Nicholas Ray | Scott's Film Reviews-1,425 + Reviews posted so far!!!

Rebel Without a Cause-1955

Director Nicholas Ray

Starring James Dean, Natalie Wood

Scott’s Review #885

Reviewed April 14, 2019

Grade: A

Rebel Without a Cause (1955) is usually most associated with being the best-remembered film of star James Dean’s short-lived career. East of Eden (1955) and Giant (1956) are his other notable films in a much too brief time.

With Rebel Without a Cause Dean and underappreciated director, Nicholas Ray crafted a story about teenage angst and rebellion that has brilliant authenticity and was the first of its kind to influence countless other films.

In Los Angeles, three teenagers meet and commiserate at the juvenile section of the police station, revealing their respective crimes. Jim Stark (Dean) has been brought in for drunkenness and meets John “Plato” Crawford (Sal Mineo), who was brought in for killing a litter of puppies, and Judy (Natalie Wood), who was brought in for curfew violation.

All three of them suffer from problems at home and confide in one another with their deepest revelations becoming connected and bonded for life.

To complicate matters Jim is a new student and must endure challenges associated with this in addition to his troubled home life. His main rival is Buzz Gunderson (Corey Allen) who challenges Jim to a knife fight and finally a deadly game of “Chickie Run”.

This leads to Buzz’s death which infuriates his gang who mistakenly assumes that Jim ratted them to the cops. This puts a target on Jim’s back as he slowly falls in love with Judy and develops a deep friendship with Sal who idolizes him.

One key to the success of Rebel Without a Cause is in the casting. Dean, rebellious in real life as well as in roles he portrayed chews up each scene he appears in.

The famous scene in which Jim quarrels with his father (Jim Backus) results in a bombastic emotional unraveling and an exclamation of “You’re tearing me apart!” as his blind-sided parents bicker with one another over how best to handle the situation.

Dean is a pivotal reason for the film’s success and landmark status.

Wood infuses her character of Judy with poignancy and a calm demeanor. Judy is a good kid but behaves wildly out of frustration over her inability to communicate with her deliberately distant father (William Hopper).

Finally, Plato (Mineo), who is so sensitive that he threatens to break apart at the seams, has taken to killing puppies as a desperate cry for attention from his wealthy, always absent parents.

Wood and Mineo support the film in brilliant form.

Jim and Judy are quite likable as a pair from opposite sides of the tracks, another influential aspect of the film that became commonplace in oodles of entertainment genres over the years.

Good Girl meets Bad Boy is quite dangerous but also quite tender and filled with story possibilities.

It is implied that Plato is in love with Jim but in 1955 films were extremely careful about pushing the envelope much further than an implication when it came to homosexuality. Rumors ran rampant that Dean and director Ray had a torrid love affair off-screen.

Another positive is the entire film is told within a twenty-four-hour period which provides excellent pacing and an action-packed emotional punch. The best scenes take place at night especially the deadly car race and the fantastic conclusion at the old deserted mansion the trio of friends claim as their sanctuary.

The tragic final ending is sure to result in the shedding of a tear or two by anyone who watches and is entranced by the powerful finality of the event.

Watching the film in the present day one must appreciate the enormous influence that Rebel Without a Cause achieved.

Some classics that succeeded Rebel and stand out on their own include American Graffiti (1973) The Breakfast Club (1985) and even West Side Story (1961) which also starred Natalie Wood. Each is riddled with teenage angst, hormones, and elevating emotions and all contain a seriousness and a depth all their own.

Rebel Without a Cause (1955) is a film that should be viewed and viewed again for more than the obvious and impressive story it tells.

The film is directed well, speaks to a generation of ornery and angry teenagers, giving them a much-needed voice, and is fraught with emotion and balance for current and future generations of teenagers to learn from.

Oscar Nominations: Best Supporting Actor-Sal Mineo, Best Supporting Actress-Natalie Wood, Best Motion Picture Story

Johnny Guitar-1954

Director Nicholas Ray

Starring Joan Crawford, Sterling Hayden

Scott’s Review #655

Reviewed June 15, 2017

Grade: B-

Johnny Guitar (1954) is an interesting film to review for a few reasons, but most distinct is for its challenging of the traditional mold of the classic western- front and center is an aggressive and strong-willed woman, and a saloon owner no less, who is engaged in an antagonistic feud with another woman-with a similar disposition.

Of course, since the film stars legendary screen actress, Joan Crawford, she ought to be a strong character.

The writing of the film is not brilliant and other Western stereotypes abound, but Johnny Guitar is a decent watch for Crawford.

In the middle of an Arizona cattle town, circa the Wild West days, Vienna (Crawford) is a gorgeous and brazen woman, who owns the local watering hole, frequented by less-than-savory men.

Vienna welcomes the men mostly because one of them is a former boyfriend. The rest of the town, led by Emma Small (Mercedes McCambridge), despises Vienna and her support of the incoming railroad, sure to make Vienna rich.

After a bank robbery, Vienna is pursued by Emma and the town into a standoff, in which lynchings, shootings, and fires encompass the rest of the film.

Mixed in with the drama is a romance between Vienna and handsome guitarist, Johnny Guitar (Sterling Hayden), and some musical numbers, but mostly the film is a shoot ’em up led by women.

Let’s take the good with the bad surrounding the film- any picture starring Joan Crawford gets some credit in my book and the role of Vienna is certainly unchartered territory for the glamorous star. Tough-talking, gun-slinging, and with a short hairdo, rumors abounded that the character of Vienna was gay and in love with her arch-enemy Emma.

Perhaps, decades later, this might have transpired, but this was 1950s Hollywood, after all. No, Crawford still dazzles with heavy makeup and bright red lips and is ever so feminine despite the masculine outfit.

Clever, especially for 1954 westerns, is having a tough female character in the central role, and this bolsters Johnny Guitar above middling. Typically a genre that sticks to the tried and true, the main female rivalry between Vienna and Emma is the best part of the film, but sadly the back story is never fully explored.

Why do they hate each other? Were they in love with the same man? Is their hatred simply because they are the only women in the town?

The chase scene and the climax of the film are also quite good. How delightful to see Crawford prancing around in peril, riding a horse, and swimming in a creek.

The film turns into a good, old-fashioned adventure, and the cinematography and exterior sets are not bad.

Two aspects of Johnny Guitar stood out to me as negatives. The romance between Vienna and Johnny Guitar does not work. For starters, Crawford seems much too old for Hayden as Johnny and I never felt any chemistry between the characters- the back story scene with the reveal that they were once an “item” is weak.

Besides Emma, there are no other female characters at all (a coincidence?), which is a strange aspect of the film. Does one wonder if this was Crawford’s demand? (but I digress).

The romance between the duo is lackluster, though admittedly, I did feel a rooting factor for them as the final chapter commenced and the pair was in danger.

The storytelling is only mediocre as I never felt invested in the writing and the entire script feels silly and cheap. The story is laid out in a basic way- Vienna is told by (arguably) the leader of the town, Ward Bond, to close up shop and leave town within twenty-four hours or else there will be hell to pay.

When some of the men rob a bank and plan to depart for California, Vienna is blamed for a sloppy contrived plot device and is set to be hanged.

The script is not the high point of the film.

For a gender-bending experience and the fabulous addition of Ms. Crawford, Johnny Guitar is worth a watch, but do not expect a masterpiece in storytelling or to be dazzled by character development.

Fans of the classic Western may be disappointed.