Love and Mercy-2015
Director Bill Pohlad
Starring John Cusack, Paul Dano
Scott’s Review #258
Reviewed July 17, 2015
Grade: B+
The life and times of the Beach Boys’ famous and troubled lead singer, Brian Wilson, is finally played out on the big screen (apparently many attempts were made to make a film) as Love and Mercy (2015) chronicles his difficult upbringing, unrivaled success, and his interesting life in later years.
He suffered from schizophrenia, traveled down a paranoid, nervous path, and was manipulated by a family friend who served as his doctor and main caregiver.
Thankfully, he weathered the storm due to his future wife, and remarkably still performs and entertains in 2015.
His musical career began in the 1960s.
The biopic features many well-known Beach Boys tunes to hum along to and be entertained by. It’s not a happy film nor a downer either.
It’s somewhere in the middle of the two and the life story of a rock star.
There is a risk in this. If the film is too sentimental it will fail. Love and Mercy do it correctly.
The film is not a sing-along, trip-down-memory lane film for lighthearted film fans. Rather, it is dark, murky, and troubling at times (the psychedelic scene when a young Brian is imagining different voices and noises in his head is rather frightening).
Wilson is played by two actors, first in the 1960s and later in the 1980s.
Paul Dano stars as a young Wilson in the early stages of his career, filled with passion for life, art, music, and talent beyond belief, but clearly in the onset stages of paranoia, thanks to his critical father. He is a demanding, angry man, possibly envious of Brian’s talents as a songwriter, who always wanted more from Brian.
Wilson’s father managed Brian and his brothers success but at a huge cost, and was ready to bail when the “next big thing” came along.
Miraculously, through conflict with his father and other members, Wilson completed the Beach Boys masterpiece, Pet Sounds, a groundbreaking album from the late 1960s. The film shows the struggles faced to achieve this success.
In later years John Cusack takes over the role of Brian. By this point in his life, he is damaged and he is a full-blown neurotic, insecure, and dependent on his psychotherapist, Dr. Landy, brilliantly played by Paul Giamatti.
Landy has control of Wilson’s assets and will destroy anyone who interferes in this.
The scenes in which he screams at and berates a drugged-out Brian Wilson to create music are tough to stomach. When Wilson romances their future wife Melinda Ledbetter, played by Elizabeth Banks, she ultimately saves his life as she is determined to rescue Brian from the wicked abuse and adjust the toxic levels of medications he was kept on.
I left the movie theater unsure of the factual accuracy and pondered the following questions.
Did Brian’s wife swoop into his life and “save” him as neatly as the film explains? How instrumental was the maid in this process? Was the Wilson brothers’ father as much a monster as the movie portrayed him? Was Giamatti’s vicious psychotherapist role true to life or were the aspects of Love and Mercy embellished ever so slightly for moviemaking magic?
One wonders, but from a film perspective, Love and Mercy (2015) works well as a work that takes risks, does not go for softness or niceness, and gives a character study that is quite admirable.
Independent Spirit Award Nominations: Best Supporting Male-Paul Dano