Category Archives: CCH Pounder

The Naked Gun-2025

The Naked Gun-2025

Director Akiva Schaffer

Starring Liam Neeson, Pamela Anderson

Scott’s Review #1,501

Reviewed November 20, 2025

Grade: B-

With different levels of cinema for audiences to choose from, The Naked Gun (2025), a reboot of a long-dormant franchise, is meant for a particular spoof comedy fan who expects goofiness over a heavy subject matter.

It’s not The Godfather (1972), 2001: A Space Odyssey (1968), or Vertigo (1958), and pondering a more profound meaning or luxuriating in great visual art will not happen.

Instead, for some tepid chuckles and escapist fare from a rough day at work or a family matter one is hoping to run away from, director Akiva Schaffer crafts a smirky one-liner riddled experience in lunacy.

The fourth in The Naked Gun franchise, and the first in over 30 years, the plot follows the son (Liam Neeson) of Lt. Frank Drebin, also named Frank Drebin, as he steps into his father’s footsteps to prevent the closure of Police Squad.

Fans know that Leslie Nielsen played bumbling Frank senior in the first three installments, while George Kennedy played his sidekick, Captain Ed Hocken. Priscilla Presley played love interest Jane Spencer.

Essentially, Nielsen is replaced by Neeson, Kennedy by Paul Walter Heiser, and Jane by Pamela Anderson.

Preseley does quickly appear in a cameo (if you could even call it that), sitting on a sofa watching television.

While it is familiar territory to someone like me, who has seen only one other in the series and barely remembers it, the pattern is very one-note and more of a retro greatest hits compilation than anything new and noteworthy. 

If we’re talking the 1980s, think Police Academy for a similar reference, and there is little reason I see to dust the franchise off the shelf.

We meet the new Lieutenant Frank Drebin Jr. of the LAPD Police Squad, who single-handedly dispatches a gang of bank robbers while disguised as a schoolgirl.

The fact that he morphs from a 3-foot-tall girl into a 6-foot-tall grown man is expected to be plausible.

Unbeknownst to Drebin, the bank heist is a distraction to steal a gadget called the “P.L.O.T. (“Primordial Law Of Toughness”) Device” from a safe deposit box by the film’s villain Richard Cane (Danny Huston), who is intent on reverting the human race to primal animals who kill each other.

This is to make sure that the world’s billionaires are safe to rule the planet.

The audience is not expected to wonder who will be left to serve the billionaires, or otherwise do the world’s grunt work.

The fewer plot points asked, the better.

Predictably, hard-edged Police Chief Davis (CCH Pounder) reassigns Frank when his over-the-top law enforcement becomes a legal liability.

From there, we watch Drebin eat bad food, have diarrhea, and suffer further embarrassments while working alongside Beth Davenport (Anderson), a crime novelist, to figure out why her brother died in a car accident deemed a suicide.

It’s hard to believe Neeson is the same actor who received an Oscar nomination for playing Oskar Schindler in the 1993 masterpiece Schindler’s List.

Still, shifting to an action star in 2008 proves that some actors accept projects to stay relevant.

While the plot is inane and easy to dissect with over-the-top plot points, overacting, and silly potty jokes, it can almost be overlooked for simple moments that bring a sliver of joy.

The chemistry between Neeson and Anderson is not bad, mainly because the actors know how to create it. As they banter and deliver monotone dialogue, the woodenness actually becomes an asset.

The scenes that made me smile were solely between the duo as they embraced the lines served to them to the best of their ability. Creating enough comic wit to remain entertaining, I clamored for more between the two and less of the ridiculousness of everything else.

Neeson and Anderson are the saving grace in an otherwise shit show.

The Naked Gun (2025) knows what kind of film it is, which helps level-set expectations. There is something refreshingly silly about anticipating a bad movie and having fun with it nonetheless.

Avatar-2009

Avatar-2009

Director James Cameron

Starring Sam Worthington, Zoe Saldana

Scott’s Review #572

Reviewed December 29, 2016

Grade: A

Acclaimed director James Cameron has done it again- similar to Titanic, he has created a masterpiece, but, oddly in one facet of the film, not the entire ball of wax.

Avatar (2009) has two main factors to evaluate- the story and the visual aspect. Both are crucial, but the visual experience is immeasurable, so much so that the story is nearly irrelevant.

Futuristic in the timeline and set in the Twenty-second century, human beings begin to colonize Pandora, a lush planet, filled with lavish forests and creatures who flutter about.

Planet Earth has become depleted of resources, causing scientists to utilize Pandora for their gain. Poisonous to humans, visitors must wear protection.

Sam Worthington portrays Jake Scully, a paraplegic former Marine, who visits Pandora and falls in love with Neytiri, a native creature of the planet.

From a story perspective, Avatar is very ordinary and nothing separates the story from others that have come before it.

At the center is a love story and a rather predictable one in nature, but this is not the reason to view Avatar. Jake and Neytiri are sweet together, but I had much more fun watching the film than caring what happened between the pair.

Visually, Avatar is one of the most amazing films I have ever seen. The intricate style and the attention to detail are astounding- this is my favorite aspect of Avatar and why I feel that the story is not the reason to see the film.

Everything, from the art direction to the background pieces is perfectly made. Natives of Pandora are all CGI- blue/green in color and are gorgeous, peaceful, and moving.

Avatar will likely go down in history as a groundbreaking film- it is a visual feast.

The anti-war slant is also impressive to me, but the creative, and technical achievements set this film over the top.

James Cameron creates a magical, absorbing film that must be cherished.

Oscar Nominations: 3 wins-Best Picture, Best Director-James Cameron, Best Original Score, Best Sound Editing, Best Sound Mixing, Best Art Direction (won), Best Cinematography (won), Best Film Editing, Best Visual Effects (won)