Category Archives: Chris Appelhans

KPop Demon Hunters-2025

KPop Demon Hunters-2025

Director Maggie Kang, Chris Appelhans

Voices Arden Cho, May Hong, Ji-young Yoo

Scott’s Review #1,524

Reviewed March 12, 2026

Grade: B+

KPop Demon Hunters (2025) has become an international hit sensation and a phenomenal crowd pleaser, winning several year-end awards in the process.

This is unsurprising, since the film is a beautifully animated/anime extravaganza, oozing with infectious energy and vibrant colors.

The film contains poignant messages of girl power, self-acceptance, and humanity that make it perfect family entertainment with a terrific soundtrack to boot.

Juicy songs like ‘Takedown’, especially ‘Golden’ and ‘Soda Pop’, are instantly memorable and hummable, celebrating universal pop boy-and-girl band sensations that kids and parents alike can appreciate.

It also incorporates a storyline about South Korean culture and ancient lore, which provides a rich international flavor.

It’s not high art nor groundbreaking cinema, but rather pure bubble gum: fun, sweet, and joyful, and it sticks with you all throughout the running time.

For this type of film, that is acceptable, and the main reason to sit back, relax, and enjoy the ride.

Between gigs as a stadium-headlining, social-media-frenzied pop sensation, the members of the girl band Huntrix use their secret identities as demon hunters to protect their fans. A constant supernatural threat hovers, posed by demons named Honmoon who roam the streets.

It’s unclear if Honmoon are spirits or if the fans can actually see them.

Each of the girls, Rumi (Arden Cho), Mira (May Hong), and Zoey (Ji-young Yoo), has a distinct personality, but Rumi is the leader of the pack with the strongest singing voice.

When a dark secret about one of the girls is revealed, it threatens to break up the group just as a rival boy band, the Saja Boys, of demons in disguise, emerges on the scene.

In teen fashion and a clear attempt to market the film to a young demographic, romance blossoms between Rumi and Jinu (Ahn Hyo-seop), the pretty leader of the Saja Boys.

Of course, they begin as rivals but form a strong alliance later in the film.

The lavish colors, many pinks, purples, and blues, make the look enticing and cotton candy-like, almost like being immersed in a sugary video game version of Candy Land with songs.

The plentiful concert sequences also score big, as the anthemic numbers are sometimes repeated. This reinforces the connection between the bands and the fans, and also the film and the fans.

A main message is one of connectivity. Community, friendship, and having each other’s backs are the main themes and an inspiration for the viewer to come together as one, as evidenced by the concert scenes.

Despite KPop Demon Hunters not being defined as an LGBTQ+ film nor having any specific LGBTQ+ characters, it still resonates on a deep level.

Rumi’s story parallels the experience of coming out, particularly in terms of parental and societal expectations. The continuous lyrics focused on the struggle to hide your true self and finally be yourself are highly inspiring.

So that, while an entertaining crowd pleaser, there is more than meets the eye if one is to dig a little deeper.

Victory is achieved by KPop Demon Hunters (2025) through expressive animation, articulate lyrics, and spectacular action, resulting in a gem that’s comical, romantic, exciting, and moving all at once.

It also makes older adults feel like part of things and not embarrassed about watching a youthful film.

A sequel is planned.

Oscar Nominations: Best Animated Feature, Best Original Song-“Golden”

Fantastic Mr. Fox-2009

Fantastic Mr. Fox-2009

Director Wes Anderson

Voices George Clooney, Meryl Streep, Bill Murray

Scott’s Review #1,329

Reviewed December 30, 2022

Grade: B+

I have fond memories of, either reading or being read, Roald Dahl’s famous 1970 children’s novel entitled Fantastic Mr. Fox. The story involves the clever and hungry Mr. Fox and how he outwits his farmer neighbors to steal food from under their noses.

In 2009, it was adapted into a stop-motion animated film by Wes Anderson and includes the voice of George Clooney and Meryl Streep as Mr. and Mrs. Fox.  Anyone familiar with Anderson’s work knows well that an added dose of eccentricity will inevitably be included as well as a unique narrative.

I confess to either being in the mood for an Anderson film or not but at least I know to know what I’m in store for.

Anderson co-wrote the screenplay with Noah Baumbach known for making witty and intellectual comedies like The Squid and the Whale (2005) and Greenberg (2010).

Fantastic Mr. Fox pairs well with 2018’s Isles of Dogs if we are talking about Anderson films. Both include the thoughts and peculiarities of animals, similar stop motion, and a story about trickery and revenge pitting man against animals.

There is an eerie and prominent comparison to Animal Farm, a 1950s George Orwell novel and film adaptation, that I noticed.

The farm, animals, class system, and desire for power and authority.

When Mr. Fox’s nightly raids on three nearby farms raise the tempers of three selfish farmers who are losing their chickens, he must outwit the outrageous plans to catch him.

After all, in his mind, he is merely trying to feed his hungry family and neighbors, and Mr. Fox must find a new way to get his paws on the bounty.

Billed as a children’s film probably because it’s based on a children’s novel, Fantastic Mr. Fox contains aspects that will go way over kids’ heads. This suits me well however because I have a fascination for animation that pushes the envelope or moves beyond the overdone ‘safe genre’.

Think of it as a kid’s film for adults.

It would appear difficult to side solely with Mr. Fox since he is a thief. We are all taught at a young age not to steal but it’s difficult not to root for Mr. Fox. He steals not to gorge himself but to feed his family and community.

Of course, he is addicted to being a cad and quickly returns to his thieving ways finding his calling and strong satisfaction.

A good lesson for kids and adults is the neighborly aspect of Fantastic Mr. Fox. There is a camaraderie amongst the animals that I find lovely and inspiring. They band together and cohabitate in an underground community and later the sewer always having each other’s backs.

The farmers are portrayed as the villains though we can certainly understand their hardships at having their animals stolen and eaten. But Anderson hits home that the farmers are greedy and obsessed with their wealth, happy to kill any animals they see fit.

It’s satisfying to see them get defeated.

The story is outshined by the visuals though. It’s difficult not to focus on the technique and stunning attention to detail, especially in the tunnel sequences. The character performances and shadowy framework make one realize just how far stop motion has come.

The autumnal colors of red, orange, and yellow, perfectly enhance the visual style and season that Anderson and team create. Even the cue card titles between scenes are meticulous art that harkens back to sophisticated cartoons of yesteryear.

Fantastic Mr. Fox (2009) is a creative, edgy, and intelligently written and scored production. Multi generations are featured with means young kids, parents, and grandparents with a hunger for a left-of-center and thought-provoking approach will be well satisfied.

Oscar Nominations: Best Animated Feature, Best Original Score