Tag Archives: Marlo Thomas

Free to Be…You and Me-1974

Free to Be…You and Me-1974

Director Bill Davis

Starring Marlo Thomas, Alan Alda, Harry Belafonte

Scott’s Review #1,262

Reviewed June 3, 2022

Grade: A

I don’t typically review television specials or television series since, hence the title, my website isn’t about that.

But, because of the sheer relevance and groundbreaking nature of Free to Be…You and Me (1974) and that it is more of a ‘project’ than merely a television special I felt compelled to provide its deserved recognition and praise.

A record album and illustrated book first released in November 1972 featuring songs and stories sung or told by celebrities of the day also makes it meatier than a one-and-done hour-long slot on a random Monday night.

The running time is a mere forty-five minutes in length but a lot happens during this time and leaves any viewer with an open mind thinking about how everyone should see it.

To summarize, the emotions the experience elicits supersedes the limited amount of screen time.

The project was conceived, created, and executive-produced by actress Marlo Thomas who also serves as host. What a great human being she proves she is to bring something so valuable to the small screen.

The result is something so ahead of its time that the message feels powerful watching it for the first time nearly fifty years later in 2022.

You can’t say that about most television.

The basic concept is to celebrate and encourage gender neutrality, saluting values such as individuality, tolerance, and comfort with one’s identity. Strong messages.

These ideals began to emerge throughout the late 1960s when the sexual revolution transpired.

A major theme is that anyone regardless of being a boy or a girl can achieve anything and be whatever they want to be.

I adore early on when a scene from a hospital emerges, infant depictions of Thomas and Mel Brooks debating their genders. They say their goodbyes as they leave the hospital but the moment is long remembered.

Later, Thomas and Alan Alda sing about a boy named William who wants a doll. And why shouldn’t he? Just as Sally, Jennifer, or Mary should be allowed to play with a dump truck should they feel like it.

Surely, the United States, the project’s main region, has slowly become more progressive in the subsequent decades. A sad reminder is that some people still have a problem with gender neutrality or even gender equality.

We’re not out of the woods yet, folks.

But those people are to be dismissed and not embraced.

Guest performers include Alda, Cicely Tyson, Tom Smothers, and Harry Belafonte, while Roberta Flack, Michael Jackson, Rita Coolidge, and Kris Kristofferson help supply the tunes.

A shockingly young Jackson also appears in a skit.

The production features uplifting sketches and songs that urge young and old to welcome diversity and embrace individualism.

I ruminated throughout my viewing how similar in many ways it is to PBS’s Mister Rogers Neighborhood, using puppets to appeal to youngsters and teach treasured messages. The kindness of the characters provides protection and warmth, teaching worth and value.

Free to Be…You and Me (1974) deservedly became an Emmy-winning TV special that taught many children (and adults) how to celebrate and respect diversity.

I hope that someone somewhere gives Free to Be…You and Me a boost and it become shown in schools all across the world.

It’s a timeless masterpiece.

Falling Down-1993

Falling Down-1993

Director Joel Schumacher

Starring Michael Douglas, Robert Duvall

Scott’s Review #1,192

Reviewed November 6, 2021

Grade: B+

Falling Down (1993) is a film with a message or arguably several messages. It’s about one man who is fed up with almost everything and is on the brink of a full-throttle meltdown.

What the film does is mix entertainment with this message about socio-economic unfairness, inequality, etc.

Whether or not people take these elements as seriously as they should is at risk from the popcorn qualities. It’s almost like it doesn’t know what it is.

Is it a kick-ass thriller, a black comedy, or a fantasy?

The film certainly entertains.

This is unsurprising because director Joel Schumacher is at the helm as director. The man is a mainstream director churning out hits like The Client (1994), Batman Forever (1995), and Batman & Robin (1997) throughout the 1990s.

Some were more successful than others but Falling Down is his best work.

I am a big fan of Falling Down with the awareness that the messages peppered throughout may not be taken as seriously as they ought to be. And the reason is that there are too many of them. It’s almost as if they are boxes being checked off a list.

But it bears repeating that the entertainment factor is fabulous.

One scorching summer day in Los Angeles William Foster (Michael Douglas) an already frustrated middle-aged man who is unemployed and divorced is having a terrible day.

When his car breaks down on the freeway, he leaves his vehicle and begins a trek across the city to attend his daughter’s birthday party.

As he makes his way through urban neighborhoods, William’s frustration and bitterness are tested at every turn resulting in violent encounters with various people, including a vengeful gang and a pursuant veteran police sergeant Martin Prendergast (Robert Duvall).

Unfortunately for Prendergast, today is the day before his long-awaited retirement.

Douglas delivers an excellent performance as Foster. He makes the character relatable to every viewer who has ever felt so fed up they want to discharge the people responsible for the unfairness. He only takes his anger out on those who deserve it and that makes the character somewhat of a hero.

The white supremacist, the belligerent Korean grocery store owner, the gang members, and the lazy construction workers all deserve their just desserts.

Throughout the film, I cheered Foster mightily and chuckled at his wit.

My favorite sequence occurs at the fast-food joint named Whammy Burger. All Foster wants is his breakfast but he arrives one minute past the cut-off as the unsympathetic cashier smugly tells him.

He proceeds to ravage the restaurant in anger.

Despite the humor that Schumacher adds the message must be taken seriously. Minority characters are aptly shown as repressed or not treated well and that point sticks with me until the end.

The least interesting story point is the entanglement between Foster and his ex-wife Beth, played by a woefully underutilized Barbara Hershey.

The Oscar-nominated actress can do so much but her talents are wasted in a throwaway role as the underdeveloped wife character.

I never warmed to Robert Duvall’s police sergeant character either and while sympathetic to Foster’s cause because of a situation with his son, the plot point never develops fully. Prendergast’s overbearing wife and a young police officer he seems obsessed with are never explored well.

Despite great talent, the film belongs to Michael Douglas.

The mood and cinematography deserve accolades. The humidity is suffocating and the layers of smog overlooking Los Angeles hammer home the stuffy nature of the film. One can imagine the sweaty environment leading to explosions of anger.

What Schumacher does besides entertain the audience is show them that a once successful man who once had a great job and happy family life can lose it all and snap.

Falling Down (1993) shows that what happens to Foster can happen to anyone.

Let’s live each happy day to the fullest while we can.