Category Archives: Carroll Baker

Kindergarten Cop-1990

Kindergarten Cop 1990

Director Ivan Reitman

Starring Arnold Schwarzenegger

Scott’s Review #1,306

Reviewed October 12, 2022

Grade: C+

Before Arnold Schwarzenegger found politics and after he left professional bodybuilding, he starred in a string of films during the 1980s and 1990s.

At first, he was solely a bankable action figure due to his bulky frame, but he later delved into more comedic, friendlier film roles.

Kindergarten Cop (1990) is one of those films, yet there is enough mild violence to draw in the male crowd as well.

Some of his films were better than others, with the best being The Terminator (1984) and True Lies (1994).

Kindergarten Cop is a fair-to-middling effort that attempts to transport the brawny star into a likable teacher, but the result feels more forced than genuine.

Naturally, the main character finds himself in a quandary over whether to fight crime or teach youngsters after he falls in love with them and with another teacher.

The setup is way too similar to other films in the action-comedy genre, and it’s very standard fare. The bad guy and love interest are tired and cliched, and the gags involving the kids are overly juvenile and mostly fall flat.

Despite these trite characteristics, Kindergarten Cop is not a terrible film, thanks to Schwarzenegger’s appeal. He is good-natured, and his transition from grizzled cop to a kindly teacher is not unfun.

It provides some family-friendly light entertainment that can be enjoyed on a rainy Saturday afternoon.

Unusual circumstances force cop John Kimble (Schwarzenegger) to pose as a kindergarten teacher to apprehend the major drug lord Cullen Crisp (Richard Tyson) and his accomplice and mother, Eleanor, played by Carroll Baker.

While pretending to be a kid-friendly instructor, Kimble falls for pretty fellow teacher Joyce Palmieri (Penelope Ann Miller) as he tries to balance unruly children with the dangerous bad guys.

In a twist seen coming a mile away, Joyce and her son are the people that Cullen is pursuing.

Kindergarten Cop all seems so perfectly thought out.

It’s like a bunch of suits were sitting at a round table making sure the elements were all included: hero, bad guy, love interest, kids, enough action sequences, and a chase finale.

There is even one standard black kid and one Asian kid to check off the diversity box.

And enough precociousness to last a lifetime.

The comedy mostly comes in the classroom, where it’s frequently humorous to watch a gigantic man teach little kids, especially when he has no idea what to do.

Careful not to be too silly, there are a couple of sentimental moments and social situations, like when Kimble threatens a father who is abusing his son.

Director Ivan Reitman, quite familiar with screwball comedies, directed funnies such as Meatballs (1979) and Stripes (1981), so he knows what makes people chuckle.

The action sequences do not work well, other than providing a reason for Kimble to run around and protect the kids and Joyce. We all know he will eventually best Cullen, which he does.

Even the amazing Linda Hunt is wasted as a one-dimensional principal who initially hates Kimble but then comes around and accepts him.

Kindergarten Cop (1990) is too blueprint-ready to recommend since it contains elements used in hundreds of other films. But for fans of the hulking Schwarzenegger, the film is a safe offering that sees the star in a softer light.

Easy to Love-1953

Easy to Love-1953

Director Charles Walters

Starring Esther Williams, Van Johnson

Scott’s Review #86

70123585

Reviewed July 2, 2014

Grade: D

Easy to Love (1953) is a romantic comedy from 1953 starring competitive swimmer turned actress Esther Williams.

Williams plays a (surprise!) swimmer in love with her boss, who does not return her affections. She also has two other suitors madly in love with her, so it’s a love triangle film with Williams having a side-kick, played by Edna Skinner.

They go from Florida to New York on a job adventure.

The main problem with this film is the silly script. It’s a romantic comedy of its day, with Williams scampering from one beau to the next. By the end, she has three suitors all vying for her affection, but the viewer hardly cares whom she chooses or which one was meant to be the hero.

The endless scenes of Williams swimming around were necessary since she was known for it, but the film is a dud on almost every level.

Williams, hardly known for her acting ability, spends much of the film jet-skiing and prancing around in swimwear while men lust after her.

That pretty much sums up Easy to Love (1953).

Williams is not a terrible actress, though she is hardly Katharine Hepburn. The movie is lackluster, relatively trivial, and not too much fun.