Tag Archives: Shia LaBeouf

Pieces of a Woman-2020

Pieces of a Woman-2020

Director-Kornél Mundruczó

Starring-Vanessa Kirby, Shia LaBeouf, Ellen Burstyn

Scott’s Review #1,129

Reviewed April 2, 2021

Grade: A-

One of my favorite things is to watch an actor blossom into creative stardom by choosing the right film roles. We all know that many actors wind up choosing the wrong roles or accepting what is offered to them, so when a young actor is given a chance to shine it’s reaffirming.

Vanessa Kirby, known for her supporting turn on the magnificent Netflix hit, The Crown, as the rebellious and restless Princess Margaret, gives a powerful and unrecognizable performance in Pieces of a Woman (2020).

Not only does she play a completely different character but she does so in brilliant fashion, in an emotionally exhausting performance. She plays a woman who experiences a devastating loss and must come to terms with her feelings and the effect on her partner and family. Pressure mounts at every turn especially while she is immersed in a trial based on the actions of another character.

A minor miss is a film that doesn’t provide much background or explanation of the character set on trial. I yearned for more in this regard.

When her baby dies after a botched home birth, Martha (Kirby) faces unthinkable grief and soon faces a crisis in her relationship with the dead infant’s father, Sean (Shia LaBeouf). Alienated from him and her affluent family led by her difficult mother, Elizabeth (Ellen Burstyn) Martha must work through the tragedy’s painful aftermath on her terms.

She wrestles with whether to donate the infant to science or have a traditional funeral ceremony and the impending trial of the midwife.

Director, Kornél Mundruczó creates an astounding first thirty minutes of film that makes the remainder of the experience quite tepid in comparison. The confines of the scene are in Martha and Sean’s apartment as they jovially prepare for the birth, call the midwife, are discouraged at the appearance of a substitute, and finally, succumb to panic when all does not go well.

The scene appears to be shot in one take, is stifling, claustrophobic, and explicit, and oozes with authenticity. I truly believed Kirby was giving birth and felt her discomfort. It’s some of the best filmmaking I’ve seen and then when you’ve suffered from exhaustion the title credit appears and you’re in shock. The film is just beginning!

Kirby, LaBeouf, and Burstyn knock it out of the park. Their characters are not always nice people and are flawed. Martha gets the most sympathy because she faces the biggest loss but Sean loses his baby too. It’s how they deal with the aftermath that is telling.

Martha is shattered and instead of settling into maternity leave she angrily returns to her corporate job. We get the sense she is either feared or unliked by her colleagues since nobody says a word to her and she scolds someone who has taken her office. Still, her loss is devastating and Kirby makes her pain relent. The audience feels for her tremendously. In the final sequence, her act of kindness cements her character as “good”.

Sean is a different story. Excited to be a father and build a life with Martha he doesn’t handle the aftermath well. After being sober for seven years he begins using cocaine and embarks on an affair with Martha’s cousin. LaBeouf is terrific as the grizzled, angry blue-collar builder who reaches beyond his class level and is sadly paid off by Elizabeth to leave town and never return.

Elizabeth is the cringe-worthy mom. With good intentions, she instead makes things worse with a cutting remark masked as a helpful suggestion. When she says Martha looks “cute” and then asks why she isn’t more dressed up for dinner, her passive-aggressive nature takes hold. Despite these traits, Burstyn makes the audience feel her pain especially during a weepy scene where it is explained why she is the way she is, having nearly died as a baby.

The acting is amazing in Pieces of a Woman.

Pieces of a Woman on paper could have been little more than a lifetime television movie. Told from the female perspective, it’s a tried and true subject, not meaning to belittle the importance of it. But, the film is so much more than just the story. It’s very much character-driven in the detail and the intensity and emotions that the characters face.

Each has a side that is explored and their motivations understood.

From a local perspective, it’s fun watching the events unfold in Boston, Massachusetts. Beginning in September, with autumn in full bloom and much hope and anticipation for Martha and Dean, by January and February their emotions are as bleak as the driving snow, the grey atmosphere, and the frozen Charles River.

