Category Archives: Nicole Beharie

Miss Juneteenth-2020

Miss Juneteenth-2020

Director Channing Godfrey Peoples

Starring Nicole Beharie, Alexis Chikaeze

Scott’s Review #1,119

Reviewed March 6, 2021

Grade: B+

I love it when a topic of relevance is explored in film or when an interesting class of people is represented or given a story worth sharing. It enriches everyone.

Black stories and actors are still woefully underutilized in cinema, and there is so much more uncharted territory to explore.

Unless it’s a story about racism, slavery, or blacks being saved by whites, it isn’t always a film that gets made.

Miss Juneteenth (2020) is a film about the black community and how they support and enrich each other, but it’s a story about them and how they strive to live the best lives they can.

Turquoise Jones (Nicole Beharie) is a single mom from the vicinity of Fort Worth, Texas, who leads a household, raises a blossoming teenager (Alexis Chikaeze), and works at a local watering hole.

She’s also a former local beauty queen who once reigned as a “Miss Juneteenth” pageant. The title is meant to celebrate Black culture and enrich the lives of the contestants, with the winner receiving a prestigious scholarship.

Life didn’t turn out as beautifully as the title promised since Turquoise had to drop out when she got pregnant, but she is determined that her daughter, Kai, will become the new Miss Juneteenth, even if Kai wants something else.

To complicate her life, Turquoise’s mother runs a local church and exudes grace and kindness on the surface, but secretly battles booze and judges others.

Turquoise is also embroiled in a love triangle with separated husband Ronnie (Kendrick Sampson) and local funeral home owner Bacon (Akron Watson). The girl has a lot going on!

I love the message that Miss Juneteenth sends, and I hope many within the black community (or any community) see the film. It encourages and inspires those who may not have much money or prospects to be their better selves.

When the pageant contestants are taught which cutlery to use while dining or the difference between a red wine glass and a white wine glass, I champion the teachers; these are life skills that teach sophistication, grace, and class, regardless of one’s financial status.

It’s an important scene to view.

It’s worth noting that Miss Juneteenth doesn’t always hit a home run. I wondered why Turquoise didn’t date Bacon, a man ideally suited for her. He adores her and is quite a catch.

I was frustrated that she kept giving what little money she had to Ronnie. I understand she felt passion for him, but after his many examples of unreliability, why didn’t she move on?

I wanted her to take more initiative, which she eventually did, but it wasn’t entirely satisfying.

Ideally, I wanted her to hit the road and run for Los Angeles or New York City. Beautiful, Torquoise could have made a better life for herself by leaving the town she had always known.

Directed by Channing Godfried Peoples, I wondered how much of the story was autobiographical and personal to her. I also wondered why Turquoise’s mother was written as she was.

Indeed, as a minor character, I would have appreciated more explanation and discussion of their mother-daughter relationship, not just Turquoise and Kai.

Turquoise does live in the past, and her desire to spend a fortune (which she didn’t have) on a pageant dress seemed superfluous and overbearing.

Understood is her determination, though I started to find this aspect slightly irritating after a while. Why didn’t she use the money and leave town?

A character study of one woman’s attempts and struggles to improve her life while residing in her past, Miss Juneteenth (2020) shows the challenges a mother faces when wanting the most for her child.

The story is a familiar one, but Peoples writes and directs with heart and charm, which supersedes the several questions and holes the film has.

The primary win is that it will enrich the lives of those who choose to see it.

Independent Spirit Award Nominations: Best First Feature, Best First Screenplay, Best Female Lead-Nicole Beharie, Best Supporting Female-Alexis Chikaeze