A Ghost Story-2017

A Ghost Story-2017

Director-David Lowery

Starring-Casey Affleck, Rooney Mara

Scott’s Review #764

Reviewed May 27, 2018

Grade: A-

Marvelous is it to support independent film and I get most of my selections via the annual independent spirit award nominations announced every November.

Rich, creative films that ordinarily would be overlooked are recognized and sometimes treasured instead of forgotten entirely.

A Ghost Story (2017) is a small film fortunate to land big-name stars undoubtedly increasing its audience- I am unsure if this film even played in theaters anywhere.

Nonetheless, the film is a thought-provoking experience that left me both perplexed and fascinated but with the knowledge that I had seen something of worth. I may not have completely understood it, but I also adored it.

Writer and director David Lowery must be in good with Hollywood A-listers Casey Affleck and Rooney Mara, who star in A Ghost Story. The pair also appeared in Lowery’s first film, Ain’t Them Bodies Saints (2013) which received critical acclaim.

Somewhere outside of Dallas, Texas, a young married couple is known as “C” (Affleck) and “M” (Mara) moves into a small house. “C” is a musician with an unusual fondness for the small house that the couple rents.

While “M” desires to leave the house “C” wishes to stay, somehow drawn to it. After “C” is tragically killed in a car accident his spirit returns unable to let go of either his wife or his home eventually stuck in time to watch generations come and go.

A Ghost Story is a cerebral experience as we watch the events from the perspective of “C”. Adding an eerie quality is that “C” is in the form of a ghost- shrouded in a plain white bed sheet with dark circles for the eyes. While “C” does not speak we experience his perceptions and feelings through what he sees.

At first, following “M” around as she mourns his loss, eventually, she moves on and “C” is forced to watch others live in the house. Pitifully, he awaits the return of “M” as hundreds of years go by.

Lowery is so good at creating an ominous and haunting tone mostly through his classical musical score. The film is wonderfully original.

The audience feels the loss and loneliness of both “C” and “M”, but there is a scary quality too. Not in the horror genre way, but rather we do not know what will happen next. When “M” brings a man home “C” is furious and knocks books to the ground and turns the lights on and off. Later, a new family is terrorized when an unhappy “C” breaks all of their dishes in a fit of rage.

A scene that gave me the creeps is when “C”, in spirit form, gazes out the window of his house and notices another ghost looking out the window of the house next door. This ghost looks exactly like him except is female- we know this because her sheet has a flower pattern.

They can communicate without speaking and “C” learns that she has been waiting for someone to come home to her, but it’s been so long that she can’t remember who it is. This scene is sad and filled with despondence.

A forewarning is that the pacing of the film is very slow- perhaps too slow for most. After “M’s” landlord brings her a pie we watch her devour the pie in a very long five-minute scene after which she vomits the contents up.

Despite long this scene is powerful and important as the entire time we view her depression and longing for “C” to return absorbing some little comfort from the pie.

A Ghost Story reaches its creative climax towards the end as the film sort of comes full circle and we begin to understand the circumstances. A dynamic sequence of the passage of time occurs showing the demolition of the house and the development that becomes a thriving city over time. Depressed and desolate “C” jumps off of a high rise.

I was mystified, however, by the final scene and was unable to completely make A Ghost Story (2017) add up (was there a second ghost or a rebirth of “C”?), but that is also part of the intrigue of the film.

Regardless, the film is a worthy watch if only for a story that is cerebral and makes one think. Its central themes of loneliness and loss are depressing, but also fascinating concerning the good story that Lowery creates.

Independent Spirit Award Nominations: John Cassavetes Award

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