Category Archives: Jacques Audiard

A Prophet-2009

A Prophet-2009

Director Jacques Audiard

Starring Tahar Rahim

Scott’s Review #1,034

Reviewed June 18, 2020

Grade: A-

A Prophet (2009), known as Un prophète in the French language, is a prison drama/crime thriller made exceptionally well and told from a character perspective rather than a plot angle.

Skirting any traditional genre prison characteristics, the film instead crafts a character study with the conflicting emotions of its main character taking center stage.

The result is a layered, complex experience led by a brilliant acting turn by actor Tahar Rahim.

Malik (Rahim) is a nineteen-year-old French youth of Algerian descent imprisoned for six years for attacking police officers. Friendless and unable to read, he is vulnerable and coaxed into murdering a witness involved in a crucial trial.

He becomes embroiled in tensions between the Corsicans and Muslims who populate much of the prison.

Malik cannot forget his participation in a murder, tortures himself, and has frequent nightmares of the incident. He slowly rises to the ranks of power within the prison community becoming involved in dangerous events and pivoting from meek to fear.

Largely avoided are overused prison elements common in many films of similar ilk. In other films, humor or standard dramatic situations occur that make a watered-down experience. A Prophet breathes fresh life into the prison film, albeit grisly and violent life.

The film is not for everyone and is extremely dark, even brutal at times.

During murder scenes, blood and guts are spilled at an alarming rate, and there ceases to exist many characters to sympathize with.

Malik is the main character but is an opportunist, readily doing what he must to gain power and control. Can we blame him? No.

Malik is a complex and nuanced character who is a joy to watch and dissect. He starts his prison tenure as a naive and timid boy, illiterate and easily manipulated. Over time, he grows into a seasoned gangster becoming involved in intricate plots and messy situations.

Actor Tahar Rahim successfully makes the character both likable and detestable, fleshing him out so the audience will love and hate him. This is the mark of a wonderful actor who can give complicated dynamics to the character.

Prison life is portrayed exceptionally well by director Jacques Audiard, who relays an authentic representation. It was good enough to make me never want to be imprisoned anyway. He wisely hired former convicts as both extras and advisors to flesh out the experience.

Life in prison, Audiard style, is not a rosy picture, but one filled with pain, fright, and violence. The Arab population, woefully underrepresented in cinema, is given a voice.

Another subject matter, homosexuality, a popular addition in prison films is not explored. Mostly played either for laughs or providing a conveniently situational plot device, A Prophet does not need the inclusion, too much else is going on.

Although a titillating prospect for many, the subject may have added a sexual or romantic angle taking away from the main point of the film, which is one man’s journey within the prison system.

Told from one man’s viewpoint, A Prophet (2009) is a triumphant French film that deservedly received accolades for its courage and realistic feel.

Starring a young actor with great potential and a brave director unafraid to develop logical storytelling and avoid typical traits, one wonders what their next project will be.

Violent gangs, corrupt guards, and impressionable prisoners would be a good way to continue.

Oscar Nominations: Best Foreign Language Film

Independent Spirit Award Nominations: Best Foreign Film

Rust and Bone-2012

Rust and Bone-2012

Director Jacques Audiard

Starring Marion Cotillard, Matthias Schoenaerts

Scott’s Review #137

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Reviewed July 26, 2014

Grade: B+

Rust and Bone (2012) is a French language film that tells the difficult love story of a successful, cultured, whale trainer (Stephanie) who is seriously injured in an accident and left without legs.

She has an unlikely romance with an unemployed former boxer (Ali), who leads a troubled life providing for his young son.

Marion Cotillard and Matthias Schoenaerts give outstanding performances as the two leads. Their powerhouse acting is simply the main reason to watch this film. They are amazingly convincing and Cotillard’s performance alone is astonishing.

Cotillard, who has already won an Oscar for La Vie En Rose (2007), is one of the best younger actresses around, and Schoenaerts showed great promise in 2011’s Bullhead.

The film is character-driven as both lead to difficult, challenge-filled existences. Ali attempts to return to boxing and Stephanie attempts to cope with life after losing limbs. Together they slowly bond and a love story blossoms.

Slow-paced, realistic, and complex, the relationship between the two is at the heart of the film.

The one negative I found with the film is how the story direction meanders to several different plots, some even unnecessary to the main story, so much so that it becomes unclear what the main story is supposed to be.

This results in an uneven viewing experience.

Still, beyond that flaw, Rust and Bone (2012) are well worth the price of admission for the superb acting and wonderful love story told.

Independent Spirit Award Nominations: Best International Film