Category Archives: Lawrence Kasdan

The Accidental Tourist-1988

The Accidental Tourist-1988

Director Lawrence Kasdan

Starring William Hurt, Kathleen Turner, Geena Davis

Scott’s Review #1,215

Reviewed January 1, 2022

Grade: B+

Reuniting stars William Hurt and Kathleen Turner from 1981’s smoldering Body Heat, director Lawrence Kasdan creates a triangle of sorts with the addition of Geena Davis in The Accidental Tourist (1988).

She brings a quirky character to the fold in a film about death, tragedy, and a disintegrating marriage.

Despite the subject matter, it’s not a downer at all but rather a romantic drama brimming with rich characters and relatable situations. There are laugh-out-loud moments and there are tender moments all about the human spirit and choices we must make.

It’s an above-average flick that received several Oscar nominations and feels patterned after a Woody Allen-style film. I didn’t necessarily relate to any of the characters nor need to see the film a second time but I respect that Kasdan creates a picture not needing car chases or gratuitous violence or nudity.

The Accidental Tourist is a quiet film about life. It is based on the 1985 novel of the same name written by Anne Tyler.

When their young son is suddenly murdered, the marriage between Macon (Hurt) and his wife Sarah (Turner) flounders, and she moves out. After an accident puts him on crutches, Macon goes to stay with his quirky siblings at the family home, where he meets the high-spirited Muriel (Geena Davis).

She is a dog trainer with a young son of her own. Macon develops a slow friendship with them that surprisingly blossoms into more with Muriel. When Sarah learns about the situation, she attempts a reconciliation with Macon who is forced to make a painful decision.

The intention feels like we, the audience, are supposed to root for Macon and Muriel to get together and not feel much sympathy for Sarah but I did. After all, she is the one ultimately ditched and there is nothing like a woman scorned.

I didn’t feel like there was even much of a triangle because the film is centered around Hurt’s character and the choices Macon must face. It’s about how he deals with change and the unexpected turns of events that life can throw at anybody. Sarah and Muriel must also deal with the same choices and life circumstances but the focus is more on Macon.

The viewer will likely immerse themselves in these characters as they think about their own life and the trials and tribulations that have occurred.

Though I never read the novel I suspect it is a tad better than the film which limits the amount of time to explore the characters. Novels always have more time to delve deeper.

With that said I got a fair share of backstory about Macon, Muriel, and Sarah but didn’t gravitate to any of them over the others.

Regarding the earlier note about The Accidental Tourist being like a Woody Allen film, it has an upbeat, quirky tone that masks much of the heartbreak Macon suffers from with some added comedy. When Muriel hops a flight to Paris to follow her heart and Macon it’s something a character in an Allen film would do.

Since Macon is a writer of travel guides the film contains rich flavor for culture and tourism which is pleasing. London and Paris are the central locales and Kadan does a great job at the international stuff.

A tad long and dragging at times The Accidental Tourist (1988) has enough juiciness to keep any viewer attracted to well-written screenplays about emotional characters and the ups and downs of life satisfied.

Oscar Nominations: 1 win-Best Picture, Best Supporting Actress-Geena Davis (won), Best Screenplay-Based on Material from Another Medium, Best Original Score

Raiders of the Lost Ark-1981

Raiders of the Lost Ark-1981

Director Steven Spielberg

Starring Harrison Ford, Karen Allen

Scott’s Review #757

Reviewed May 15, 2018

Grade: A

A film that kicked off the tremendously successful and ever-so-fun 1980s trilogy, Raiders of the Lost Ark (1981) is a treasure in the adventure genre time capsule.

Director Steven Spielberg embarks on the journey of one of the most highly visible film heroes in of Indiana “Indie” Jones, a swashbuckling, aww shucks kind of guy.

Harrison Ford is perfectly cast in a role that perfectly fits him and, besides Han Solo, defined him during the decade- the best role of his career if you ask me.

Wonderful to watch in sequence with the even more superb Indiana Jones and the Temple of Doom (1984), these two films are a pure pleasure as our hero faces dangerous obstacles at every turn while either chased by or pursuing sinister robbers or other undesirables.

All the while Indie keeps his familiar sly grin and numerous jokes to entertain audiences.

Raiders of the Lost Ark has it all with superior writing, editing, cinematography, art direction, sound, and visual effects.

They reaped many Oscar nominations, quite uncommon for an adventure tale, but the merits were warranted. Atypical compared to other films of this type, the film is not overly saturated with phony machismo or unnecessary “guy” stuff, but rather appealing and genuine.

The time is 1936 and archaeologist Indiana Jones works as a professor at a University. Known for retrieving ancient artifacts he is contacted by Army intelligence officers who ask him to help stop the Nazis from acquiring the Ark of the Covenant which they believe will make their armies invincible, allowing them to conquer the world in a sinister fashion.

Events lead Indie to Marion (Karen Allen), who harbors resentment towards him for a failed past romance.

The rest of the film follows the pair throughout Nepal and Cairo in an attempt to recover the Ark before the Nazis do.

Raiders of the Lost Ark contains all of the elements of a successful “hit” movie and has blockbuster written all over it. This is not a slight against the film, but rather a testament to all involved.

Led by the successful Spielberg who knows how to connect all the dots, first and foremost Ford infuses charisma into his character so that the audience enjoys his sensibilities and desire for the truth.

Indie is intent on protecting humankind so Spielberg carves a “good versus bad” approach- making the villainous Nazis the antithesis of Jones which creates a clear rooting value.

My favorite scene in the film is nicknamed the “face-melting scene” and contains state-of-the-art special effects that compelled and mesmerized me and also led to light nightmares for any kid under the age of twelve.

The way that the bad guys see swirling, benevolent ghosts- first beautiful and peaceful, but soon turning deadly- cause their faces to melt off or shrivel-the scene is both inventive and dramatic.

Not to be dismissed as trite or fluff are the exciting and memorable scenes dubbed “the snake scene” and “the rolling boulder scene”.  In the former Indie wryly admits his fear and trepidation of snakes as he must traverse a huge pit filled with thousands of them and he comes face to face with a deadly King Cobra.

In the latter scene, Indie must outrun a speeding boulder as he takes an ancient artifact from a sacred spot inside a cave, causing boulders to collapse around him.

Both scenes are enormous fun and the immeasurable edge-of-your-seat sequences.

I never sensed much chemistry between actors Ford and Allen, but writing the characters of Indie and Marion as former lovers adds a good bit of tension and sparring between the characters- this provides some good fodder and humorous situations.

Thankfully the romance between the two is neither the focal point of the film nor all too important, but rather, in the safety that the 1980’s cinema was- merely a necessity.

Raiders of the Lost Ark (1981) is a superb adventure film holding up better than it should decades beyond release. The film is rich with good old-fashioned action, a charismatic hero, thrills, intrigue, and a good history lesson for those interested in the build-up to World War II.

The accounts are fictional of course, but Spielberg offers a fine 1980s cinematic experience that’s got it all.

Oscar Nominations: 4 wins-Best Picture, Best Director-Steven Spielberg, Best Original Score, Best Sound (won), Best Art Direction (won), Best Cinematography, Best Film Editing (won), Best Visual Effects (won)