Gook-2017

Director-Justin Chon

Starring-Justin Chon, Simone Baker

Scott’s Review #771

Reviewed June 11, 2018

Grade: B+

Gook (2017) is an independent film drama starring and directed by the rising talent, Justin Chon.

The film is made on a very limited budget, nonetheless delivering a powerful story with a particularly jaw-dropping final sequence that I did not see coming.

In fact, if I am being an honest critic, the film drags at times and is not wholly attention-grabbing, but the wrap-up is exceptionally done. The use of black and white filming and a poor, ethnic, Los Angeles set is winning for the film and proof that Chon is becoming someone to keep an eye on in the years to come.

The time period is 1992 amid the soon-to-be ending Rodney King police brutality trial- news stations and radio programs are abuzz with developments.

The intensity and racial strife are in the air as the trial is reaching its controversial conclusion resulting in tumultuous riots across Los Angeles.

Two Korean American brothers, Eli (Chon) and Daniel (David So) attempt to keep their deceased father’s shoe store alive in a predominantly African American neighborhood.

The twenty-something men hold a unique bond with eleven-year-old Kamilla (Simone Baker), the younger sister of their nemesis, Keith (Curtiss Cook Jr).

Initially, I was immediately struck (and impressed!) by the clever use of black and white cinematography, which I was not expecting from a film with such a small budget. In addition to adding grittiness and texture to the spread-out city, this technique also enhanced the film’s beauty.

There exists something so lovely and peaceful, especially since the shoe store location is centered in a rather remote area, against the looming violence and brutality of some of the roughest scenes the film showcases.

The harshness of the obvious racial slur title that Chon chooses, Gook, is both shocking and brave, immediately grabbing one’s interest and piquing curiosity.

Wisely, this sets the tone for the entire film and viewers will certainly not mistake it for a feel-good affair. Sure there are some light moments of banter between Kamilla and the brothers, but the conclusion of the film brings a painful reminder of how precious life really is.

Yes, the film is admittedly uneven, but that should not be a surprise with a film that teeters around student filmmaking territory. This is hardly a slight, but merely a mention since Chon is so new at his craft.

For example, the pacing is very bizarre; at a sleepy, whimsical pace most of the way, the aforementioned final sequence comes in breakneck fashion. As a terrible, accidentally self-inflicted gunshot wound sends one character to the emergency room, the speed at which the scene occurs is strange in comparison to the rest of the film.

The highlight of Gook is a tremendous, humanistic element.

The earnest and endearing relationship between Eli and Kamilla really shine through the ugliness of other components. Since the young girl comes from a broken home led by tyrannical older brother Keith, she has no father figure to speak of. To compensate for what she lacks she spends a great deal of time with the brothers helping out at the store.

Naturally, she bonds closely with Eli, whose father (presumably murdered) is not on the scene either- so they really embrace each other. Eli serves as a big brother to Kamilla and their scenes are crisp with good dialogue and emotional pizzazz.

Another nice touch that Chon provides with his creation is an instance where the first scene is the same as the last scene- Kamilla doing a ceremonial dance amid the burning storefront.

The final scene is obviously more meaningful and powerful than the opening scene since by this time the audience knows Kamilla’s fate. Another shining example of the artistic talent that Chon has.

Props must be given to a talented up-and-comer in the cinematic scene. Justin Chon serves as an actor, director, creator, and all-around talented performer.

Gook (2017) is far from perfect and suffers from choppy story-telling and erratic elements, but is impressive in the good qualities it brings to the big screen.

Celebrating young filmmakers is fun, encouraging, and necessary to ensure that ambitious ideas are embraced.

Independent Spirit Award Nominations: Kiehl’s Someone to Watch (won)