Pieces of a Woman (2020) will grip the viewer and explore a sad story that happens more than we want to admit.

Oscar Nominations: Best Actress-Vanessa Kirby

American Honey-2016

American Honey-2016

Director Andrea Arnold

Starring Sasha Lane, Shia LaBeouf

Scott’s Review #622

Reviewed March 6, 2017

Grade: A-

American Honey (2016) is an unconventional coming-of-age drama that deserves kudos for being shot on a shoestring budget and having something of substance to tell.

The film is mainly shot outdoors in heat-drenched Oklahoma, Nebraska, and Kansas during the summer. It follows a group of rebellious, lonely teenagers who attempt to sell magazines as part of a shady con organization.

Their female leader uses cult-like rallying techniques to achieve loyalty.

The film is shot mainly with hand-held cameras and uses only natural light, which is an admirable feat in filmmaking.

The film’s central character is an eighteen-year-old girl named Star, played by novice actress Sasha Lane.

Saddled with a deadbeat boyfriend with two young kids that she is forced to care for, she takes food from dumpsters to survive.

One day, she is approached by a charismatic, handsome bad boy, Jake (Shia LaBeouf). Jake and a group of teenagers offer her a job in Kansas.

Hesitant but realizing her dead-end existence, she accepts the mysterious job and travels with other unsavory characters across the states, where they prey on wealthy, religious types willing to lend a hand under the guise of selling them magazines.

The central story envelopes Star, her romantic feelings for Jake, and the quandaries she faces on the road. She drinks, smokes, curses, and is sexually active, yet also savvy and wise beyond her years.

The audience wonders if she will continue this lifestyle and worries when she meets older men—all rather well-mannered and affluent.

Will they pay her for her magazines or some other form of entertainment? How will Star handle propositions and scrapes in and out of precarious situations? Throughout the film, Star grows up and becomes kind and confident.

American Honey is extremely lengthy at two hours and forty-three minutes long, especially given that the film is an independent feature and does not seem to contain many concrete plot points or much of a conclusion.

It seems to go on and on and on.

Despite this, the film never bored me. I was pretty enraptured by the antics of the story’s characters, and I found myself quite fond of the surprising love story shrouded in the hip-hop and rap soundtrack.

Star and Jake (thanks mainly to the talents of Lane and LaBeouf) have genuine chemistry and likability as a couple.

The mystery surrounding Star is we know nothing about her parents or family or how she came to this existence at such a young age. At one point, she does mention her mother dying of a meth overdose, but it is unclear whether she makes this story up for the benefit of a magazine sale or if it is the truth.

Star is rebellious but brilliant and capable, all the while exhibiting kindness to strange children and her “colleagues.”

Two key aspects of American Honey are interesting to note: the film uses almost all non-actors. Director Andrea Arnold scouted and offered roles to most of the kids at local malls or various hangouts, so the film has a powerful rawness and energy, given that it is largely improvised.

Also, the film is almost entirely shot using a hand-held camera or cellphone, which creates a shaky, documentary-style feel. However, these characteristics do not give American Honey an amateurish feel; instead, they give the film an authentic quality.

The left-of-the-center approach of featuring male frontal nudity and same-sex relations gives the film much credo as an alternative film- the teens also swear and use drugs quite a bit, which could turn some off.

Receiving a heap of 2016 Independent Film award nominations (but winning none), my reason for watching American Honey (2016) breathes some fresh air into the world of independent cinema, where sometimes too many big-name stars appear in the indies to garner some credibility.

Watching a film of novices or individuals with no acting aspirations creates a good story that is worth something. And kudos to Arnold for spinning such a fresh tale.

Independent Spirit Award Nominations: Best Feature, Best Director-Andrea Arnold, Best Female Lead-Sasha Lane, Best Supporting Male-Shia LaBeouf, Best Supporting Female-Riley Keough, Best Cinematography