The Seduction of Mimi-1972
Director Lina Wertmüller
Starring Giancarlo Giannini, Mariangela Melato, Agostina Belli
Scott’s Review #1,420
Reviewed February 4, 2024
Grade: B+
Lina Wertmüller, a visionary female director around a time when there were few female directors with notoriety, created The Seduction of Mimi (1972), a flavorful Italian adventure/drama/comedy.
Any fans of Federico Fellini will immediately draw comparisons to his films with saucy banter, odd characters, and lively music. But amid the fun exists importance.
Wertmüller produces a film with more of a defined plot focus than Fellini usually does.
The key to the enjoyment of The Seduction of Mimi is twofold. Actors, Giancarlo Giannini and Mariangela Melato starred in three of Wertmüller’s films together, usually as love-torn yet bickering couples with lots of drama and misunderstandings.
The other films are Love and Anarchy (1973) which I have not seen and Swept Away (1974) which I have seen.
The actors work so well together that anyone familiar with them will instantly be delighted especially during high-energy scenes when they spar or passionately solidify their romantic intentions.
Giannini was Wertmüller’s muse in a time when rarely if ever a male actor was a muse of a female director.
The other nicety is the title of the film. One might assume (I did) that the character of Mimi is female and is seduced by a male but in Wertmüller’s film, it is the reverse. This causes traditional gender stereotypes to be turned on their heads with more awareness of assumptions.
Mimi (Giannini) is a Sicilian dockworker who inadvertently becomes involved in an increasingly complicated series of personal conflicts.
After he loses his job after voting against a Mafia kingpin in a ‘secret’ election, Mimi leaves his frazzled wife Rosalia (Agostina Belli) to find work. He moves to Turin, where he engages in an affair with a Communist organizer, Fiorella Meneghini (Melato).
Soon Mimi finds himself juggling not two but three relationships and three children while plotting to take revenge against the corrupt forces that ruined his life.
The Seduction of Mimi is quite good but I’m more partial to her other films like Swept Away and the hysterically brash Seven Beauties (1975), her best work in my opinion.
Still, there is a lot to enjoy about ‘Seduction’.
Taking nothing away from Melato’s performance, Mimi is the focal point and Giannini is a pure delight. For viewers unfamiliar with his work, his dazzling green eyes and almost manic style fills the character with pizazz and passion.
The actor is also great at making his wacky shenanigans seem realistic.
Beyond the hijinks, Wertmüller offers serious messages about sexual hypocrisies, political dilemmas, and corruption. She mixes jokes with purpose so that the audience learns a thing or two while being richly entertained.
Like her obvious mentor, Fellini, she appreciates good satire and incorporates that into her films.
Visually, there’s some cool and wacky camera-angle stuff going on. Mimi repeatedly notices moles, beauty marks, or otherwise odd eccentric facial features which come into focus as shaky closeup camera shots.
Since the film is so Italian it’s joyful to watch it for this aspect alone. There are frequent sequences shot on location in Sicily, and around Italy, a treat for those partial to European films.
The Seduction of Mimi (1972) is a film I’d like to see again for more appreciation and further examination. It’s a film that has more going on than meets the eye and leaves its viewer pondering more specifically regarding the Union storyline.
