspell-1973

Director David Greene

Starring Victor Garber, David Haskell, Katie Hanley

Scott’s Review #23

549055

Reviewed June 17, 2014

Grade: C+

Although Godspell (1973) is a popular and legendary Broadway musical production, the film left me with very mixed reactions.

The positives for me are the songs- they are memorable, and they stay in your head for days to come.

My absolute favorite is “Day by Day”.

I also enjoy the cast travels throughout NYC, as I love it when films are set here.

For the first thirty minutes of the film, I did not like it at all.

There is no plot, but simply a group of college-aged people leaving their crummy jobs and celebrating Jesus as they aimlessly flitter about the city, with nobody else in sight, singing songs of savior and celebration.

Then I realized this is not a “message” movie or an attempt to convert people to religion. Many devout Christians despise the film.

The film left me with questions.

Is it tongue-in-cheek or meant to be taken seriously?

By the end of the film, I took it for a fun musical with great songs. It offers nothing more, nothing less.