Category Archives: Jake Kasdan

The Accidental Tourist-1988

The Accidental Tourist-1988

Director Lawrence Kasdan

Starring William Hurt, Kathleen Turner, Geena Davis

Scott’s Review #1,215

Reviewed January 1, 2022

Grade: B+

Reuniting stars William Hurt and Kathleen Turner from 1981’s smoldering Body Heat, director Lawrence Kasdan creates a triangle of sorts with the addition of Geena Davis in The Accidental Tourist (1988).

She brings a quirky character to the fold in a film about death, tragedy, and a disintegrating marriage.

Despite the subject matter, it’s not a downer at all but rather a romantic drama brimming with rich characters and relatable situations.

There are laugh-out-loud moments and tender moments, all about the human spirit and the choices we must make.

It’s an above-average flick that received several Oscar nominations and feels patterned after a Woody Allen-style film.

I didn’t necessarily relate to any of the characters, nor did I need to see the film a second time, but I respect that Kasdan creates a picture that doesn’t need car chases, gratuitous violence, or nudity.

The Accidental Tourist is a quiet film about life. It is based on the 1985 novel of the same name written by Anne Tyler.

When their young son is suddenly murdered, the marriage between Macon (Hurt) and his wife, Sarah (Turner), flounders, and she moves out.

After an accident puts him on crutches, Macon goes to stay with his quirky siblings at the family home, where he meets the high-spirited Muriel (Geena Davis). She is a dog trainer with a young son of her own.

Macon develops a slow friendship with them that, surprisingly, blossoms into something more with Muriel. When Sarah learns about the situation, she attempts a reconciliation with Macon, who is forced to make a painful decision.

The intention feels like we, the audience, are supposed to root for Macon and Muriel to get together and not feel much sympathy for Sarah, but I did. After all, she is the one ultimately ditched, and there is nothing like a woman scorned.

I didn’t feel like there was even much of a triangle because the film is centered around Hurt’s character and the choices Macon must face. It’s about how he deals with change and the unexpected turns life can throw at anyone.

Sarah and Muriel must also face the same choices and life circumstances, but the focus is primarily on Macon.

The viewer will likely immerse themselves in these characters as they reflect on their own life and the trials and tribulations they have faced.

Though I have never read the novel, I suspect it is a tad better than the film, which limits the time available to explore the characters. Novels always have more time to delve deeper.

With that said, I got a fair share of backstory about Macon, Muriel, and Sarah, but didn’t gravitate toward any of them over the others.

Regarding the earlier note about The Accidental Tourist being like a Woody Allen film, it has an upbeat, quirky tone that masks much of the heartbreak Macon suffers from with some added comedy.

When Muriel hops a flight to Paris to follow her heart and Macon, it’s something a character in an Allen film would do.

Since Macon is a travel guide writer, the film has a rich cultural and tourism flavor, which is pleasing. London and Paris are the central locales, and Kadan does a great job with the international stuff.

A tad long and dragging at times, The Accidental Tourist (1988) has enough juiciness to satisfy any viewer drawn to well-written screenplays about emotional characters and the ups and downs of life.

Oscar Nominations: 1 win-Best Picture, Best Supporting Actress-Geena Davis (won), Best Screenplay-Based on Material from Another Medium, Best Original Score

Sex Tape-2014

Sex Tape-2014

Director Jake Kasdan

Starring Cameron Diaz, Jason Segel

Scott’s Review #980

Reviewed January 15, 2020

Grade: C

Sex Tape (2014) is a cliched, by-the-numbers, standard romantic comedy that meets expectations, but does little to exceed them.

It is a raunchy affair, perhaps too raunchy for some, and riddled with juvenile moments.

The film contains good chemistry between the leads and is fun up to a point. The final sequence strays too far into dumb, situation comedy-style moments, with too many seen-before stereotypes, that take away most of the preceding fun.

With universally scathing reviews, I expected to hate the film salivating over the opportunity to craft a good, old-fashioned terrible review, but, Sex Tape is marginally fair to middling.

After reuniting again after starring in Bad Teacher (2011), Cameron Diaz and Jason Segel do what they can with the material given, offering strong convictions and fluid moments of enamored charm.

In a supporting role as the boss, Rob Lowe is fine in a stock role, and the child actors are abhorrent (what else is new in romantic comedy casts?)

The film treats the viewer to a brief backstory, narrated by Annie, about the fresh romance between twenty-somethings, Jay and Annie Hargrove (Segel and Diaz).

Much in love, they can barely keep their eyes off each other and have sex at the drop of a hat. Once they settle down and have kids, their romantic interludes must be balanced and scheduled amid bath time, feedings, and the necessity of sleep.

Annie writes a popular blog, expressing the challenges of being a mom, as she bucks for a well-paying job at a company run by Hank Rosenbaum (Lowe).

One day, while feeling naughty, Jay and Annie rapturously and spontaneously decide to record their session of hanky panky on video, to enjoy later.

Predictably, an error occurs, and their lovemaking session is inadvertently synchronized to video to several iPads the couple had given away over time, which is the entire cast.

They struggle to retrieve the iPads and erase their session while being blackmailed by an anonymous viewer.

The strength of Sex Tape is the pairing of Diaz and Segel because without them the film would be nonsense. Chemistry and antics are everything in physical comedy films, and these two have it down.

We accept that the married couple, despite it being ten long years, is still in love with each other, avoiding the doldrums. What they need is a spark and it is fun watching them come up with a sneaky idea.

Even when the film gets bad, the actors are a hoot.

The supporting cast is what one usually gets in a romantic comedy and the wonder is why these characters are always written as a “type” and not better fleshed out.

Examples are Jay and Annie’s best friends, Robby and Tess Thompson (Rob Corddry and Ellie Kemper), one-dimensional and offering merely extensions of the lead characters, with no character development of their own.

The same can be said for Annie’s mother (played by Nancy Lenehan).

The studio’s attempts to promote the latest technological tool, the iPad, to death is strongly evident. If one more iPad appeared on screen I would have screamed. And how is it possible to record yourself in numerous sexual positions with an iPad?

How did they move the iPad and get into those positions? Why did everyone and their brother have an iPad? A weak explanation alluded to Jay’s occupation being somehow responsible.

Sex Tape (2014) does not rewrite the comedy roadmap and will assuredly be forgotten over time- might this film’s bad reviews and the disastrous remake of Annie (2014) be why Diaz retired from acting altogether?

Regardless, for a pleasant Saturday night of silly laughs over a Cosmopolitan or two, this film is okay but for fans of Diaz, watch There’s Something About Mary (1998) instead.