Tag Archives: Patrick Lussier

Scream-1996

Scream-1996

Director Wes Craven

Starring Drew Barrymore, Neve Campbell, David Arquette

Scott’s Review #710

Reviewed January 5, 2018

Grade: A-

Wes Craven’s 1996 film Scream is a piece that greatly assisted in bringing the horror genre back into relevance after a long drought throughout the late 1980s and early 1990s when horror films suffered from both over-saturation and cliche-riddled messes.

Thanks to Scream, creativity and plot twists and turns returned to the forefront of good horror films, and a clever film was birthed.

Fast-forward to 2018, the film does suffer a bit from a dated 1990s look but is still great fun to watch and a treat for all classic horror buffs as the references to classic greats are endless.

The film is sectioned off nicely and gets underway quickly  (in the best sequence of the film) as Casey Becker (Drew Barrymore)  receives a flirtatious phone call while making popcorn, from a man asking her to name her favorite horror film.

The friendly game quickly turns vicious as the caller threatens to kill her boyfriend should she answer a question incorrectly.

In a clever twist (think 1960s Psycho!) Casey and her boyfriend meet deadly fates and the opening credits begin to roll.

Given the huge star, Barrymore was in 1996, this twist was all the more shocking and attention-grabbing.

The remainder of the film centers around Sidney Prescott (Neve Campbell), a popular California high school student, as she is pursued by an attacker known only as “Ghostface”, who dons a creepy costume and terrorizes victims via phone calls.

The small town, led by police officer Dewey Riley (David Arquette) and bitchy newswoman Gale Weathers (Courtney Cox), is determined to unmask the killer and figure out his or her motivations.

Sidney’s boyfriend, Billy (Skeet Ulrich), and other friends are along for the ride as a possible connected sub-plot involving Sidney’s deceased mother is introduced.

A romance between Dewey and Gale is also broached.

Scream is an enormous treat for fans of the horror genre as numerous references (and film clips!) of classics such as 1978’s Halloween abound throughout the film.

Other references to Friday the 13th, Prom Night, and A Nightmare On Elm Street appear during the film.

Writer, Kevin Williamson, a horror enthusiast, must have had a ball writing the screenplay that would become Scream.

In 1996, the mega-success of the film successfully not only jump-started the entire genre but also introduced younger fans of Scream to classics that were perhaps their parent’s generation and got them interested in the films.

Classic horror films are not only referenced during the film but also explained, mostly by the supporting character of Jamie, the nerdy kid who works at the video store and adores horror films.

A sequence in which he explains several “rules” of the horror genre is superlative, creative, and just great fun. He tells the teenagers at a party that anyone who drinks, has sex, or says “I will be right back”, is doomed to suffer a violent fate.

This clever writing makes Scream enormous fun to watch.

The climax of Scream is quite surprising in itself and the “great reveal” of the murderer (s) is also intelligent writing and quite the surprise. Several red herrings are produced along the way, casting suspicion on other characters who may or may not be the killers.

A small gripe of the writing is the motivations of the murderers- when the explanation is given for their killing spree, the reasoning is a bit convoluted and hard to fathom, but this is horror, and suspension of disbelief is always a necessity.

Scream is best remembered for giving the horror genre a good, hard kick in the seat of the pants and shaking all of the elements up a bit while preserving the core ideals of a good slasher film (suspense, a whodunit, and good solid kills).

Scream (1996) was followed by several sequels, some achieving better successes than others. In 2018 the film may not be quite as fresh as it once was, but is still a solid watch and memorable for relaunching a genre.

My Bloody Valentine-2009

My Bloody Valentine-2009

Director Patrick Lussier

Starring Jensen Ackles, Jaime King

Scott’s Review #604

Reviewed January 11, 2017

Grade: B

What can I say? The remake of the classic slasher film from 1981 is a very slick version of the perfect Valentine’s Day treat- My Bloody Valentine.

To compare the 2009 offering to the original is unfair since I consider that one top-notch. This version is what I expected it to be.

Though several aspects of it were changed from the original, it was entertaining all the same.

The sleepy mining town that the film is set in becomes immersed in scandal as a string of grisly murders occurs in one of the town mines. It is revealed that a tragic accident occurred at one time causing several deaths. The one remaining victim awakens from a coma and goes on a killing spree.

At the same time, youths throw a party near the mine and a series of deaths begin again.

The 3-D effects are necessary for a film like this because, without them, this movie would have been as generic as anything else in the same style.

The story is lame and implausible, and the characters are dumb, but looking past all that, as I usually do in the horror genre, this was a fun ride.

Lots of gore, nudity, violence, and a few genuine scares.

Halloween: H2O-1998

Halloween: H2O-1998

Director Steve Miner

Starring Jamie Lee Curtis, Adam Arkin

Scott’s Review #504

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Reviewed October 30, 2016

Grade: B

Halloween: H2O is the seventh installment of the Halloween franchise, though only associated story-wise with Halloween and Halloween II.

Made in 1998, the film capitalized on the twentieth anniversary of the original classic horror film.

To measure up to that masterpiece would be an impossibility, but the film is not bad on its own merits and nice odes to the past are peppered into the story making for a film franchise pleaser.

Jamie Lee Curtis returns to the role that made her famous.

Before we are even re-introduced to Curtis’s character, we are treated to a nostalgic scene involving chain-smoking Nurse Marion Chambers (Nancy Stephens) from parts I and II. Her house is vandalized by Michael Myers as he steals a file she has kept on Laurie Strode.

How nice to see this character back in the fray- though her screen time is limited. She is pivotal to the kick-off of the new story.

Laurie (Curtis) has faked her death and is now living life anew in California- running a prep school as its headmistress. Her son John (Josh Hartnett) attends the school and her boyfriend Will (Adam Arkin) teaches there.

John’s girlfriend Molly (Michelle Williams), a poetic security guard (LL Cool J), and a dizzy secretary, Mrs. Watson,(Janet Leigh) round out the cast.

For the past twenty years, Laurie has been troubled by the notion of Michael Myers returning to kill her, and her fears come to fruition. The film has an interesting slant- no longer is Laurie the victim, cowering in cars and corners. Now, she is intent on exacting her revenge on Michael- her brother.

She wants this long chapter in her life to finally close.

What nods to history this film contains!  And that is the best part of it. Otherwise, without the history, it would be a run-of-the-mill slasher film.

Besides the obvious Michael/Laurie connection, what a treat to see Jamie Lee Curtis’s real-life mother (and original scream queen herself), Janet Leigh.

Furthermore, her character’s car is the exact make and model, and the same license plate, from the 1960s Psycho, in which she starred- a brilliant treat for horror and classic film fans.

The film also uses some impressive stylistic choices- the use of mirrors and reflections are used successfully, as well as events occurring in the background- seen by the audience, but not the other characters are well used.

Halloween: H2O contains several young, up-and-coming stars, who, years later, would be big stars (Hartnett, Williams, and a very young Joseph Gordon-Levitt). Who knew these talents got their start in one of the greatest horror franchises?

Let’s be clear- Halloween: H2O (1998) is not a masterpiece- far from it. The horror clichés run rampant- the silly, supporting characters (friends of John and Molly’s) eager to drink and party and meant for comic relief, in addition to the LL Cool J character.

These characters are stock types.

Predictably, we more than once think that Michael Myers is finally dead- only to resurface- perfectly timed to the plot.

The inevitable standoff between Laurie and Michael Myers is well done and a satisfying conclusion to a fantastic franchise. Laurie gets her revenge while Myers dramatically gets his just desserts.